Rock/Pop
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If Summer Had Its Ghosts

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フォーマット CDアルバム
発売日 2018年09月26日
国内/輸入 輸入(イギリス盤)
レーベルSummer Old
構成数 1
パッケージ仕様 -
規格品番 BBSF002CD
SKU 5060105491214

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Bill Bruford (drums, percussion); Ralph Towner (12-string & classical guitars, piano, keyboards); Eddie Gomez (bass). Recorded at Make Believe Ballroom, West Shokan, New York, February 1997. Includes liner notes by Bill Milkowski and Norm Waitt Jr. Although drummer Bill Bruford is best known for his tenure in British prog-rock bands like Yes and King Crimson, his roots stem from traditional jazz. On IF SUMMER HAD ITS GHOSTS, Bruford teams with Eddie Gomez and Ralph Towner to produce music that is the closest yet to the sounds that inspired him in his youth. Of course, this is not traditional jazz per se, but more a gentler acoustic version of the modern European instrumental fusion that Bruford has expertly produced for many years with his band Earthworks. GHOSTS comes closest to the ECM style of jazz than anything else, but with a slightly less New Age tint thanks to Bruford's always-imaginative drumming. The British drummer and renowned American bassist Gomez mesh surprisingly well given their disparate backgrounds. The third element is, of course, Towner, an acoustic guitarist of considerable magnitude who gives the session as much atmosphere as melody. In addition, the compositions here are first rate Most come from Bruford's pen, each exploring a particular mood with often more subtlety than bombast. In the end the listener is left with a greater picture of this master drummer who continues to explore his own enigmatic path.

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作品の情報

メイン
アーティスト: Bill BrufordRalph TownerEddie Gomez

商品の紹介

On If Summer Had Its Ghosts, a primarily acoustic trio recording, drummer Bill Bruford, bassist Eddie Gomez, and pianist/guitarist Ralph Towner create some lush, wondrous, spontaneous and melodic music. It has jazz roots, improvisational branches, and elfin extensions. There's no gimmickry or pretension, although Bruford does add some sampled colors, and Towner overdubs his instruments as well as throwing in a pinch of electronic keyboards. What you basically hear is Bruford's newest and freshest music, interpreted and extrapolated upon by three virtuosos in mellifluous interactive conversation. At their most swinging, as on the lively, four/four, tick-tock, light rimshot, mid-tempo swing of the title track, they are telepathic, with Towner effortlessly switching from acoustic 12-string to piano and Gomez laying down soulful, full, deep bass punctuations. In a more ethnocentric bag, Bruford samples mbira for the folk-ish "Thistledown," Indonesian bells for the minimalistic, dancing "Splendor Among Shadows," and clay pots for "Silent Pool"; Towner emulates Peruvian wooden pan flutes on his synth for "The Ballad of Vilcabamba," replete with ostinato bass and quiet electronic handclaps. The drummer pays homage to Joe Morello's classic five/four "Take Five" drum solo on "Some Other Time" (not the standard) with an accent on the fourth beat, while slowly grooving in six/eight on the ballad "Forgiveness." "Never the Same Way Once" (an old Shelly Manne adage) is the showstopper, a time-shifting, bluesy, swing to bop and back again rhythm with the spritely Chick Corea-like piano-guitar melody that is completely unpredictable and delightful. It reflects an easygoing, loose, carefree attitude that defines this entire session. If summer really does have its ghosts, they would evoke echoes of spring, full of renewal, hope, and joyful anticipation. It is that spirit with which this music is made, and it is some of greatest music, collectively or otherwise, that these three have conjured in their lengthy, storied careers. ~ Michael G. Nastos|
Rovi

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