Rock/Pop
CDアルバム

These Times

0.0

販売価格

¥
2,190
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2019年05月10日
国内/輸入 輸入(ヨーロッパ盤)
レーベルADA/Epitaph/Anti
構成数 1
パッケージ仕様 -
規格品番 1409276592
SKU 8714092765922

構成数 : 1枚
合計収録時間 : 00:00:00
The Dream Syndicate's 2017 comeback album, How Did I Find Myself Here?, was a work that captured the feel of Steve Wynn's groundbreaking band of the '80s far more than its sound, with a broad, adventurous approach that pushed their sound far closer to psychedelia that it had gone in their original incarnation. (The "eyeballs over the desert" cover art is also significantly more lysergic than one might expect.) If Wynn was hoping to establish a distinct sonic identity for the Dream Syndicate in the 21st century, he's certainly stuck to his guns, as 2019's These Times is very much of a piece with How Did I Find Myself Here?, and a very different beast than the band with Karl Precoda or Paul B. Cutler on lead guitar. Then again, if smart songwriting and a lot of guitar have always been at the root of this group's formula, These Times more than qualifies, and it's a tighter and more exciting set than How Did I Find Myself Here? Wynn and his bandmates -- guitarist Jason Victor, keyboardist Chris Cacavas, bassist Mark Walton, and drummer Dennis Duck -- are better unified and more emphatic here, whether they're laying into the rocking title cut, floating on a cloud of buzzy guitars on "Bullet Holes," dipping into their pop influences on "Recovery Mode," or approximating something like a dance groove on "Black Light." The interplay between Victor's leads and Wynn's rhythm guitar is often inspired, with Victor showing he's more than up to the task of holding his own in a great guitar band, as Cacavas accents the performances with style and smarts, and Walton and Duck lay down an implacable rhythm that's solid and full of life. "The Whole World's Watching" and "Treading Water Underneath the Stars" also confirm that this band can stretch out and explore the nooks and crannies of a tune in a way that's theirs alone and without losing their place en route. Any fan who has been paying attention already knows the Dream Syndicate aren't going to make another album that sounds like The Days of Wine and Roses (they haven't since 1982), and it's foolish to expect that. But they don't really need to when they're capable of making music as good as These Times; this is passionate and rewarding music from artists still exploring new territory with truly satisfying results. ~ Mark Deming

