Rock/Pop
CDアルバム

Six

5.0

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3,190
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フォーマット CDアルバム
発売日 2019年03月18日
国内/輸入 輸入
レーベルKscope
構成数 1
パッケージ仕様 -
規格品番 KSCOPE666
SKU 802644866628

構成数 : 1枚
合計収録時間 : 01:13:44
Mansun: Paul Draper (vocals, guitar); Dominic Chad (guitar, background vocals); Stove King (bass); Andie Rathbone (drums). Since Mansun's debut album, Attack of the Grey Lantern, was some sort of convoluted song cycle, it shouldn't have been surprising that their second album, Six, felt like the second coming of prog rock. What was a surprise was the extent to which Mansun pushed the limits forward on the album. From the garish Marillion-styled artwork to the endlessly shifting, segued songs, Six fits into the grand tradition of prog rock, and it does tell some kind of a story, even if it's impossible to tell what that story may be. In fact, it's difficult to get into the music itself, even as it dazzles with its twists, turns, appropriations, and recontextualizations. And, make no mistakes, Six is frequently dazzling, since Mansun skillfully melds classic prog and pop styles with contemporary ideas, including a healthy portion of electronica. It's a head-spinning listen, especially the first time through when it's impossible to tell where it's going or where it's going to end. That feeling doesn't quite let up on repeated listens, either, mainly because the record is so dense with impenetrable ideas -- ideas that are confounding even when you think you understand where Paul Draper is going with the entire thing. On one scale, that's an impressive achievement, but it's diminished somewhat when you take into account that Six isn't particularly rewarding once you get a handle on it. Since it never reveals its secrets, or even its clues, it's hard to embrace the record, even for all of its many attributes. Still, Six is clearly the work of ambitious, gifted musicians who aren't willing to stay still, which is reason enough to try to come to terms with it. ~ Stephen Thomas Erlewine

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作品の情報

メイン
アーティスト: Mansun

商品の紹介

Since Mansun's debut album, Attack of the Grey Lantern, was some sort of convoluted song cycle, it shouldn't have been surprising that their second album, Six, felt like the second coming of prog rock. What was a surprise was the extent to which Mansun pushed the limits forward on the album. From the garish Marillion-styled artwork to the endlessly shifting, segued songs, Six fits into the grand tradition of prog rock, and it does tell some kind of a story, even if it's impossible to tell what that story may be. In fact, it's difficult to get into the music itself, even as it dazzles with its twists, turns, appropriations, and recontextualizations. And, make no mistakes, Six is frequently dazzling, since Mansun skillfully melds classic prog and pop styles with contemporary ideas, including a healthy portion of electronica. It's a head-spinning listen, especially the first time through when it's impossible to tell where it's going or where it's going to end. That feeling doesn't quite let up on repeated listens, either, mainly because the record is so dense with impenetrable ideas -- ideas that are confounding even when you think you understand where Paul Draper is going with the entire thing. On one scale, that's an impressive achievement, but it's diminished somewhat when you take into account that Six isn't particularly rewarding once you get a handle on it. Since it never reveals its secrets, or even its clues, it's hard to embrace the record, even for all of its many attributes. Still, Six is clearly the work of ambitious, gifted musicians who aren't willing to stay still, which is reason enough to try to come to terms with it. ~ Stephen Thomas Erlewine|
Rovi

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イギリスのオルタナディブロックを代表するバンド、Mansunのプログレッシブな大作大名盤2ndアルバム!90年代の「ボヘミアン・ラプソディ」級のロック組曲的な①は何年たっても何度聴いても驚嘆!またその一曲におわらず③⑥⑧などの大作もまた仕掛けとセンスに満ち溢れており、それを繋ぐインタールード的な楽曲もまた一筋縄では行かない抜群の構成力を誇る!終盤の大作曲⑪⑫もは神懸かかりすぎて唖然!
2020/05/07 どいさん
0

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