Jazz
LPレコード

Nation Time

4.0

販売価格

¥
4,590
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在庫状況 について

フォーマット LPレコード
発売日 2018年11月23日
国内/輸入 輸入
レーベルSuperior Viaduct
構成数 1
パッケージ仕様 -
規格品番 SPRV1641
SKU 857661008643

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Joe McPhee (tenor saxophone, trumpet); Otis Greene (alto saxophone); Tyrone Crabb (trumpet, acoustic & electric basses); Mike Kull (acoustic & electric pianos); Herbie Lehman (organ); Dave Jones (electric guitar); Bruce Thomspon, Ernest Bostic (percussion). Recorded live on December 12 & 13, 1970. Originally released on CJ Records (2). Includes liner notes by Ken Vandermark, Joe McPhee and Chris Albertson. All tracks have been digitally remastered. This is part of Atavistic's Unheard Music series. McPhee is a composer and multi-instrumentalist who has established himself outside the jazz mainstream. His saxophone and trumpet playing, charged by the Coltrane/Ayler/Shepp canon of the '60s, is unfettered and uncompromising. As a result, his work is generally available through small domestic and European import labels. NATION TIME, a reissue of a long-unavailable album from 1970, presents an emotional, highly-charged set of jazz caught at a crossroads and bears signs of the Black militancy of that era, hard bop, the avant-garde, and the fusion of jazz with funk, rock, and overtly ethnic elements. Filled with lengthy, freewheeling and impassioned solos and churning, driving, and funk-laced swing, NATION TIME superbly captures the spirit of its period. McPhee plays in a gutsy style best described as '60s-era Coltrane mixed with the earthiness of Gene Ammons. The band follows McPhee's lead for a sound that crosses Miles Davis' BITCHES BREW with late-'60s James Brown. This music implores, struts, wails and moans, the players testifying with a rare fervor. The disc includes the album's original liner notes and, as a bonus, new notes by idiosyncratic saxophonist/composer Ken Vandermark.

  1. 1.[LPレコード]

作品の情報

メイン
アーティスト: Joe McPhee

商品の紹介

Alternative Press (11/00, p.118) - 4 out of 5 - "...Finds [his] sax screaming and moaning like a boogaloo down Broadway....McPhee takes his sax to places Maceo Parker never dreamt of..." Down Beat (11/00, p.66) - 4 stars out of 5 - "...Featuring the tenor sax, McPhee's moody solos may recall mid-'60s Coltrane, but his rhythm section...brings the tenor back to earth with hand-clapping rhythms and grooves..."
Rovi

Tenor saxophonist Joe McPhee has been a cult figure in the jazz world despite a string of releases on the visible Hat Art label and vocal support from the likes of Ken Vandermark. Nation Time is good evidence why. Its three tracks were recorded live in December 1970 and released the following year on the tiny independent CjR Records. "Nation Time" and "Scorpio's Dance" feature McPhee with a quintet that mixes electric and acoustic instruments with dual percussionists. In a way, this is familiar territory, working Coltrane-inspired repetitions and a nearly reckless group interplay against a variety of musical textures. Here some electric piano or full-speed drumming, there roughly wailed sax or a trumpet pushing notes to a near drone. But no matter how familiar the approach, the end result is inventive and captivating as these two pieces shift from nearly conventional extended improvisations to less structured sound without ever sounding forced. However, it's the 13-minute "Shakey Jake" that seems like the birth of a wonderful new style that unfortunately never went any further. With the quintet expanded by an alto sax, organist, and electric guitarist, McPhee gets busy marrying free jazz to James Brown funk or maybe creating a vision of what would have happened if early-'60s Coltrane had revisited his R&B youth. The band sets up a complex but danceable groove while the soloists surf along, twisting melodies and pushing the beat but never relying on repeated riffs. Despite their various ideas and overlapped solos, the effect is collaborative not competitive as if they realized what a rare experience this would be. ~ Lang Thompson
Rovi

マイアミ出身のサックス奏者ジョー・マクフィの70年作が復刻!このふてぶてしいジャケからして只者ではないわけですが…全編を通してスリリングな演奏が繰り広げられている知る人ぞ知る名作で、冒頭(1)は感情をまるまる吐露しているようなフリーキーでマッドなサックスが炸裂、そして(2)はグルーヴマニア悶絶の強烈なファンク! アジテーションを含みながら音楽は実にビューティフル、レアグルーヴとしては歪すぎ、フリージャズとしては不思議と耳馴染みしてしまう絶妙な立ち位置のコレぞ、『アッティカ・ブルース』と並ぶ70 年代ブラックジャズ怒りの逸品でありましょう。
intoxicate (C)平野望
タワーレコード(vol.109(2014年4月20日発行号)掲載)

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 「Nation time」がお奨めです。フリージャズのアルバムで良いなと思うアルバムは数少ないですが、本アルバムは良いです。

0
 「Nation time」をお奨めします。フリージャズのアルバムで良いなと思うアルバムは数少ないですが、本アルバムは良いです。
0

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