  1. 1.[CDアルバム]
    1. 1.
      The Way In

      アーティスト: The Dream Syndicate

    2. 2.
      Put Some Miles On

      アーティスト: The Dream Syndicate

    3. 3.
      Black Light

      アーティスト: The Dream Syndicate

    4. 4.
      Bullet Holes

      アーティスト: The Dream Syndicate

    5. 5.
      Still Here Now

      アーティスト: The Dream Syndicate

    6. 6.
      Speedway

      アーティスト: The Dream Syndicate

    7. 7.
      Recovery Mode

      アーティスト: The Dream Syndicate

    8. 8.
      The Whole World's Watching

      アーティスト: The Dream Syndicate

    9. 9.
      Space Age

      アーティスト: The Dream Syndicate

    10. 10.
      Treading Water Underneath The Stars

      アーティスト: The Dream Syndicate

作品の情報

メイン
アーティスト: The Dream Syndicate

オリジナル発売日:2019年

商品の紹介

アメリカン・アンダーグラインド・ロック・シーンの魂と灯を受け継ぐ伝説のオルタナティヴ・ロック・バンド、ドリーム・シンジケート。アルバムをリリースし、1年にも亘るツアーを行ってきたドリーム・シンジケートの新作『THESE TIMES』。前作と同じように、ヴァージニア州リッチモンドのモントローズ・スタジオでレコーディングされた本作をバンドと共に共同プロデュースしたのは、PhosphorescentやHold Steady、Dinasor Jr.やスティーヴ・ウィンの作品を手掛けてきたジョン・アグネロ。「ほとんどの曲はこの1年の間に作られたものだったから、すごく新鮮に感じた」スティーヴ・ウィンはそう語る。「前作と同じように、歌詞は曲のレコーディングが終わってから書いた。言葉をサウンドに合わせるようにね」この制作過程が、アルバムのタイトルにも反映されているという。その一方で、スティーヴ・ウィンはソングライティングについて以下のようにも語っている。「ニュー・アルバムの曲を作っている時、J-Dillaの"Donuts"にかなりハマっていたんだ。DJとして、レコード・マニアとして、そして音楽ファンとして、自分の大好きな音楽を全部並べて、自分のモノが出来るまであれこれこねくり回す、そんな彼のアルバム作りのアプローチが好きだった。今作で俺は、ステップ・シーケンサーやドラム・マシーン、ループなどをいじりながら、いつもの自分のやり方ではない方法を色々と試した。まるで自分が"同じような曲"ではなく、コンピレーションを作るかのようにね。普通はドリーム・シンジケートとJ-Dillaを同じくくりには入れないと思うけど、自分たちの新作を聴けば、彼の作品を感じることが出来ると思う」『THESE TIMES』、以上。俺たちが語っていることについて、そして俺たちが考えていることについての作品だ。どこかへ飛んでいきそうな勢いで、急激に変化し、日々その方向性を変えている世界で、存在の危機を回避することは難しい。自分たちが考えずにはいられない物事を取り上げないのは、虚偽だと思う――全世界が間違いなく見ているのだとね。歌詞には、恐れや、パニック、偏執、憶測、憂鬱、そしてそれらに続くであろう自暴自棄などが反映されている。今現在の俺たち、俺たちのいる場所を描いているのさ」ドリーム・シンジケートは確かに、長い歴史を持ち、語り継がれてきたグループである。しかし彼は今現在、どこにいるのだろうか?彼らは、ここにいる。この場所に。現在この時代にいるのだ。
発売・販売元 提供資料(2019/03/29)

Paste - "[O]n THESE TIMES, the Paisley Underground godfathers explore our current state of dread and melancholy, but without ever getting mired in bleakness."
Rovi

The Dream Syndicate's 2017 comeback album, How Did I Find Myself Here?, was a work that captured the feel of Steve Wynn's groundbreaking band of the '80s far more than its sound, with a broad, adventurous approach that pushed their sound far closer to psychedelia that it had gone in their original incarnation. (The "eyeballs over the desert" cover art is also significantly more lysergic than one might expect.) If Wynn was hoping to establish a distinct sonic identity for the Dream Syndicate in the 21st century, he's certainly stuck to his guns, as 2019's These Times is very much of a piece with How Did I Find Myself Here?, and a very different beast than the band with Karl Precoda or Paul B. Cutler on lead guitar. Then again, if smart songwriting and a lot of guitar have always been at the root of this group's formula, These Times more than qualifies, and it's a tighter and more exciting set than How Did I Find Myself Here? Wynn and his bandmates -- guitarist Jason Victor, keyboardist Chris Cacavas, bassist Mark Walton, and drummer Dennis Duck -- are better unified and more emphatic here, whether they're laying into the rocking title cut, floating on a cloud of buzzy guitars on "Bullet Holes," dipping into their pop influences on "Recovery Mode," or approximating something like a dance groove on "Black Light." The interplay between Victor's leads and Wynn's rhythm guitar is often inspired, with Victor showing he's more than up to the task of holding his own in a great guitar band, as Cacavas accents the performances with style and smarts, and Walton and Duck lay down an implacable rhythm that's solid and full of life. "The Whole World's Watching" and "Treading Water Underneath the Stars" also confirm that this band can stretch out and explore the nooks and crannies of a tune in a way that's theirs alone and without losing their place en route. Any fan who has been paying attention already knows the Dream Syndicate aren't going to make another album that sounds like The Days of Wine and Roses (they haven't since 1982), and it's foolish to expect that. But they don't really need to when they're capable of making music as good as These Times; this is passionate and rewarding music from artists still exploring new territory with truly satisfying results. ~ Mark Deming|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。