| フォーマット | LPレコード |
| 発売日 | 2018年08月31日 |
| 国内/輸入 | 輸入 |
| レーベル | Superior Viaduct |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | SV118 |
| SKU | 855985006185 |
構成数 : 1枚
合計収録時間 : 00:00:00
Among the first bands to use the studio as an instrument, Germany's Faust stitched engrossing albums from bits of improvised ensemble play, primitive electronics, lovely folk motifs, lo-fi musique concrete, and fragments of punk, psychedelic, jazz, and progressive music. THE FAUST TAPES is even more of a splendid mishmash than the earlier FAUST and SO FAR, as the album is sequenced as a single track. As haphazard as TAPES' construction might seem, with an excess of ideas that almost seems to have tumbled out of the Faust 5 at random, one must realize that "construction" is the operative word here.
TAPES is a rare relic of cut-and-paste creativity from the days before sampling, and Faust's revolutionary jigsaw post-production techniques provided the model for future musical collages from other bands. TAPES' coarse cut-ups and abrupt splices continue to influence music, clearly informing the work of the so-called "Plunderphonic" artists (John Oswald, Negativland, Severed Heads), the lo-fi home tapers, and such post-industrial experimental outfits as Cabaret Voltaire, Death in June, and Nurse With Wound.

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