| フォーマット | LPレコード |
| 発売日 | 2018年11月02日 |
| 国内/輸入 | 輸入 |
| レーベル | Universal |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 6722632 |
| SKU | 602567226321 |
構成数 : 1枚
合計収録時間 : 00:00:00
Moody Blues: Justin Hayward (vocals, acoustic & electric guitars, 12-string guitar, sitar, harpsichord, piano, Mellotron, bass, percussion, tablas); Mike Pinder (acoustic guitar, cello, autoharp, harpsichord, Mellotron, piano, bass); John Lodge (acoustic guitar, cello, bass, tambourine, snare drum, background vocals); Ray Thomas (C flute, alto flute, soprano saxophone, background vocals); Graeme Edge (piano, drums, timpani, tambourine, tablas).
Originally released on Deram (711).
Includes liner notes by John Reed.
Moody Blues: Justin Hayward (vocals, acoustic & electric guitars, 12-string guitar, sitar, harpsichord, piano, Mellotron, bass, percussion, tablas); Mike Pinder (acoustic guitar, cello, autoharp, harpsichord, Mellotron, piano, bass); John Lodge (acoustic guitar, cello, bass, tambourine, snare drum, background vocals); Ray Thomas (C flute, alto flute, soprano saxophone, background vocals); Graeme Edge (piano, drums, timpani, tambourine, tablas).
Includes liner notes by Tony Clarke.
After helping lay the groundwork for concept albums and progressive rock with 1967's orchestra-enhanced suite DAYS OF FUTURE PASSED, the Moodies retrenched for the follow-up. They abandoned the orchestra but kept their sound as rich as before by playing a multitude of instruments themselves, including everything from sitar to cello to oboe. At the time, it was remarkable enough for these instruments to appear on a rock record, much less to be played by the band itself. The string-laden conceptual pieces of DAYS were replaced by shorter, more concise songs that leaned more toward Beatlesque pop and displayed a pronounced Eastern influence.
Graham Edge's short spoken-word pieces provide a properly arty framework for the Moodies' blend of swooping mellotron, haunting flute, and rich, multi-tracked harmonies. The slightly Hollies-ish "Ride my Seesaw," one of the band's strongest rockers, is a highlight. Flutist/vocalist Ray Thomas provides the quirky Britishness so essential to '60s UK pop-rock with his music-hall-on-acid number "Dr. Livingstone I Presume." The soaring harmonies of "Legend of a Mind" work in praise of Timothy Leary and his "trips to astral planes." IN SEARCH OF THE LOST CHORD is the most exotic, trippy album in the Moodies' catalog.
(Side-A)
1. Departure - The original stereo mix
2. Ride My See-Saw - The original stereo mix
3. Dr. Livingstone, I Presume - The original stereo mix
4. House of Four Doors - The original stereo mix
5. Legend of a Mind - The original stereo mix
6. House of Four Doors (Part 2) - The original stereo mix
(Side-B)
7. Voices in the Sky - The original stereo mix
8. The Best Way to Travel - The original stereo mix
9. Visions of Paradise - The original stereo mix
10. The Actor - The original stereo mix
11. The Word - The original stereo mix
12. Om - The original stereo mix
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