ショッピングカート
Rock/Pop
LPレコード
On
★★★★★
★★★★★
0.0

在庫状況 について

商品の情報

フォーマット

LPレコード

構成数

1

国内/輸入

輸入

パッケージ仕様

-

発売日

2019年01月04日

規格品番

MOVLP2250

レーベル

SKU

8719262007789

作品の情報
メイン
アーティスト
ゲスト
アーティスト
オリジナル発売日
1995年
商品の紹介
Spin (12/95, p.125) - 7 - Flawed Yet Worthy - "...Echobelly has pulled off a back-from-the-dead manuever and...relocated to 1978. Fragments of Blondie, of X-Ray Spex, even the great lost Northern punk-pop act Penetration litter the content of ON....Echobelly is Elastica's adorable, attention-seeking kid sister..." Entertainment Weekly (11/3/95, p.65) - "Echobelly prove themselves to be the best British guitar pop export since Elastica. Imagine a band with the melodic acuity of the Smiths fronted by a female kickboxing enthusiast with the voice of an angel..." - Rating: A Alternative Press (2/96, p.59) - "...the tradition Echobelly are steeped in [is] '60s girl group meets the mid-period Smiths..."
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:00:00

Echobelly: Sonya Aurora Madan (vocals); Glen Johansson, Debbie Smith (guitar); Alex Keyser (bass); Andy Henderson (drums). Additional personnel: B.J. Cole (pedal & lap steel guitars). Recorded at Konk, London, England. All songs written by Sonya Aurora Madan and Glen Johansson. Gaining a different bassist and having longtime studio hound B.J. Cole in on some guest slide guitar didn't appreciably alter the Echobelly approach much -- the post-glam/punk feeling of the poppy music still predominates and Madan still claims the sharp and sly frontwoman role with fire. If nothing on On reaches the total heights of "I Can't Imagine the World Without Me," it still possesses a few fine moments of note, otherwise generally killing time in its own fashion well enough. Johansson's guitar playing and Madan's singing and lyrics still inevitably call the Smiths shades to the forefront, no matter what. It's something they seem comfortable with at this point, though, and the rest of the band jointly adds a touch more fuzz and sludge in contrast, which makes a nice combination. Touches like the singsong sass on "Go Away," which suits the sentiment of the lyrics to a T, while Johansson usually comes up with one killer riff or part per song that elevates what would be okay tunes just that little bit higher. Cole's own contributions, like the great electric slide wail on "Something Hot in a Cold Country," don't hurt either. Sean Slade and Paul Kolderie's production remains up to the general level of that noted duo's other work: loud, cutting, and sounding great. "King of the Kerb," an album standout and a fine single from the band, benefits not merely from the strange, nagging lead guitar melody from Johansson but said production, with a rich sound in the instrumental lead-in and a well-mixed chorus. Madan's wittiest moment probably comes with "Pantyhose and Roses," a cutting portrayal of sexual objectification and fantasy, while her most heartfelt is the passionate "Nobody Like You," a fun and desire-filled celebration of a loved one. ~ Ned Raggett

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      • 7.
        Something Hot In A Cold Country
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