Jazz
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With Clifford Brown

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フォーマット CDアルバム
発売日 2018年09月21日
国内/輸入 輸入
レーベルJazz Images
構成数 1
パッケージ仕様 -
規格品番 JIM38049
SKU 8436569192665

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Sarah Vaughan (vocals); Ernie Wilkins (arranger); Paul Quinichette (tenor saxophone); Clifford Brown (trumpet); Herbie Mann (flute); Jimmy Jomes (piano); Joe Benjamin (bass); Roy Haynes (drums). Producer: Bob Shad. Reissue producers: Richard Seidel, Paul Ramey. Recorded December 16 and 18, 1954, in New York. Originally released at Emarcy (36004). Includes liner notes by Michael Bourne. Digitally remastered by Kiyoshi Tokiwa. Personnel: Sarah Vaughan (vocals); Ernie Wilkins (arranger); Paul Quinichette (tenor saxophone); Clifford Brown (trumpet); Herbie Mann (flute); Jimmy Jomes (piano); Joe Benjamin (bass); Roy Haynes (drums). Producer: Bob Shad. Reissue producers: Richard Seidel, Paul Ramey. Recorded December 16 and 18, 1954, in New York. Originally released at Emarcy (36004). Includes liner notes by Michael Bourne. This album joined the talents of legendary jazz singer Sarah Vaughan with those of 24-year-old wonder-trumpeter Clifford Brown for a December, 1954 released on Mercury Records subsidiary EmArcy. A warm and welcoming hiss washes over this album, giving it a graceful, familiar patina. One feels like a privileged listener let in on an intimate closed session. Brown's playing is sharp and confident throughout, and at times even bears a bit of a racy, histrionic edge. But it is clearly Vaughan who steals the show in this set. The opening and closing strains of "Jim" demonstrate her peerless intonation, as her voice blends with the rest of the instruments to create a mellifluous whole. On "Lullaby of Birdland," Vaughan wallows around her soupy lower register only seconds before breaking into some bebop maneuvering. It is interesting to listen to what kind of interpretive character her tight vibrato and winsome pitch-modulation bring to standards like "September Song," and the Gershwins' "Embraceable You." This is a thoroughly representative collection from one of jazz's all-time greats.

  1. 1.[CDアルバム]
    1. 1.
      September Song
    2. 2.
      Lullaby Of Birdland
    3. 3.
      I'm Glad There Is You
    4. 4.
      You'Re Not The Kind
    5. 5.
      Jim
    6. 6.
      He's My Guy
    7. 7.
      April In Paris
    8. 8.
      It's Crazy
    9. 9.
      Embraceable You
    10. 10.
      Ain't No Use(ボーナストラック)
    11. 11.
      Every Time I See You(ボーナストラック)
    12. 12.
      Gloomy Sunday(ボーナストラック)
    13. 13.
      What Do You See In Her(ボーナストラック)
    14. 14.
      When Your Lover Has Gone(ボーナストラック)
    15. 15.
      I'm Gonna Laugh You Out Of My Life(ボーナストラック)
    16. 16.
      Somebody Else's Dream(ボーナストラック)
    17. 17.
      Trouble Is A Man(ボーナストラック)

作品の情報

メイン
アーティスト： Sarah Vaughan 、 Clifford Brown

オリジナル発売日：1955年

商品の紹介

ジャズの黄金時代、白人写真家のウィリアム・クラクストンが残したジャズメン達の貴重な写真をジャケットに使用した人気のシリーズ。アルバムカバー写真は1960年ニューヨーク、ブルックリン・パラマウント劇場の楽屋で撮影されたもの。オリジナル発売は人気盤『Sarah Vaughan with Clifford Brown』。ボーナストラックとしてHarry"Sweets" Edison (tp) が参加したスモールグループの演奏(1960年録音)が8曲追加収録されている。
発売・販売元 提供資料（2018/07/27）

This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan is one of the most important jazz-meets-vocal sessions ever recorded. ~ John Bush|
Rovi

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