Rock/Pop
LPレコード

Document＜Translucent Gold Vinyl/限定盤＞

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4,690
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還元ポイント
42pt

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フォーマット LPレコード
発売日 2019年07月03日
国内/輸入 輸入(アメリカ盤)
レーベルCapitol
構成数 1
パッケージ仕様 -
規格品番 B002832201
SKU 602567540588

構成数 : 1枚
合計収録時間 : 00:39:23
R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass, keyboards, background vocals); Bill Berry (drums). Additional personnel: Steve Berlin (horns); Carl Marsh (synthesizer). Recorded at Sound Emporium, Nashville, Tennessee. R.E.M.'s final album for IRS Records, 1987's DOCUMENT was the Georgia quartet's commercial breakthrough. The initial single, the spookily obsessive "The One I Love," was an unexpected Top 10 hit, and its follow-up, the "Subterranean Homesick Blues"-style rant "It's the End of the World as We Know It (And I Feel Fine)," became one of R.E.M.'s most renowned songs. The first R.E.M. album produced by Scott Litt (soon to be a frequent collaborator) DOCUMENT skillfully blends the commercial gloss of LIFE'S RICH PAGEANT and the mysterioso murk of FABLES OF THE RECONSTRUCTION, combining the best elements of both for what would soon become R.E.M.'s signature sound. (Note the thumping rhythm section on the opening "Finest Worksong" and the oddly buoyant melody of "Exhuming McCarthy.") The band even manages to salute one of its favorite predecessors by romping through a loose, fun cover of Wire's "Strange."

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Welcome To The Occupation

      アーティスト： R.E.M.

    2. 2.
      Exhuming McCarthy

      アーティスト： R.E.M.

    3. 3.
      Disturbance At The Heron House

      アーティスト： R.E.M.

    4. 4.
      Strange

      アーティスト： R.E.M.

    5. 5.
      It's The End Of The World As We Know It (And I Feel Fine)

      アーティスト： R.E.M.

  2. 1.[LPレコード]

    【B面】

    1. 1.
      The One I Love

      アーティスト： R.E.M.

    2. 2.
      Fireplace

      アーティスト： R.E.M.

    3. 3.
      Lightnin' Hopkins

      アーティスト： R.E.M.

    4. 4.
      King Of Birds

      アーティスト： R.E.M.

    5. 5.
      Oddfellows Local 151

      アーティスト： R.E.M.

作品の情報

メイン
アーティスト： R.E.M.

オリジナル発売日：1987年

商品の紹介

Rolling Stone (11/89) - Ranked #41 in Rolling Stone's "100 Best Albums Of The Eighties" survey. Q (7/99, p.136) - 4 stars out of 5 - "...makes interesting archival listening. It shows a group cresting the cusp between art-rock alternative-ism and chart friendliness....the general impression is of a band freed from constraints, rocking with a vengeance..." Blender (Magazine) (p.106) - 4 stars out of 5 -- "On album five, R.E.M. went platinum for the first time..."
Rovi

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process. ~ Stephen Thomas Erlewine
Rovi

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