Soul/Club/Rap
CDアルバム

Pax Americana

0.0

販売価格

¥
3,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2019年07月05日
国内/輸入 輸入
レーベルSmalltown Supersound
構成数 1
パッケージ仕様 -
規格品番 SMTS3562
SKU 7072822356200

構成数 : 1枚
合計収録時間 : 00:00:00
While it might've made sense to peg Andre Bratten as a nu-disco producer in 2013, when his first album was issued by Prins Thomas' Full Pupp label, he quickly moved beyond that sound with his successive releases. Following 2015's Gode, a much darker full-length which seemed to completely shun any notion of DJ friendliness, rather opting for a more expressive form of doomy downtempo and abstract techno, Bratten moved from the city of Oslo to a suburb, and he completely rebuilt his studio, restructuring all of his analog music equipment. A series of limited 12" singles appeared, and some of these tracks resurface on Pax Americana. The short album immediately sounds far more club-ready than Gode, but it's still a far cry from his disco-influenced early material. Instead, the tracks explore a sort of Drexciyan electro that sounds like the perfect soundtrack to cruise around the city in a sleek, futuristic auto late at night. However, while opener "HS" sounds cool and carefree, there's a much darker, more chilling undertow to tracks like the creeping, ominous "Commonwealth." "Pax Americana" and "Recreation 26B" both seem to originate from a similar mindset, with lightly skittering yet precise electro beats forging a path through lush, growing synths, as mysterious street sounds and voices are audible deep in the background. Both tracks are soothing as well as touching, and they're easily the most gorgeous work Bratten has ever produced. Among all this, there's also "Ranx," a fun, propulsive track with braindance synth pulsations and explosive, choppy breakbeats. Gode was clearly a bold, daring step into unknown territory for Bratten, and Pax Americana is just as impressive, in addition to being much more accessible. ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      HS
    2. 2.
      Pax Americana
    3. 3.
      426
    4. 4.
      Commonwealth
    5. 5.
      Ranx
    6. 6.
      Recreation 26B

作品の情報

メイン
アーティスト: Andre Bratten

オリジナル発売日:2019年

商品の紹介

While it might've made sense to peg Andre Bratten as a nu-disco producer in 2013, when his first album was issued by Prins Thomas' Full Pupp label, he quickly moved beyond that sound with his successive releases. Following 2015's Gode, a much darker full-length which seemed to completely shun any notion of DJ friendliness, rather opting for a more expressive form of doomy downtempo and abstract techno, Bratten moved from the city of Oslo to a suburb, and he completely rebuilt his studio, restructuring all of his analog music equipment. A series of limited 12" singles appeared, and some of these tracks resurface on Pax Americana. The short album immediately sounds far more club-ready than Gode, but it's still a far cry from his disco-influenced early material. Instead, the tracks explore a sort of Drexciyan electro that sounds like the perfect soundtrack to cruise around the city in a sleek, futuristic auto late at night. However, while opener "HS" sounds cool and carefree, there's a much darker, more chilling undertow to tracks like the creeping, ominous "Commonwealth." "Pax Americana" and "Recreation 26B" both seem to originate from a similar mindset, with lightly skittering yet precise electro beats forging a path through lush, growing synths, as mysterious street sounds and voices are audible deep in the background. Both tracks are soothing as well as touching, and they're easily the most gorgeous work Bratten has ever produced. Among all this, there's also "Ranx," a fun, propulsive track with braindance synth pulsations and explosive, choppy breakbeats. Gode was clearly a bold, daring step into unknown territory for Bratten, and Pax Americana is just as impressive, in addition to being much more accessible. ~ Paul Simpson|
Rovi

2015年の前作『Gode』でエレクトロニカからインディー・ロックまで幅広いリスナー層を射止めたアンドレ・ブラッテン。しかし2018年リリースのシングルではテクノへと大胆にシフトしてガラリと方向転換していた。その流れを引き継いだこちらのニュー・アルバムは、ドレクシア的な深海エレクトロとボーズ・オブ・カナダに通じるIDMや幽玄なシンセを融合。少しばかり無機質ではあるが、感情を突き動かされる良作である。
bounce (C)青木正之
タワーレコード(vol.429(2019年7月25日発行号)掲載)

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