Rock/Pop
CDアルバム

The House of Love: 30th Anniversary Deluxe Hardback Edition

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6,390
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フォーマット CDアルバム
発売日 2018年10月10日
国内/輸入 輸入(イギリス盤)
レーベルCherry Red
構成数 5
パッケージ仕様 -
規格品番 CRCDBOX61
SKU 5013929106109

構成数 : 5枚
合計収録時間 : 00:00:00
For all of the band's later highlights, there's no question that this is where the group shone the best; still hungry, still focused, and not plagued by the personality conflicts that would cause Terry Bickers' acrimonious departure, the quartet served up a half-hour-long delight. Guy Chadwick's yearning vocals and ear for memorable melodies matched beautifully with Bickers' fantastic guitar, and if the recorded results didn't really show the latter at full strength (Chadwick essentially told him what to play, and he only cut loose in concert), it's still something. Check out the sudden, thrilling solo on "Salome," a fantastic song that easily equals the Church at their most thrilling and powerful, or the even-more-memorable break on the deservedly famous leadoff track "Christine," once described aptly as the Jesus and Mary Chain meets the Left Banke. The Pete Evans/Chris Groothuizen rhythm team had their own fine moments as well -- the snaky crawl of "Road" in particular suggests Echo and the Bunnymen's own brilliant work with rhythm. "Man to Child," a reflective, softly crushed ballad, won many plaudits as well, Chadwick's portrait of aging and angst deft and quietly understated, matching the similarly wistful, just-sad-enough music beautifully. However, the secret highlight of the album would have to be "Love in a Car," starting with a keening, haunting high guitar part from Bickers and then slowly evolving into an evermore tense and dramatic all-band performance. Chadwick's singing is some of his wounded best, and the final slow fade keeps all the intensity right to the end. Though a couple of cuts veer toward the okay rather than the great, plenty of other highlights suggest themselves, and the album as a whole is a high watermark for English post-punk music of the '80s. ~ Ned Raggett
エディション : Remaster、Deluxe Edition

