Jazz
CDアルバム

Affenstunde

0.0

販売価格

¥
3,190
税込
還元ポイント

販売中

お取り寄せ
発送目安
14日~35日

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

フォーマット CDアルバム
発売日 2019年05月03日
国内/輸入 輸入
レーベルBMG
構成数 1
パッケージ仕様 デジパック
規格品番 BGRT83922A2
SKU 4050538392272

構成数 : 1枚
合計収録時間 : 00:50:13
Affenstunde is the debut recording by composer and multi-instrumentalist Florian Fricke's Popol Vuh, named for the sacred Mayan text. It was issued on the Liberty label in Germany in 1970 and has been in print, off and on, in Europe, Japan, and even in the United States sporadically since that time. For those completely dislocated by Tangerine Dream's early experiments in sonic terror and dynamics, Affenstunde is somehow akin yet very different. Fricke's synthesizers are more interested in pulse and circularity, not utter dislocation and shock. The music here all seems of a piece, despite the different selection titles and the single percussion piece on the set, "Dream, Pt. 5" -- primitive hand drums run through the middle of the mix. Other than this selection, the entire album would have made a fantastic soundtrack for Andrei Tarkovsky's film Solaris. The sheer momentum of the title cut, which closes the album and integrates spacious electronic soundscapes, ever deepening tonalities, found taped choral vocals whispering in the background, and percussion is one of the most provocative pieces to come from the Krautrock generation. This is an auspicious debut, which holds up wonderfully in the 21st century. ~ Thom Jurek
エディション : Remaster

  1. 1.[CDアルバム]
    1. 1.
      Ich mache einen Spiegel: Dream, Pt. 4
    2. 2.
      Ich mache einen Spiegel: Dream, Pt. 5
    3. 3.
      Ich mache einen Spiegel: Dream, Pt. 49
    4. 4.
      Affenstunde
    5. 5.
      Train Through Time

作品の情報

メイン
アーティスト: Popol Vuh

オリジナル発売日:1970年

商品の紹介

Affenstunde is the debut recording by composer and multi-instrumentalist Florian Fricke's Popol Vuh, named for the sacred Mayan text. It was issued on the Liberty label in Germany in 1970 and has been in print, off and on, in Europe, Japan, and even in the United States sporadically since that time. For those completely dislocated by Tangerine Dream's early experiments in sonic terror and dynamics, Affenstunde is somehow akin yet very different. Fricke's synthesizers are more interested in pulse and circularity, not utter dislocation and shock. The music here all seems of a piece, despite the different selection titles and the single percussion piece on the set, "Dream, Pt. 5" -- primitive hand drums run through the middle of the mix. Other than this selection, the entire album would have made a fantastic soundtrack for Andrei Tarkovsky's film Solaris. The sheer momentum of the title cut, which closes the album and integrates spacious electronic soundscapes, ever deepening tonalities, found taped choral vocals whispering in the background, and percussion is one of the most provocative pieces to come from the Krautrock generation. This is an auspicious debut, which holds up wonderfully in the 21st century. ~ Thom Jurek|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。