Soul/Club/Rap
LPレコード

Trap Muzik

0.0

販売価格

¥
4,290
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2018年09月21日
国内/輸入 輸入
レーベルGrand Hustle
構成数 1
パッケージ仕様 -
規格品番 GDHL141
SKU 050742342722

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: T.I., Eightball, MJG, Bun B, Mac Boney (rap vocals); Charles Pettaway (guitar, bass); Michael Witwer (guitar); Jazze Pha (background vocals). Producers include: Grand Hustle, San Holmes, DJ Toomp, Benny Tillman, Kanye West. Recorded at Patchwerk Studios, Atlanta, Georgia. On the remarkably vulnerable "I Can't Quit," the second track on his sophomore release, TRAP MUZIK, T.I. observes "I'm this close to being a star and just this close to quitting." His 2001 debut, I'M SERIOUS, seemed a powerful can't-miss record with a title single featuring an ace turn by Beenie Man. While it didn't wholly miss, the single which should have been pumpin' around the world barely saw a lick of airplay, and while the album sold modestly, it didn't even approach the platinum level lesser talents achieved with ease. No matter though, T.I.'s back with a vengeance on TRAP MUZIK, an appealing melange of subtle beats and easy flows which belie the Georgia rapper's vast lyrical intellect. While there are aspects of the Dirty South in T.I.'s style, his world and his style are distinctly his own--incredibly unself-conscious but confident, observational, insightful, rough, and raw. This odd mix is best represented in the starkly honest "Doin' My Job," a cry for tolerance noteworthy for its lack of either cliche or treacle. The following track, the sexually laced banger, "Let's Get Away," could easily descend into a morass of silliness, yet somehow manages to remain organic. Hopefully, T.I. will not miss success again with TRAP MUZIK, but either way, the record makes it clear that quitting should not be an option.

  1. 1.[LPレコード]

作品の情報

メイン
アーティスト: T.I.

ゲスト
アーティスト: EightballMJGBun B

オリジナル発売日:2003年

商品の紹介

Rolling Stone (2/19/04, p.67) - 3 stars out of 5 - "[T.I.] is a hustler with a conscience and a heart....[T]he limber linguist is at his best when he's dissecting the minutiae of the game..."
Rovi

Whatever promise T.I. showed on his flawed debut is almost fully realized throughout his excellent 2003 follow-up, Trap Muzik. On the surface, Trap Muzik can be viewed as another record built on glorious superficialities, concerned with little more than material wealth, drug dealing, and champion stature. Dig beneath that surface, and you'll come to appreciate an MC who uses the art of the metaphor like few others; "The Trap," for instance, comes to mean a number of things. David Banner, Kanye West, and DJ Toomp all chip in with key production work, but the MC is the real draw from beginning to end, from the supremely infectious chorus of "24's" to the complex self-analysis of "T.I. vs. T.I.P." By the time 2003 drew to a close, this album had spawned three chart hits -- "24's" had a particularly long-running presence on the video shows -- and the album itself scraped the Top Five of the Billboard album chart. With another record as good as this, T.I. just might become the King of the South that he continually claims to be. ~ Andy Kellman
Rovi

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