| フォーマット | LPレコード |
| 発売日 | 2018年12月04日 |
| 国内/輸入 | 輸入 |
| レーベル | Sundazed Music Inc. |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | SUZ053121 |
| SKU | 090771405814 |
構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Linda Perhacs (vocals, guitar, programming); Steve Cohn (6- & 12-string electric guitars); Reinie Press (guitar, bass); John Neufeld (flute, saxophone); Tommy Brown (harmonica); Leonard Rosenman (programming); Brian Ingoldsby (sound effects).
Includes liner notes by Michael Piper.
Linda Perhacs' cult favorite Parallelograms instantly evokes the spare and isolated feel of the songs and the production on Joni Mitchell's first albums, particularly her debut (largely solo acoustic) -- not to mention the melodies, guitar playing, and singing. It's not a photocopy, however; it's hard to imagine Mitchell singing "I'm spacing out, I'm seeing silences between leaves," as Perhacs does on "Chimacum Rain," unless Mitchell got spiked with acid right before getting on-stage. In addition, Perhacs is adept at dropping unusual effects and arrangements into the mix, that on occasion have a mildly disquieting and psychedelic vibe. Back to "Chimacum Rain," for example: double-tracked voices get into a slightly hypnotic, disorienting swirl, and suddenly move into a half-chanted section with doomy background notes from hard-to-identify instruments. "Parallelograms" is a round-like vocal (again with multi-track voices), consisting of exactly eight words, that without warning goes into creepy washes of electronically distorted voices, flutes, and rattles. Not all of the record is unusual, though; much of it's just attractively wistful, moody singer/songwriter folk, sometimes with an engaging folk-jazz backup, sometimes just with a guitar, sometimes enlivened by creative smudges of organ and electric guitar. ~ Richie Unterberger

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広がる草原
見上げると雲や雪に白く覆われた山々
聴こえてくるのは風の音、鳥のさえずり、川のせせらぎ
そんな脳内極上トリップをさせてくれる作品が好きです。