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Rock/Pop
CDアルバム

Title Of Record

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フォーマット CDアルバム
発売日 2019年08月09日
国内/輸入 輸入
レーベルConcord / Craft Recordings
構成数 1
パッケージ仕様 -
規格品番 CR00177
SKU 888072087637

構成数 : 1枚
合計収録時間 : 00:00:00
Filter: Richard Patrick (vocals, guitar, bass, programming); Geno Lenardo (guitar, coral sitar, mandolin, bass, programming); Frank Cavanaugh (bass); Steven Gillis (drums, percussion). Recorded at Abyssinian Sons Studio, Chicago, Illinois and The Mix Room, Burbank, California. Filter's 1995 debut Short Bus broke through at the exact moment when Nine Inch Nails soundalikes began dominating the modern rock charts. Filter had more credit to their sound than any of their peers -- their leader Richard Patrick had played in the touring incarnation of NIN. Nevertheless, many critics had written the band off as one-hit wonders with the crossover single "Hey Man, Nice Shot" being their one shot at glory. Since it took them four years to deliver the followup Title of Record, it could appear to the casual observer that the delay was proof positive that the band was a flash in the pan, but the album itself proves them wrong. If anything, it's a stronger album than its predecessor, with more sonic details and stronger songwriting. Title of Record is still firmly within the industrial-metal tradition -- parts of it sound like it could have been on Short Bus, actually -- but it's surprising how often Patrick bends the rules. There's trippy neo-psychedelic pop vocals that close "Captain Bligh," and even when the music rages (which it does throughout the record), there are subtle differences in tension and dynamics that keep it fresh and engaging throughout. It is true that Filter sound a little out of place within the modern rock world of 1999, where the aggro-metal is rooted in hip-hop not industrial, but that doesn't mean that Title of Record isn't a strong album on its own merits, according to the rules of its genre. ~ Stephen Thomas Erlewine

  1. 1.[CDアルバム]
    1. 1.
      Sand
    2. 2.
      Welcome to the Fold
    3. 3.
      Captain Bligh
    4. 4.
      It's Gonna Kill Me
    5. 5.
      The Best Things
    6. 6.
      Take a Picture
    7. 7.
      Skinny
    8. 8.
      I Will Lead You
    9. 9.
      Cancer
    10. 10.
      I'm Not the Only One
    11. 11.
      Miss Blue
    12. 12.
      Jurassitol
    13. 13.
      (Can't You) Trip Like I Do
    14. 14.
      Take Picture (H&H Remix)
    15. 15.
      The Best Things (Humble Brothers Remix)

作品の情報

メイン
アーティスト： Filter

商品の紹介

Rolling Stone (9/2/99, pp.107-8) - 3 stars (out of 5) - "...it's an album that finds [Filter] in transition...and at a crossroads of modern rock, wiring industrial not only into grunge but also folk, world beat and psychadelia..." Entertainment Weekly (8/20-27/99, p.128) - "...Make no mistake, Filter are still derivative, but their attention to melody and craft is refreshing." - Rating: B Q (9/99, p.106) - 4 stars (out of 5) - "...[It] is the sound of [Richard] Patrick ditching his past and finding his own style, a mixture of hazy FM vocals, corrosive guitars, psychedelic loops, restrained NIN-otronics and mud-hurling lyrics about a failed relationship..." Alternative Press (9/99, p.89) - 4 out of 5 - "...gloriously dysfunctional...and nerve-damaged...if TITLE OF RECORD sounds fragile and primal, geeky and dangerous, loving and loathing, it's because art imitates life." Mojo (Publisher) (9/99, p.109) - "...if you shou;d ever feel the twitch of an air-solo in your fingertips, check this out. As brain-mashingly heavy as you'd expect from an escapeee from industrial champs NIN..."
Rovi

Filter's 1995 debut Short Bus broke through at the exact moment when Nine Inch Nails soundalikes began dominating the modern rock charts. Filter had more credit to their sound than any of their peers -- their leader Richard Patrick had played in the touring incarnation of NIN. Nevertheless, many critics had written the band off as one-hit wonders with the crossover single "Hey Man, Nice Shot" being their one shot at glory. Since it took them four years to deliver the followup Title of Record, it could appear to the casual observer that the delay was proof positive that the band was a flash in the pan, but the album itself proves them wrong. If anything, it's a stronger album than its predecessor, with more sonic details and stronger songwriting. Title of Record is still firmly within the industrial-metal tradition -- parts of it sound like it could have been on Short Bus, actually -- but it's surprising how often Patrick bends the rules. There's trippy neo-psychedelic pop vocals that close "Captain Bligh," and even when the music rages (which it does throughout the record), there are subtle differences in tension and dynamics that keep it fresh and engaging throughout. It is true that Filter sound a little out of place within the modern rock world of 1999, where the aggro-metal is rooted in hip-hop not industrial, but that doesn't mean that Title of Record isn't a strong album on its own merits, according to the rules of its genre. ~ Stephen Thomas Erlewine
Rovi

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