| フォーマット | CDアルバム |
| 発売日 | 2018年10月12日 |
| 国内/輸入 | 輸入(ヨーロッパ盤) |
| レーベル | Parlophone |
| 構成数 | 11 |
| パッケージ仕様 | ボックス |
| 規格品番 | 9029569353 |
| SKU | 190295693534 |
構成数 : 11枚
合計収録時間 : 09:53:16
Recording information: Electric Lady Studios (03/23/1985); Incognito Studios, NYC (03/23/1985); Le Studio, Morin Heights, Canada (03/23/1985); Mountain Studios, Montreux (03/23/1985); National Exhibition Centre, Birmingham (03/23/1985); Olympic Stadium, Montreal (03/23/1985); Pacific National Exhibition Coliseum, Vancouver, Canada (03/23/1985); Power Station Studios, New York (03/23/1985); Power Station, New York (03/23/1985); The Forum, Montreal, Canada (03/23/1985); Electric Lady Studios (05/1984-06/1984); Incognito Studios, NYC (05/1984-06/1984); Le Studio, Morin Heights, Canada (05/1984-06/1984); Mountain Studios, Montreux (05/1984-06/1984); National Exhibition Centre, Birmingham (05/1984-06/1984); Olympic Stadium, Montreal (05/1984-06/1984); Pacific National Exhibition Coliseum, Vancouver, Canada (05/1984-06/1984); Power Station Studios, New York (05/1984-06/1984); Power Station, New York (05/1984-06/1984); The Forum, Montreal, Canada (05/1984-06/1984); Electric Lady Studios (07/13/1983); Incognito Studios, NYC (07/13/1983); Le Studio, Morin Heights, Canada (07/13/1983); Mountain Studios, Montreux (07/13/1983); National Exhibition Centre, Birmingham (07/13/1983); Olympic Stadium, Montreal (07/13/1983); Pacific National Exhibition Coliseum, Vancouver, Canada (07/13/1983); Power Station Studios, New York (07/13/1983); Power Station, New York (07/13/1983); The Forum, Montreal, Canada (07/13/1983); Electric Lady Studios (08/30/1987); Incognito Studios, NYC (08/30/1987); Le Studio, Morin Heights, Canada (08/30/1987); Mountain Studios, Montreux (08/30/1987); National Exhibition Centre, Birmingham (08/30/1987); Olympic Stadium, Montreal (08/30/1987); Pacific National Exhibition Coliseum, Vancouver, Canada (08/30/1987); Power Station Studios, New York (08/30/1987); Power Station, New York (08/30/1987); The Forum, Montreal, Canada (08/30/1987); Electric Lady Studios (09/12/1983); Incognito Studios, NYC (09/12/1983); Le Studio, Morin Heights, Canada (09/12/1983); Mountain Studios, Montreux (09/12/1983); National Exhibition Centre, Birmingham (09/12/1983); Olympic Stadium, Montreal (09/12/1983); Pacific National Exhibition Coliseum, Vancouver, Canada (09/12/1983); Power Station Studios, New York (09/12/1983); Power Station, New York (09/12/1983); The Forum, Montreal, Canada (09/12/1983); Electric Lady Studios (09/1986-11/1986); Incognito Studios, NYC (09/1986-11/1986); Le Studio, Morin Heights, Canada (09/1986-11/1986); Mountain Studios, Montreux (09/1986-11/1986); National Exhibition Centre, Birmingham (09/1986-11/1986); Olympic Stadium, Montreal (09/1986-11/1986); Pacific National Exhibition Coliseum, Vancouver, Canada (09/1986-11/1986); Power Station Studios, New York (09/1986-11/1986); Power Station, New York (09/1986-11/1986); The Forum, Montreal, Canada (09/1986-11/1986); Electric Lady Studios (12/1982-01/1983); Incognito Studios, NYC (12/1982-01/1983); Le Studio, Morin Heights, Canada (12/1982-01/1983); Mountain Studios, Montreux (12/1982-01/1983); National Exhibition Centre, Birmingham (12/1982-01/1983); Olympic Stadium, Montreal (12/1982-01/1983); Pacific National Exhibition Coliseum, Vancouver, Canada (12/1982-01/1983); Power Station Studios, New York (12/1982-01/1983); Power Station, New York (12/1982-01/1983); The Forum, Montreal, Canada (12/1982-01/1983).
Photographers: Herb Ritts; Steve Rapport; Patrick Jones ; Chalkie Davies; Hugh Padgham; Cindy Rosenthal; Anton Corbijn.
The fourth in a series of comprehensive box sets chronicling David Bowie's entire career: Loving the Alien (1983-1988) covers a period that found Bowie at a popular peak yet somewhat creatively adrift. Once Let's Dance went supernova in 1983, as it was designed to do, Bowie's productivity slowed to a crawl: he knocked out the sequel, Tonight, in a year, then took three to deliver Never Let Me Down. By the end of the decade, he rediscovered his muse via the guitar skronk of Tin Machine, but Loving the Alien cuts off with Never Let Me Down, presented
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