Rock/Pop
CDアルバム

And Now For The Whatchamacallit

5.0

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フォーマット CDアルバム
発売日 2019年05月31日
国内/輸入 輸入
レーベルMarathon
構成数 1
パッケージ仕様 -
規格品番 MA0193CD
SKU 5052442015789

構成数 : 1枚
合計収録時間 : 00:33:16
Go ahead and read that name… Psychedelic Porn Crumpets. Respond as needed, then set it to the side for about 33 minutes. Do likewise with And Now for the Whatchamacallit, a blandly ambiguous title likely stemming from some inside joke shared by its four creators. Behind this veil of overt psych nuttiness lies a rather impressive album made with plenty of craft and attention to detail. On their first two releases, the Australian combo developed a riffy 21st century take on guitar-based psych rock, filtering the progressive elements of forebears like Pink Floyd and Soft Machine through more contemporary heroes like Tame Impala and adding a dose of garage grit. Not nearly as wacky as their name suggests, they came out of the gate with the chops of a band who put in their time at the rehearsal space. On album number three, PPC tighten their approach, turning in a more muscular and intricate set with some blazing guitar work and clever melodies. The dueling axes of Jack McEwan and Luke Parish are at the heart of the band's sound with the former also providing lead vocals. With its mighty guitarmonies and tuneful thump, the infectious "Bill's Mandolin" is the most immediately pleasing highlight here, though the soaring, spacy pomp of "Social Candy" and the labyrinthine layers of "Native Tongue" also offer plenty in terms of their musicality. Tucked inside the gaps are interesting tonal layers and little experimental shifts that expand the dimensions of what are otherwise, tightly built rock songs with great fuzzed-out riffs. It's a bit of a shame that the band's name may turn potential fans away at the door, but PPC work pretty hard to overcome their self-imposed handicap and turn in an exciting and solidly built third LP. ~ Timothy Monger

  1. 1.[CDアルバム]
    1. 1.
      Keen for Kick Ons?

      アーティスト: Psychedelic Porn Crumpets

    2. 2.
      Bill's Mandolin

      アーティスト: Psychedelic Porn Crumpets

    3. 3.
      Hymn for Droid

      アーティスト: Psychedelic Porn Crumpets

    4. 4.
      Fields, Woods, Time

      アーティスト: Psychedelic Porn Crumpets

    5. 5.
      Native Tongue

      アーティスト: Psychedelic Porn Crumpets

    6. 6.
      Social Candy

      アーティスト: Psychedelic Porn Crumpets

    7. 7.
      My Friends a Liquid

      アーティスト: Psychedelic Porn Crumpets

    8. 8.
      When in Rome

      アーティスト: Psychedelic Porn Crumpets

    9. 9.
      Digital Hunger

      アーティスト: Psychedelic Porn Crumpets

    10. 10.
      Dezi's Adventure

      アーティスト: Psychedelic Porn Crumpets

作品の情報

メイン
アーティスト: Psychedelic Porn Crumpets

商品の紹介

Go ahead and read that name… Psychedelic Porn Crumpets. Respond as needed, then set it to the side for about 33 minutes. Do likewise with And Now for the Whatchamacallit, a blandly ambiguous title likely stemming from some inside joke shared by its four creators. Behind this veil of overt psych nuttiness lies a rather impressive album made with plenty of craft and attention to detail. On their first two releases, the Australian combo developed a riffy 21st century take on guitar-based psych rock, filtering the progressive elements of forebears like Pink Floyd and Soft Machine through more contemporary heroes like Tame Impala and adding a dose of garage grit. Not nearly as wacky as their name suggests, they came out of the gate with the chops of a band who put in their time at the rehearsal space. On album number three, PPC tighten their approach, turning in a more muscular and intricate set with some blazing guitar work and clever melodies. The dueling axes of Jack McEwan and Luke Parish are at the heart of the band's sound with the former also providing lead vocals. With its mighty guitarmonies and tuneful thump, the infectious "Bill's Mandolin" is the most immediately pleasing highlight here, though the soaring, spacy pomp of "Social Candy" and the labyrinthine layers of "Native Tongue" also offer plenty in terms of their musicality. Tucked inside the gaps are interesting tonal layers and little experimental shifts that expand the dimensions of what are otherwise, tightly built rock songs with great fuzzed-out riffs. It's a bit of a shame that the band's name may turn potential fans away at the door, but PPC work pretty hard to overcome their self-imposed handicap and turn in an exciting and solidly built third LP. ~ Timothy Monger|
Rovi

オーストラリアはパースを拠点とする彼らは、同郷のテーム・インパラと同じく60sサイケからの影響色濃い音を鳴らしながらも、よりアグレッシヴ。グルーヴィーなリズム隊にヴォーカルと一緒にメロディーを歌うギター、そして分厚い音の壁を感じさせるサウンド・プロダクション。〈懐古主義〉という言葉をぶっ飛ばすようなアツい衝動がここに。
bounce (C)保坂隆純
タワーレコード(vol.429(2019年7月25日発行号)掲載)

メンバーズレビュー

2件のレビューがあります
5.0
100%
0%
0%
0%
0%
60sのサイケからの影響を強く感じさせながら、
ゴリゴリのギターあり、日本人馴染みしやすいポップなメロディありと、まさしくごった煮バンド。
爆音のノイズにサイケデリックな映像がシンクロして異空間を創り出したサマソニも素晴らしかった!
0
かっこいい。すっかりはまってしまいました。色々なテイストの曲が収録されて、色々な一面を垣間見ることができて飽きません。「Hymn For A Droid」が最高にかっこいい。「Digital Hunger」もお気に入りです。
2020/04/24 TMさん
0

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