販売価格
販売中
お取り寄せお取り寄せの商品となります
入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。
| フォーマット | CDアルバム |
| 発売日 | 2018年10月04日 |
| 国内/輸入 | 輸入(ヨーロッパ盤) |
| レーベル | ADA/Mascot |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 1987301758 |
| SKU | 819873017585 |
構成数 : 1枚
合計収録時間 : 00:56:00
Personnel: Adam Minkoff (strings).
Audio Mixer: Cian Riordan.
Recording information: Barefoot Recording Studios, LA; Brooklyn Recording Studio, NY; Bud's Recording Studio, Austin, TX; Bud's, Austin; Swamp Raga Studio, Jacksonville, FL; Vox Recording Studios, LA.
Photographers: Alysse Gafkjen; Hanna Evensen.
It took Doyle Bramhall II 15 years to deliver Rich Man, the sequel to 2001's Welcome, but only two to follow that 2016 record with Shades. Appropriately, Shades feels looser than its predecessor and more direct, too. Where Rich Man was dotted with epics, Bramhall keeps things generally concise on Shades, and he also firmly grounds the album in soul. The first sounds on Shades may recall the thick, heavy blues grooves of the Black Keys but by the time Bramhall gets to the chorus of "Love and Pain," he spins the song into classic '60s R&B. He's too restless a musician to stay there -- with the Greyhounds, he kicks up some noise on "Live Forever," the Tedeschi Trucks Band pulls out some deep blues on a cover of Bob Dylan's "Going Going Gone," and he indulges in psychedelia on "Parvanah" -- but he keeps circling back to sounds steeped in Southern soul. It results in a more cohesive album than its predecessor, but it's the lack of fussiness that makes Shades a better record: now that he's just knocking out songs and records, his music feels bracing and immediate. ~ Stephen Thomas Erlewine

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
