ショッピングカート
Rock/Pop
CD
Out of the Ether
★★★★★
★★★★★
0.0

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

開催期間:2024年5月29日(水)0:00~5月31日(金)23:59まで! / [※期間中のご予約・お取り寄せ・ご注文が対象 ※店舗取置・店舗予約サービスは除く] / 1万円以上ご購入で20%ポイント還元キャンペーン適用条件がありますので、詳細はキャンペーンページをご確認ください。
商品の情報

フォーマット

CD

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

2019年01月25日

規格品番

TIMCD142

レーベル

SKU

630125982822

作品の情報
メイン
アーティスト
商品の紹介
Even though Philly-based band the Writhing Squares is made up of just two people, they conjure enough layers of sonic sludge to sound not just like a large band on full power, but a wall of beautifully gnarled noise calling out from the depths of a black hole. Building on the clatter of decidedly primitive drum-machine rhythms, Daniel Provenzano's overdriven bass lines wobble and churn as his bandmate Kevin Nickles fills in any space with tentacular waves of saxophone, delay-drenched vocals and deep-fried electronics. Their numbers are small but the sound is far from minimal. Second full-length Out of the Ether is composed of just five pieces where the band's ever-murky cosmic tripping is sounding bigger and less contained than ever before. Space rock pioneers Hawkwind are often pointed to as a frame of reference for the Writhing Squares' deeply spacey and sometimes sci-fi sound, and the repetitive, fuzzy basslines, decaying echos, and celestial synths all back that up. However, there's a lot more going on than reimagining '70s Krautrock scenes on Out of the Ether. The jittery vocals and amphetamine power-pop melodies of "Steely Eyed Missile Man" recall Devo, and Nickles' spun-out saxophone lines meshing with unrelenting bass impart the same paranoid energy of no-wave acts like Blurt or Suicide. The entire album has the same muggy, claustrophobic vibe of the Stooges' Fun House, just maybe an alternate mix where the sax noise freakout of "L.A. Blues" was more the mission statement than a closing jam. The nearly 20-minute instrumental album-closer "A Whole New Jupiter" stretches into the outer reaches of the galaxy, with passages of sax and feedback receding to reveal a brassy synth sequence threading the rhythm together. Much like the rest of the album, the songs' meditative grooves and pockets of space create a cold and mysterious world for the listener to get lost in. Even at their most meandering, the Writhing Squares' dense and hulking sound belies its own considered design. Out of the Ether is the strongest chapter of their work to date and points towards even more interesting space explorations to come. ~ Fred Thomas|
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:00:00

Even though Philly-based band the Writhing Squares is made up of just two people, they conjure enough layers of sonic sludge to sound not just like a large band on full power, but a wall of beautifully gnarled noise calling out from the depths of a black hole. Building on the clatter of decidedly primitive drum-machine rhythms, Daniel Provenzano's overdriven bass lines wobble and churn as his bandmate Kevin Nickles fills in any space with tentacular waves of saxophone, delay-drenched vocals and deep-fried electronics. Their numbers are small but the sound is far from minimal. Second full-length Out of the Ether is composed of just five pieces where the band's ever-murky cosmic tripping is sounding bigger and less contained than ever before. Space rock pioneers Hawkwind are often pointed to as a frame of reference for the Writhing Squares' deeply spacey and sometimes sci-fi sound, and the repetitive, fuzzy basslines, decaying echos, and celestial synths all back that up. However, there's a lot more going on than reimagining '70s Krautrock scenes on Out of the Ether. The jittery vocals and amphetamine power-pop melodies of "Steely Eyed Missile Man" recall Devo, and Nickles' spun-out saxophone lines meshing with unrelenting bass impart the same paranoid energy of no-wave acts like Blurt or Suicide. The entire album has the same muggy, claustrophobic vibe of the Stooges' Fun House, just maybe an alternate mix where the sax noise freakout of "L.A. Blues" was more the mission statement than a closing jam. The nearly 20-minute instrumental album-closer "A Whole New Jupiter" stretches into the outer reaches of the galaxy, with passages of sax and feedback receding to reveal a brassy synth sequence threading the rhythm together. Much like the rest of the album, the songs' meditative grooves and pockets of space create a cold and mysterious world for the listener to get lost in. Even at their most meandering, the Writhing Squares' dense and hulking sound belies its own considered design. Out of the Ether is the strongest chapter of their work to date and points towards even more interesting space explorations to come. ~ Fred Thomas

    • 1.
      [CD]
      • 1.
        Dirt in my Mind's Eye
      • 2.
        Steely Eyed Missile Man
      • 3.
        Bloodborne Hate and Black Book Mass
      • 4.
        I Turned to the Mirror
      • 5.
        Whole New Jupiter, A
カスタマーズボイス
    評価する:
関連商品
ニュース & 記事
ポイント15倍
394pt
販売価格(税込)
¥ 2,890
販売中
お取り寄せ
発送までの目安:14日~35日
cartIcon カートに入れる

欲しい物リストに追加

コレクションに追加

サマリー/統計情報

欲しい物リスト登録者
0
(公開: 0 人)
コレクション登録者
0
(公開: 0 人)
フラゲ対象の詳細を表示するポップアップ
北海道・鳥取県・島根県・岡山県・広島県・
山口県・四国・九州・沖縄県

フラゲ注文受付期間は地域によって異なります。
お住まいの地域をご確認ください。

北海道・山口県・九州・沖縄県

フラゲ注文受付期間は地域によって異なります。
お住まいの地域をご確認ください。