Jazz
CDアルバム

Earth Rot

0.0

販売価格

¥
2,790
税込
ポイント15%還元

在庫状況 について

フォーマット CDアルバム
発売日 2018年12月中旬
国内/輸入 輸入(アメリカ盤)
レーベルNow Again
構成数 1
パッケージ仕様 -
規格品番 NA5167CD
SKU 659457516727

構成数 : 1枚
合計収録時間 : 00:00:00
After the sublime excess of his two takes on William Blake, with Song of Innocence and Songs of Experience, David Axelrod went bonkers and issued the single weirdest record of his career that stands pretty much unparalleled more than 30 years later. Earth Rot is in effect a cantata for the planet, or, in Axe's own words "contemporary music with ancient yet timely words set to the theme of ecology." Those ancient yet timely words come from the book of Isaiah in the Bible and for a Navajo legend called "Song of the Earth Spirit." There's a nine-piece choir singing these texts, accompanied by a 15-piece orchestra that includes Ernie Watts, Earl Palmer, Willie Green, and Jack Kelso. Capitol's Studio B must have been humming with the mojo for these dates. Musically, each side is divided into four sections. Side one deals with the warnings themselves. Axelrod's musical begins by celebrating the earth's lorry and then indicting humans for messing it up. With gorgeous tings of flute and guitar, he underlines his upfront horn section with a shimmering grace. Side two are the warnings themselves, and Philip Glass' chorus lines in his opera were influenced by Axelrod's, I swear. The half-step dissonances between pitches, the long lines, the glimmer of consonance as the music enters the front of the mix with Ernie Watts blowing like crazy. In all, though, for as dark as it was reputed to be at the time, this is a blissed-out album musically. Gorgeous, lush, and full of gentleness, if it weren't so strange, so completely out of sync with everything that came before and after it, there might be a context in which to give it a higher rating. Bottom line, though, is that he was never this consistent again. ~ Thom Jurek

<The Warnings>
1. Part I
2. Part II
3. Part III
4. Part IV
<The Signs>
5. Part I
6. Part II
7. Part III
<The Warnings (Instrumentals)>
8. Part I (Instrumental)
9. Part II (Instrumental)
10. Part III (Instrumental)
11. Part IV (Instrumental)
<The Sign (Instrumentals)>
12. Part I (Instrumental)
13. Part II (Instrumental)
14. Part III (Instrumental)

  1. 1.[CDアルバム]

作品の情報

メイン
アーティスト: David Axelrod

商品の紹介

DJシャドウやマッドリブ、ジュラシック5等、数々のビッグネーム達がサンプリングし、ヒップホップを筆頭とした現代音楽に最も大きな影響を与えた真の鬼才:デヴィッド・アクセルロッドの70年のサードアルバムがNow Againより遂に登場!!
Now Againからデヴィッド・アクセルロッドのCaptol盤再発シリーズ最終作登場!ファンク、ジャズ、ロック、サイケなど様々な音楽を融合した独自のスタイルで唯一無二の世界観を作り上げ、現在のシーンを牽引する世界中のアーティストたちから多大なリスペクトを獲得してきたカリスマ中のカリスマ:デヴィッド・アクセルロッドの70年リリースのサードアルバムがNow Againから登場!Capitol盤の中3枚の中でも特にレアな一枚。そして世界初のインストバージョンを収録!老衰した地球の環境をテーマに綴ったコンセプト・アルバム。DIAMOND D、 DJ KRUSH、MOS DEF、E-XCUTIONERS等のネタで知られるTR-1、Common、Madlib等のネタで知られるTR-6など、ドラムネタ等随所にネタの宝庫。32ページに及ぶブックレットに収められた秘蔵写真、インタビューも超必見!ヒップホップ、サイケ、エレクトロニカ、ジャズ、アバンギャルド、オルタナ・ロックまであらゆる音楽ファンに贈る究極の一枚です!
発売・販売元 提供資料(2018/12/03)

After the sublime excess of his two takes on William Blake, with Song of Innocence and Songs of Experience, David Axelrod went bonkers and issued the single weirdest record of his career that stands pretty much unparalleled more than 30 years later. Earth Rot is in effect a cantata for the planet, or, in Axe's own words "contemporary music with ancient yet timely words set to the theme of ecology." Those ancient yet timely words come from the book of Isaiah in the Bible and for a Navajo legend called "Song of the Earth Spirit." There's a nine-piece choir singing these texts, accompanied by a 15-piece orchestra that includes Ernie Watts, Earl Palmer, Willie Green, and Jack Kelso. Capitol's Studio B must have been humming with the mojo for these dates. Musically, each side is divided into four sections. Side one deals with the warnings themselves. Axelrod's musical begins by celebrating the earth's lorry and then indicting humans for messing it up. With gorgeous tings of flute and guitar, he underlines his upfront horn section with a shimmering grace. Side two are the warnings themselves, and Philip Glass' chorus lines in his opera were influenced by Axelrod's, I swear. The half-step dissonances between pitches, the long lines, the glimmer of consonance as the music enters the front of the mix with Ernie Watts blowing like crazy. In all, though, for as dark as it was reputed to be at the time, this is a blissed-out album musically. Gorgeous, lush, and full of gentleness, if it weren't so strange, so completely out of sync with everything that came before and after it, there might be a context in which to give it a higher rating. Bottom line, though, is that he was never this consistent again. ~ Thom Jurek|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。