Rock/Pop
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Bad Mouthin'

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フォーマット CDアルバム
発売日 2018年09月26日
国内/輸入 輸入
レーベルYep Roc
構成数 1
パッケージ仕様 -
規格品番 YEP25932
SKU 634457259324

構成数 : 1枚
合計収録時間 : 00:50:06
Audio Mixer: Ryan McFadden. Long before he signed to Yep Roc in 2013, Tony Joe White perfected his minimalist groove -- so much so, his records often seemed like they flowed from the same swamp. Bad Mouthin', his third record for Yep Roc since 2013, doesn't necessarily break from that tradition -- from its first note, it is quite clearly the work of Tony Joe White -- but it does prove a variation on his signature by offering his first album devoted entirely to the blues. Combining blues standards with songs he wrote years ago, White highlights how pivotal the skeletal shuffles of John Lee Hooker and Jimmy Reed were to his own sound. It's not just that their respective "Boom Boom" and "Big Boss Man" are covered back to back: it's how they seem to be the seed of all his down-and-dirty boogie, dating back to the origins of the originals he's reviving and extending to his weathered, leathery present. The songs are strong but the reason to listen to Bad Mouthin' is the performance, how White maintains his thick, heavy mood from beginning to end, always sounding compelling through the familiar changes. ~ Stephen Thomas Erlewine

  1. 1.[CDアルバム]
    1. 1.
      Bad Mouthin'

      アーティスト: Tony Joe White

    2. 2.
      Baby Please Don't Go

      アーティスト: Tony Joe White

    3. 3.
      Cool Town Woman

      アーティスト: Tony Joe White

    4. 4.
      Boom Boom

      アーティスト: Tony Joe White

    5. 5.
      Big Boss Man

      アーティスト: Tony Joe White

    6. 6.
      Sundown Blues

      アーティスト: Tony Joe White

    7. 7.
      Rich Woman Blues

      アーティスト: Tony Joe White

    8. 8.
      Bad Dreams

      アーティスト: Tony Joe White

    9. 9.
      Awful Dreams

      アーティスト: Tony Joe White

    10. 10.
      Down the Dirt Road Blues

      アーティスト: Tony Joe White

    11. 11.
      Stockholm Blues

      アーティスト: Tony Joe White

    12. 12.
      Heartbreak Hotel

      アーティスト: Tony Joe White

作品の情報

メイン
アーティスト: Tony Joe White

商品の紹介

名曲「ポーク・サラダ・アニー」、「レイニー・ナイト・イン・ジョージア」などの作者として知られるスワンプ・ロックの先駆者、トニー・ジョー・ホワイトによるアルバム。本人曰く、「50年の音楽生活を経て、ようやく作るべき時が来た」と語る、自身のルーツをたどった初のブルース・アルバムだ。ブルージーなオリジナル5曲に加え、ジョン・リー・フッカー、ジミー・リード、マディ・ウォーターズ、ライトニン・ホプキンスなど名曲の数々を、独自のアレンジで聴かせた一枚。ドスの利いたヴォーカルでディープなブルースを歌いあげる。
発売・販売元 提供資料(2018/10/05)

Long before he signed to Yep Roc in 2013, Tony Joe White perfected his minimalist groove -- so much so, his records often seemed like they flowed from the same swamp. Bad Mouthin', his third record for Yep Roc since 2013, doesn't necessarily break from that tradition -- from its first note, it is quite clearly the work of Tony Joe White -- but it does prove a variation on his signature by offering his first album devoted entirely to the blues. Combining blues standards with songs he wrote years ago, White highlights how pivotal the skeletal shuffles of John Lee Hooker and Jimmy Reed were to his own sound. It's not just that their respective "Boom Boom" and "Big Boss Man" are covered back to back: it's how they seem to be the seed of all his down-and-dirty boogie, dating back to the origins of the originals he's reviving and extending to his weathered, leathery present. The songs are strong but the reason to listen to Bad Mouthin' is the performance, how White maintains his thick, heavy mood from beginning to end, always sounding compelling through the familiar changes. ~ Stephen Thomas Erlewine|
Rovi

Long before he signed to Yep Roc in 2013, Tony Joe White perfected his minimalist groove -- so much so, his records often seemed like they flowed from the same swamp. Bad Mouthin', his third record for Yep Roc since 2013, doesn't necessarily break from that tradition -- from its first note, it is quite clearly the work of Tony Joe White -- but it does prove a variation on his signature by offering his first album devoted entirely to the blues. Combining blues standards with songs he wrote years ago, White highlights how pivotal the skeletal shuffles of John Lee Hooker and Jimmy Reed were to his own sound. It's not just that their respective "Boom Boom" and "Big Boss Man" are covered back to back: it's how they seem to be the seed of all his down-and-dirty boogie, dating back to the origins of the originals he's reviving and extending to his weathered, leathery present. The songs are strong but the reason to listen to Bad Mouthin' is the performance, how White maintains his thick, heavy mood from beginning to end, always sounding compelling through the familiar changes. ~ Stephen Thomas Erlewine
Rovi

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