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CDアルバム

A Hot Night In Paris

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フォーマット CDアルバム
発売日 2019年02月15日
国内/輸入 輸入(ヨーロッパ盤)
レーベルRhino
構成数 1
パッケージ仕様 -
規格品番 0349785422
SKU 603497854226

構成数 : 1枚
合計収録時間 : 01:10:55
The Phil Collins Big Band: Phil Collins (drums); Daryl Steurmer (guitar); Gerald Albright, Matt James (alto saxophone); James Carter, Larry Panella, Chris Collins, Ian Nevins (tenor saxophone); Kevin Sheehan (baritone saxophone); Daniel Fornero, Harry Kim, Tito Carrillo, Alan Hood, Ron Modell (trumpet, flugelhorn); Arturo Velasco, Scott Bliege, Mark Bettcher (trombone); Antonio Garcia (bass trombone); George Duke, Brad Cole (piano); Doug Richeson (bass); Luis Conte (percussion). Engineers: Mauricio Guerrero, Christophe Suchet. Includes liner notes by Phil Collins. Personnel: Phil Collins (drums); Matt James (woodwinds, alto saxophone); Chris Collins, Ian Nevins, Larry Panella (woodwinds, tenor saxophone); Kevin Sheehan (woodwinds, baritone saxophone); Ron Modell, Harry Kim, Alan Hood, Daniel Fornero, Tito Carrillo (trumpet, flugelhorn); Mark Bettcher, Scott Bliege, Arturo Velasco (trombone); Antonio Garcia (bass trombone); Brad Cole (keyboards); Luis Conte (percussion). Audio Mixer: Don Murray . Audio Remasterers: Miles Showell; Nick Davis . Recording information: Dinemec Modile Studio; Ocean Way Studios L A. Phil Collins' fondness for jazz is well-documented--some folks like his '70s fusion band Brand X more than they do his former day job, Genesis--and his side projects usually indulge this passion far more than any of his usual endeavours. A HOT NIGHT IN PARIS was recorded, in Paris and Montreux, by a 20-member big band featuring a former arranger for Count Basie, but it's not quite jazz. Instead, the group plays a set largely consisting of instrumental versions of poppy Phil Collins and Genesis hits, including "Sussudio," "That's All," "Invisible Touch," and "I Don't Care Anymore." The arrangements are extended, but not particularly embellished, and the results sometimes simply sound like instrumental mixes of the original hits. A surprisingly rocking cover of the Average White Band's "Pick Up the Pieces" is energetic and effective, however.
エディション : Remaster

  1. 1.[CDアルバム]
    1. 1.
      Sussudio
    2. 2.
      That's All
    3. 3.
      Invisible Touch
    4. 4.
      Chips & Salsa
    5. 5.
      Hold on My Heart
    6. 6.
      I Don't Care Anymore
    7. 7.
      Milestones
    8. 8.
      Against All Odds
    9. 9.
      Pick Up the Pieces
    10. 10.
      The Los Endos Suite
    11. 11.
      Alone
    12. 12.
      Tungs
    13. 13.
      Makeout Point
    14. 14.
      Submarines

作品の情報

メイン
アーティスト: Phil Collins

ゲスト
アーティスト: Gerald AlbrightDaryl StuermerLuis ConteGeorge Duke

商品の紹介

永遠のヒットメイカー、フィル・コリンズ。彼が発表してきた全てのスタジオ・アルバムにリマスターを施した、2015年から続く"TAKE A LOOK AT ME NOW"リマスター・プロジェクトの最新シリーズがここに到着! 今回は、彼のエンターテイナーとしての絶品のパフォーマンスを音源に封じ込めた2枚の名作ライヴ・アルバムが最新リマスター音源となって登場です! こちらは、フィル・コリンズ・ビッグ・バンド名義で1999年に発表した、ソロ楽曲からジェネシスの楽曲までをスウィンギングなビッグ・バンド・アレンジメントで披露するライヴ・アルバム『A HOT NIGHT IN PARIS』。
発売・販売元 提供資料(2019/01/11)

In the latter half of the '90s, Phil Collins' career hit a bit of a sales slump, and instead of shamelessly chasing after another number one single, he decided to change pace and try something different. Returning to the drums, he assembled the Phil Collins Big Band, reviving the sound of such idols as Buddy Rich and Sonny Payne, but largely sticking with his original material. After a brief European tour in 1996 (which happened to feature Quincy Jones as conductor and Tony Bennett as vocalist), he created a new version of the band featuring several accomplished jazz and studio musicians in support -- notably alto saxophonist Gerald Albright, but also guitarist Daryl Stuermer, tenor saxophonist James Carter, and pianists George Duke and Brad Cole, among many others, in varying roles. That band toured America and Europe in 1998, and it's the one featured on the ten-song, 70-minute live album A Hot Night in Paris. Initially, it may be disarming for long-time fans (and detractors) to hear "Sussudio," "That's All," and "Against All Odds" blaring forth in brash, brassy arrangements, and it is true that the melodies can occasionally sound thin in this context, but once that first reaction passes, A Hot Night in Paris is actually entertaining. Collins doesn't try anything new with the big band form -- he just updates it with his own songs, including the Genesis chestnut "The Los Endos Suite," along with covers of Miles Davis' "Milestones" and the Average White Band's "Pick up the Pieces." As such, it's the sort of record that will inevitably irk purists, since it's targeted right at mainstream jazz audiences, ones that aren't really familiar with big band music but have a vague idea of what it sounds like, but anyone whose standards aren't quite as exacting will likely be pleasantly surprised with A Hot Night in Paris. When the band just plays -- which is quite often, since the themes are stated quickly enough so they're recognized, then they disappear -- this is swinging, accomplished music that's unpretentious and fun. It's never more than simply entertaining, but that's all it needs to be -- it's more enjoyable than any record Collins has put out in over a decade, and it suggests that this is a dignified and charming way for him to mature. ~ Stephen Thomas Erlewine
Rovi

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