Voicenotes

5.0

販売価格

4,090

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フォーマット	LPレコード
発売日	2018年09月28日
国内/輸入	輸入(ヨーロッパ盤)
レーベル	Atlantic
構成数	1
パッケージ仕様	-
規格品番	7567865630
SKU	075678656309

構成数 : 1枚
合計収録時間 : 00:00:00
Charlie Puth went from YouTube likes to RIAA certifications with such swiftness that he caught a serious case of stardom bends. He had most of the symptoms, including a hastened, compromised debut album, resultant awkward performances, and a bad reaction to the public eye. While Voicenotes can be loosely classified as a fame-response album -- a category distinguished by works that are woeful in character and quality -- it counteracts Puth's artistic frustrations and in every aspect surpasses Nine Track Mind. Rarely is it overblown and stagey, with Puth generally sounding more at ease, and absolutely invested in the songs. The negative impact celebrity has had on him is addressed directly only in the breezy opener "The Way I Am," where he concedes that he's "just tryin' to find a place to hide," and the twentysomething alludes to it in petulant form only in the closing ("I've been") "Through It All." The set's crux is a series of failed relationships that leap from one disparate experience to another. Puth admits to faults in a couple songs, pinning part of the blame on alcohol and youth, elsewhere feeling belittled by an older woman -- who underestimates his maturity and uses him -- only to immediately afterward bemoan a younger partner's attachment. Stylistically, much of the set is in a continuum of R&B-inspired pop that is earnest and groove-oriented in nature, rooted in early-'80s acts like Hall & Oates and exemplified decades later by Daft Punk's "Something About Us." "Slow It Down" goes as far as to sample the former and resembles a collaboration with the latter as much as the Weeknd's "I Feel It Coming." The best of the material shaped this way is "Done for Me," a sublime breakup prelude on which Puth duets with Kehlani, his most astute choice for collaborator. The second is "Attention," which appeared a year before Voicenotes was released, but is perfectly representative for its borderline bratty vocal and a sparkling production with a loping bassline that gives as much as the hooks. Success may have almost spoiled Puth, but it fueled his upward creative swing. ~ Andy Kellman

1.[LPレコード]
【A面】
1. 1.
  
  The Way I Am
  
  アーティスト： Charlie Puth
2. 2.
  
  Attention
  
  アーティスト： Charlie Puth
3. 3.
  
  LA Girls
  
  アーティスト： Charlie Puth
4. 4.
  
  How Long
  
  アーティスト： Charlie Puth
5. 5.
  
  Done For Me (feat. Kehlani)
  
  アーティスト： Charlie Puth
6. 6.
  
  Patient
  
  アーティスト： Charlie Puth
7. 7.
  
  If You Leave Me Now (feat. Boyz II Men)
  
  アーティスト： Charlie Puth
1.[LPレコード]
【B面】
1. 1.
  
  BOY
  
  アーティスト： Charlie Puth
2. 2.
  
  Slow It Down
  
  アーティスト： Charlie Puth
3. 3.
  
  Change (feat. James Taylor)
  
  アーティスト： Charlie Puth
4. 4.
  
  Somebody Told Me
  
  アーティスト： Charlie Puth
5. 5.
  
  Empty Cups
  
  アーティスト： Charlie Puth
6. 6.
  
  Through It All
  
  アーティスト： Charlie Puth

作品の情報

メイン

アーティスト： Charlie Puth

ゲスト

アーティスト： Kehlani 、 Boyz II Men 、 James Taylor

商品の紹介

新世代のインターナショナル・ポップ・スター、チャーリー・プースの大ヒット・セカンド・アルバム『ボイスノーツ(Voicenotes)』に待望のアナログ・レコードが登場!!!

発売・販売元提供資料（2018/08/31）

Rolling Stone - 3 stars out of 5 -- "[T]he album's homemade feel gives it intimacy and warmth. This proves effective for the Eighties and Nineties R&B influence that pervades each note." Spin - "Puth is a canny songwriter....Across the album's 13 exceedingly catchy yet contradictory tracks, Puth laments his success and desirability while boasting about both." Spin - Included in Spin's "The 51 Best Albums of 2018" -- "[The album] pursues the sort of respect you can only achieve via extreme precision, and is studious about its execution." Billboard - "[A]n LP that reveals Puth as a disciple of the L.A. soft-rock and East Coast blue-eyed soul greats, even bringing James Taylor and Hall & Oates by for cameos to drive the point home." NME (Magazine) - 3 stars out of 5 -- "It's a showcase of Puth's songwriting skills which....[With] moments of pop brilliance."

Rovi

Charlie Puth went from YouTube likes to RIAA certifications with such swiftness that he caught a serious case of stardom bends. He had most of the symptoms, including a hastened, compromised debut album, resultant awkward performances, and a bad reaction to the public eye. While Voicenotes can be loosely classified as a fame-response album -- a category distinguished by works that are woeful in character and quality -- it counteracts Puth's artistic frustrations and in every aspect surpasses Nine Track Mind. Rarely is it overblown and stagey, with Puth generally sounding more at ease, and absolutely invested in the songs. The negative impact celebrity has had on him is addressed directly only in the breezy opener "The Way I Am," where he concedes that he's "just tryin' to find a place to hide," and the twentysomething alludes to it in petulant form only in the closing ("I've been") "Through It All." The set's crux is a series of failed relationships that leap from one disparate experience to another. Puth admits to faults in a couple songs, pinning part of the blame on alcohol and youth, elsewhere feeling belittled by an older woman -- who underestimates his maturity and uses him -- only to immediately afterward bemoan a younger partner's attachment. Stylistically, much of the set is in a continuum of R&B-inspired pop that is earnest and groove-oriented in nature, rooted in early-'80s acts like Hall & Oates and exemplified decades later by Daft Punk's "Something About Us." "Slow It Down" goes as far as to sample the former and resembles a collaboration with the latter as much as the Weeknd's "I Feel It Coming." The best of the material shaped this way is "Done for Me," a sublime breakup prelude on which Puth duets with Kehlani, his most astute choice for collaborator. The second is "Attention," which appeared a year before Voicenotes was released, but is perfectly representative for its borderline bratty vocal and a sparkling production with a loping bassline that gives as much as the hooks. Success may have almost spoiled Puth, but it fueled his upward creative swing. ~ Andy Kellman

Rovi