Country/Blues
LPレコード

Bring Me My Shotgun: Essential Collection<限定盤/Colored Vinyl>

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フォーマット LPレコード
発売日 2021年07月23日
国内/輸入 輸入
レーベルGoldenlane
構成数 1
パッケージ仕様 -
規格品番 GLLN11401
SKU 889466114014

構成数 : 1枚
合計収録時間 : 00:00:00
Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up at the session in question but would refuse to play a note until he was paid his fee upfront. Once paid and satisfied, he'd unpack his stock set of boogie blues riffs and pretty much improvise songs on the spot until he'd fulfilled his agreed-upon quota. Then he would leave. This system led to a bloated discography full of similarly constructed and executed throwaway tracks, but Hopkins had a gift for personalizing the blues that came to the fore in the best of these improvised songs, and some gems often showed up in the process. This set proves the point that any Lightnin' is better than no Lightnin'. ~ Steve Leggett
エディション : Remaster

  1. 1.[LPレコード]
    1. 1.
      Bring Me My Shotgun

      アーティスト: Lightnin' Hopkins

    2. 2.
      Mojo Hand

      アーティスト: Lightnin' Hopkins

    3. 3.
      Shake That Thing

      アーティスト: Lightnin' Hopkins

    4. 4.
      Lonesome Dog Blues

      アーティスト: Lightnin' Hopkins

    5. 5.
      Coffee for Mama

      アーティスト: Lightnin' Hopkins

    6. 6.
      Shine On, Moon!

      アーティスト: Lightnin' Hopkins

    7. 7.
      How Long Has the Train Been Gone?

      アーティスト: Lightnin' Hopkins

    8. 8.
      Awful Dream

      アーティスト: Lightnin' Hopkins

    9. 9.
      Last Night

      アーティスト: Lightnin' Hopkins

    10. 10.
      Sometimes She Will

      アーティスト: Lightnin' Hopkins

    11. 11.
      Have You Ever Loved a Woman

      アーティスト: Lightnin' Hopkins

    12. 12.
      Houston Bound

      アーティスト: Lightnin' Hopkins

作品の情報

メイン
アーティスト: Lightnin' Hopkins

オリジナル発売日:2013年

商品の紹介

Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up at the session in question but would refuse to play a note until he was paid his fee upfront. Once paid and satisfied, he'd unpack his stock set of boogie blues riffs and pretty much improvise songs on the spot until he'd fulfilled his agreed-upon quota. Then he would leave. This system led to a bloated discography full of similarly constructed and executed throwaway tracks, but Hopkins had a gift for personalizing the blues that came to the fore in the best of these improvised songs, and some gems often showed up in the process. This set proves the point that any Lightnin' is better than no Lightnin'. ~ Steve Leggett
Rovi

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