Rock/Pop
LPレコード

Lights...Camera...Revolution

0.0

販売価格

¥
3,490
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2018年08月31日
国内/輸入 輸入(アメリカ盤)
レーベルCentury Media
構成数 1
パッケージ仕様 -
規格品番 190758284613
SKU 190758284613

構成数 : 1枚
合計収録時間 : 00:42:39
Suicidal Tendencies: Mike Muir (vocals); Rocky George, Mike Clark (guitar); Robert Trujillo (bass); R.J. Herrera (drums). Producers: Mark Dodson, Suicidal Tendencies. Engineers include: Mark Dodson, Chris Steinmetz, Brian Scheuble. Recorded at Rumbo Recorders, Canoga Park, California and Amigo Studios, North Hollywood, California. Arguably Suicidal Tendencies' finest, and certainly most adventurous, album, 1990's LIGHTS CAMERA REVOLUTION features little in the way of the Los Angeles-based band's brash hardcore roots. Instead, it opts for an inventive thrash-metal-influenced sound, as best revealed on the opening mini-epic, "You Can't Bring Me Down," which presents frontman Mike Muir at his furious best, and showcases guitarist Rocky George's fierce lead work. LIGHTS also finds the group moving in a funk-metal direction on the stomping tunes "Lovely" and "Send Me Your Money," tracks that shine the spotlight on bassist Robert Trujillo, who would form the Infectious Grooves side-project with Muir. Skate-punk purists will be further dismayed by the surprisingly melodic "Alone," which finds Muir singing rather than shouting, rounding out a dynamic album that places ST in the eclectic alt-metal category inhabited by acts such as Fishbone--who, incidentally, would welcome George as a member years later.

  1. 1.[LPレコード]
    1. 1.
      You Can't Bring Me Down
    2. 2.
      Lost Again
    3. 3.
      Alone
    4. 4.
      Lovely
    5. 5.
      Give It Revolution
    6. 6.
      Get Whacked
    7. 7.
      Send Me Your Money
    8. 8.
      Emotion No. 13
    9. 9.
      Disco's Out, Murder's In
    10. 10.
      Go'n Breakdown

作品の情報

メイン
アーティスト: Suicidal Tendencies

商品の紹介

Record Collector (magazine) (p.102) - 4 stars out of 5 -- "[I]t was a belligerent, uncompromising album, a middle finger to both critics and society that sat somewhere between the rock'n'roll excess of Guns N'Roses and the driving riffs of Metallica."
Rovi

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