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Rock/Pop
LPレコード

Mars Audiac Quintet (Expanded Edition)

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フォーマット LPレコード
発売日 2019年05月03日
国内/輸入 輸入
レーベルWarp Records/Duophonic UHF Disks
構成数 3
パッケージ仕様 -
規格品番 DUHFD05R
SKU 5060384615196

構成数 : 3枚
合計収録時間 : 00:00:00
Stereolab: Laetitia Sadier (vocals, guitar, organ, tambourine); Mary Hansen (vocals, guitar, tambourine); Tim Gane (guitar, organ, Moog synthesizer, bass); Katharine Gifford (organ, Moog synthesizer, background vocals); Duncan Brown (bass); Andy Ramsay (drums, percussion). Additional personnel: Sean O'Hagan (guitar, slide guitar, marimba, percussion); Vera Daucher (violin); Alan Carter (flute, tenor saxophone); Lindsay Low (trumpet); Andy Robinson (trombone); Jean-Baptiste Gernero (background vocals). Recorded at Blackwing Studios, London, England in Spring 1994. On the basis of the insidiously catchy single "Ping-Pong" (regularly featured on MTV), Stereolab's fourth full-length album helped turn the Franco-British group from cult heroes into college radio and alternative-chart darlings. In 1994, the "lounge" revival was just barely getting underway, but much of MARS AUDIAC QUINTET incorporated loungy elements, from the Peter Gunn twang of Sean O'Hagan's guitar in "Ping-Pong" to the exotic Martin Denny-Arthur Lyman feel of the closing marimba-and-vibes instrumental "Fiery Yellow" and the lyrical salute to exotica queen Lucia Pamela in "International Colouring Contest." Otherwise, the album further refines Stereolab's talent for obsessive one-chord drones mated with krautrock-style rhythms, Astrud Gilberto-inspired vocals, Marxist themes and analogue synthesizers. The synthesis of these elements is best exemplified by the overwhelming "Nihilist Assault Group" and the lovely "Des Etoiles Electroniques." In large part because of the poppier elements, this album is an excellent introduction into Stereolab's unique and wonderful aesthetic.
エディション : Remaster

Three-Dee Melodie
Wow And Flutter
Transona Five
Des Etoiles Electroniques
Ping Pong
Anamorphose
Three Longers Later
Nihilist Assault Group
International Colouring Contest
The Stars Our Destination
Transporte Sans Bouger
L’Enfer Des Formes
Outer Accelerator
New Orthophony
Fiery Yellow

Ulan Bator
Klang Tone
Melochord Seventy-Five [Original Pulse Version]
Outer Accelerator - [Original Mix]
Nihilist assault Group - Part 6
Wow and Flutter [7"/EP Version - Alternative Mix]
Des Etoile Electroniques - Demo
Ping Pong- Demo
The Stars Our Destination - Demo
Three Longers Later - Demo
Transona Five - Demo
Transporte Sans Bouger - Demo

  1. 1.[LPレコード] DISC 1:
    1. 1.
      Three-Dee Melodie
    2. 2.
      Wow and Flutter
    3. 3.
      Transona Five
    4. 4.
      Des Etoiles Electroniques
    5. 5.
      Ping Pong
    6. 6.
      Anamorphose
    7. 7.
      Three Longers Later
    8. 8.
      Nihilist Assault Group
    9. 9.
      International Colouring Contest
  2. 2.[LPレコード] DISC 2:
    1. 1.
      The Stars Our Destination
    2. 2.
      Transporte Sans Bouger
    3. 3.
      L' Enfer des Formes
    4. 4.
      Outer Accelerator
    5. 5.
      New Orthophony
    6. 6.
      Fiery Yellow
    7. 7.
      Ulan Bator
    8. 8.
      Klang Tone
  3. 3.[LPレコード] DISC 3:
    1. 1.
      Melochord Seventy-Five [Original Pulse Version]
    2. 2.
      Outer Accelerator [Original Mix]
    3. 3.
      Nihilist Assault Group, Pt. 6
    4. 4.
      Wow and Flutter [7"/EP Version Alternate Mix]
    5. 5.
      Des Etoiles Electroniques [Demo]
    6. 6.
      Ping Pong [Demo]
    7. 7.
      The Stars Our Destination [Demo]
    8. 8.
      Three Longers Later [Demo]
    9. 9.
      Transona Five [Demo]
    10. 10.
      Transporte Sans Bouger [Demo]

作品の情報

メイン
アーティスト： Stereolab

商品の紹介

Rolling Stone (12/29/94-1/12/95, p.173) - "Chilly computer-graphics cover art and half their songs sung in French can't disguise the fact that--tweeters in woofers' clothing--Stereolab come on ambient but emerge as pop....This is strange and oddly elevating fun." Spin (10/94, pp.116-117) - Highly Recommended - "...[Stereolab] mixes and matches familiar sounding component parts like musical Lego blocks: Beach Boys-style good vibrations, dissonant grooves by way of the Velvet Underground, Sonic Youth feedback fugues..." Q (10/94, p.126) - 4 Stars - Excellent - "...dreampop, luscious and carefree, exotic and grooving for a change..." Option (11-12/94, p.147) - "Groovy as a `60s beach party, these fresh-scrubbed little tunes shimmy through their 4/4 moves while slyly slipping their message through the ear canal to a disarmed brain..." Musician (8/94, p.91) - "...Guitarist Tim Gane and French singer Laetitia Sadier have more noticeably molded their narcotic highway mantras into actual songs..." NME (Magazine) (8/27/94, p.39) - "...It's all here: oddbod lyrics, fragile paens to space travel with discotheque beats, Eurobop hi-fi thrills...masterful examples of off-kilter easy listening..."
Rovi

By the time of 1994's Mars Audiac Quintet, Stereolab had already highlighted the rock and experimental sides of its music; now the band concentrated on perfecting its space-age pop. Sweetly bouncy songs like "Ping Pong" and "L' Enfer des Formes" streamline the band's sound without sacrificing its essence; track for track, this may be the group's most accessible, tightly written album. The groove-driven "Outer Accelerator," "Wow and Flutter," and "Transona Five" (which sounds strangely like Canned Heat's "Goin' Up the Country") reaffirm Stereolab's Krautrock roots, but the band's sweet synth melodies and vocal arrangements give it a pop patina. Even extended pieces like "Anamorphose" and "Nihilist Assault Group" -- which could have appeared on Transient Random Noise-Bursts With Announcements if they had a rawer production -- are more sensual and voluptuous than edgy and challenging. It's equally apparent on layered, complex songs such as "New Orthophony" and "The Stars Our Destination," as well as spare, minimal tracks like "Des Etoiles Electroniques," that the members of Stereolab focused their experimental energies on production tricks, vocal interplay, and increasingly electronic-based arrangements. The charming final track "Fiery Yellow" takes the band's fondness for lounge pop and experimentation to the limit; a delicate, marimba-driven piece featuring the High Llamas' Sean O'Hagan, it sounds like the kind of music Esquivel or Martin Denny would be proud to make in the '90s. While it's not as overtly innovative as some of Stereolab's earlier albums, Mars Audiac Quintet is an enjoyable, accessible forerunner to the intricate, cerebral direction the group's music would take in the mid- and late '90s. ~ Heather Phares
Rovi

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