Country/Blues
LPレコード

Blues Blues Blues

0.0

販売価格

¥
4,890
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット LPレコード
発売日 2019年01月17日
国内/輸入 輸入
レーベルRhino
構成数 2
パッケージ仕様 -
規格品番 0379785551
SKU 603497855513

構成数 : 2枚
合計収録時間 : 00:00:00
BLUES BLUES BLUES was originally meant as a comeback album for Jimmy Rogers, but his untimely death during the recording sessions turned it into an all-star tribute to his legacy. The Jimmy Rogers All-Stars: Jimmy Rogers, Jeff Healey, Eric Clapton, Lowell Fulson, Stephen Stills (vocals, guitar); Taj Mahal (vocals, harmonica); Mick Jagger, Robert Plant (vocals); Jimmy D. Lane, Keith Richards, John Koenig, Jimmy Page (guitar); Kim Wilson, Carey Bell (harmonica); Johnnie Johnson (piano); Freddie Crawford (bass); Ted Harvey (drums). Includes liner notes by John Koenig. Jimmy Rogers was very much a musician's musician -- the kind of guitarist that earned accolades from contemporaries and successors alike -- yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics ("Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'"), remakes of Rogers standards ("Ludella," "That's All Right"), cult covers (Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note) and an astounding number of guest appearances, including cameos from (get ready): Jimmy Page and Robert Plant, Keith Richards and Mick Jagger, Lowell Fulson, Johnnie Johnson, Eric Clapton, Taj Mahal, Ted Harvey, Carey Bell, Stephen Stills, and Jeff Healey. That's a lot of star power -- too much, as a matter of fact -- since they occasionally overwhelm Rogers himself. And it has to be said that Rogers' playing simply isn't as dynamic or overpowering as it once was. Nevertheless, when it's judged alongside other contemporary electric blues albums, Blues Blues Blues holds up very well. Like its peers, such as John Lee Hooker's Point Blank recordings, the record is slick and well-crafted -- it may be blues-lite, but it's highly enjoyable. And it's likely that it would have broken Rogers' career wide open, if he had lived to see its release. Knowing that makes Blues Blues Blues a little bittersweet. Yes, it's enjoyable, but it would have been great to hear Rogers really tear it up on his final record. ~ Stephen Thomas Erlewine

  1. 1.[LPレコード]
  2. 2.[LPレコード]

作品の情報

メイン
アーティスト: Jimmy Rodgers All Stars

ゲスト

オリジナル発売日:1998年

商品の紹介

Rolling Stone (2/18/99, p.60) - "A richly deserved salute to one of Chicago blues' late, great undervalued sidemen..." Q (6/99, p.110) - 3 Stars (out of 5) - "...Rogers belts out his growling vocals with the energy of a teenager ..." Mojo (Publisher) (4/99, p.110) - "...perfect crystalisations of Chicago band blues..."
Rovi

Jimmy Rogers was very much a musician's musician -- the kind of guitarist that earned accolades from contemporaries and successors alike -- yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics ("Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'"), remakes of Rogers standards ("Ludella," "That's All Right"), cult covers (Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note) and an astounding number of guest appearances, including cameos from (get ready): Jimmy Page and Robert Plant, Keith Richards and Mick Jagger, Lowell Fulson, Johnnie Johnson, Eric Clapton, Taj Mahal, Ted Harvey, Carey Bell, Stephen Stills, and Jeff Healey. That's a lot of star power -- too much, as a matter of fact -- since they occasionally overwhelm Rogers himself. And it has to be said that Rogers' playing simply isn't as dynamic or overpowering as it once was. Nevertheless, when it's judged alongside other contemporary electric blues albums, Blues Blues Blues holds up very well. Like its peers, such as John Lee Hooker's Point Blank recordings, the record is slick and well-crafted -- it may be blues-lite, but it's highly enjoyable. And it's likely that it would have broken Rogers' career wide open, if he had lived to see its release. Knowing that makes Blues Blues Blues a little bittersweet. Yes, it's enjoyable, but it would have been great to hear Rogers really tear it up on his final record. ~ Stephen Thomas Erlewine
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。