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Greenslade: Expanded & Remastered Edition

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フォーマット CDアルバム
発売日 2018年09月11日
国内/輸入 輸入(イギリス盤)
レーベルEsoteric
構成数 2
パッケージ仕様 -
規格品番 PECLEC22645
SKU 5013929474543

構成数 : 2枚
合計収録時間 : 00:00:00
One of the most underrated prog-rock bands of the 1970s, Greenslade included former members of Colosseum and King Crimson, and they lived up to that impressive pedigree. On their debut album, they unveiled a dual-keyboard-charged sound powered by ivory ticklers Dave Greenslade and Tony Lawson. While the band displayed an instrumental facility right in line with the emerging symphonic wing of prog, they were distinguished by two rarities in the genre: trace elements of R&B (perhaps the Colosseum connection) and lyrics that display an actual sense of humor.
エディション : Remaster

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作品の情報

メイン
アーティスト: Greenslade

オリジナル発売日:1973年

商品の紹介

Not long after the disintegration of Colosseum, Greenslade was born, with their inaugural self-titled album whetting the appetites of progressive rock fans worldwide. Dave Greenslade used the group to showcase his illustrious keyboard intricacies alongside Tony Reeves' bass guitar, Andrew McCulloch's predominant percussion work, and Dave Lawson's vocals, all of which made Greenslade a quintessential prog album. The attention almost never veers from David Greenslade's beautiful organ texturing, alternating between hard and delicate patterns while defining the album's pure progressive sound. Reeves' bass riffs are spatial and thorough, complimenting the keyboard runs when needed while falling in behind the music at the proper times. Although the three instrumental pieces ("An English Western," "Melange," and "Sundance") aim the spotlight straight at Greenslade, the vocal tracks are just as worthy. The lyrics are of a simple nature, unlike Yes' brand of fantastical poetry, and they adhere perfectly to the instruments, especially on the sincere "What Are You Doin' to Me." For this project and the rest of Greenslade's albums, Dave Greenslade exchanges the jazz-infused stylishness of his Colosseum days for the complexities of a progressive rock realm, and his transition ends up being faultless. Bedside Manners carries on with the same rich, keyboard-led sound, while another member from Colosseum, guitarist Dave Clempson, joins on for 1974's Spyglass Guest, in which the electronics were noticeably toned down. ~ Mike DeGagne|
Rovi

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