  1. 1.[CDアルバム]
    1. 1.
      CHRISTINE
    2. 2.
      HOPE
    3. 3.
      ROAD
    4. 4.
      SULPHUR
    5. 5.
      MAN TO CHILD
    6. 6.
      SALOME
    7. 7.
      LOVE IN A CAR
    8. 8.
      HAPPY
    9. 9.
      FISHERMAN'S TALE
    10. 10.
      TOUCH ME
    11. 11.
      SHINE ON (Demo - LP Bonus 7")
    12. 12.
      CHRISTINE (Demo - LP Bonus 7")
  2. 2.[CDアルバム]
    1. 1.
      SHINE ON
    2. 2.
      LOVE
    3. 3.
      FLOW
    4. 4.
      REAL ANIMAL
    5. 5.
      PLASTIC
    6. 6.
      NOTHING TO ME
    7. 7.
      THE HILL
    8. 8.
      LONELINESS IS A GUN
    9. 9.
      THE HEDONIST
    10. 10.
      WELT
    11. 11.
      DESTROY THE HEART
    12. 12.
      BLIND
    13. 13.
      MR. JO
    14. 14.
      SHINE ON (Guy Chadwick Demo)
    15. 15.
      REAL ANIMAL (Demo)
    16. 16.
      TOUCH ME (Demo)
    17. 17.
      HAPPY (Demo)
    18. 18.
      ROAD (Early Mix)
    19. 19.
      SALOME (Early Mix)
    20. 20.
      FISHERMAN'S TALE (Early Mix)
    21. 21.
      DESTROY THE HEART (Demo)
    22. 22.
      SHINE ON (Fuck Version) (Flexidisc)
  3. 3.[CDアルバム]
    1. 1.
      ROAD (Longer Early Mix)
    2. 2.
      SULPHUR (Early Mix)
    3. 3.
      HAPPY (Early Mix)
    4. 4.
      FISHERMAN'S TALE (Early Mix)
    5. 5.
      TOUCH ME (Early Mix)
    6. 6.
      SALOME (Early Mix)
    7. 7.
      SHINE ON (Band Demo)
    8. 8.
      REAL ANIMAL (16 Track Demo)
    9. 9.
      CHRISTINE (16 Track Demo)
    10. 10.
      HOLD ON ME (16 Track Demo)
    11. 11.
      HOPE (Early Mix)
    12. 12.
      MAN TO CHILD (Early Mix)
    13. 13.
      LOVE IN A CAR (Early Mix)
    14. 14.
      MODERN WORLD (Welt) (Demo)
    15. 15.
      LITTLE GIRL (Mr Jo) (Early Mix)
    16. 16.
      SULPHUR (Early Mix)
    17. 17.
      HAPPY (Early Mix)
    18. 18.
      TOUCH ME (Early Mix)
    19. 19.
      SHINE ON (Early Mix)
    20. 20.
      REAL ANIMAL (Early Mix)
    21. 21.
      DESTROY THE HEART (Early Version - No Guitar)
  4. 4.[CDアルバム]
    1. 1.
      DESTROY THE HEART
    2. 2.
      NOTHING TO ME
    3. 3.
      PLASTIC
    4. 4.
      BLIND
    5. 5.
      THE HEDONIST
    6. 6.
      DON'T TURN BLUE
    7. 7.
      SAFE
    8. 8.
      LOVE IN A CAR
    9. 9.
      IN A ROOM
    10. 10.
      THE BEATLES AND THE STONES
    11. 11.
      CHRISTINE
    12. 12.
      LONELINESS IS A GUN
  5. 5.[CDアルバム]
    1. 1.
      CHRISTINE (VREDENBURG, UTRECHT, HOLLAND)
    2. 2.
      MAN TO CHILD (VREDENBURG, UTRECHT, HOLLAND)
    3. 3.
      ROAD (VREDENBURG, UTRECHT, HOLLAND)
    4. 4.
      SHINE ON (VREDENBURG, UTRECHT, HOLLAND)
    5. 5.
      PLASTIC (GRONINGEN, HOLLAND)
    6. 6.
      SULPHUR (GRONINGEN, HOLLAND)
    7. 7.
      TOUCH ME (GRONINGEN, HOLLAND)
    8. 8.
      NOTHING TO ME (GRONINGEN, HOLLAND)
    9. 9.
      I DON'T KNOW WHY I LOVE YOU BUT I DO
    10. 10.
      NEVER (TOP RANK, BRIGHTON)
    11. 11.
      SE DEST (TOP RANK, BRIGHTON)
    12. 12.
      THE HEDONIST (TOP RANK, BRIGHTON)
    13. 13.
      SOFT AS FIRE (TOP RANK, BRIGHTON)
    14. 14.
      FISHERMAN'S TALE (LA CIGALE, PARIS, FRANCE)
    15. 15.
      HAPPY (LA CIGALE, PARIS, FRANCE)
    16. 16.
      LOVE IN A CAR (LA CIGALE, PARIS, FRANCE)
    17. 17.
      DESTROY THE HEART (LA CIGALE, PARIS, FRANCE)
    18. 18.
      I WANNA BE YOUR DOG (LA CIGALE, PARIS, FRANCE)

作品の情報

メイン
アーティスト: The House Of Love

オリジナル発売日:1988年

商品の紹介

For all of the band's later highlights, there's no question that this is where the group shone the best; still hungry, still focused, and not plagued by the personality conflicts that would cause Terry Bickers' acrimonious departure, the quartet served up a half-hour-long delight. Guy Chadwick's yearning vocals and ear for memorable melodies matched beautifully with Bickers' fantastic guitar, and if the recorded results didn't really show the latter at full strength (Chadwick essentially told him what to play, and he only cut loose in concert), it's still something. Check out the sudden, thrilling solo on "Salome," a fantastic song that easily equals the Church at their most thrilling and powerful, or the even-more-memorable break on the deservedly famous leadoff track "Christine," once described aptly as the Jesus and Mary Chain meets the Left Banke. The Pete Evans/Chris Groothuizen rhythm team had their own fine moments as well -- the snaky crawl of "Road" in particular suggests Echo and the Bunnymen's own brilliant work with rhythm. "Man to Child," a reflective, softly crushed ballad, won many plaudits as well, Chadwick's portrait of aging and angst deft and quietly understated, matching the similarly wistful, just-sad-enough music beautifully. However, the secret highlight of the album would have to be "Love in a Car," starting with a keening, haunting high guitar part from Bickers and then slowly evolving into an evermore tense and dramatic all-band performance. Chadwick's singing is some of his wounded best, and the final slow fade keeps all the intensity right to the end. Though a couple of cuts veer toward the okay rather than the great, plenty of other highlights suggest themselves, and the album as a whole is a high watermark for English post-punk music of the '80s. ~ Ned Raggett|
Rovi

For all of the band's later highlights, there's no question that this is where the group shone the best; still hungry, still focused, and not plagued by the personality conflicts that would cause Terry Bickers' acrimonious departure, the quartet served up a half-hour-long delight. Guy Chadwick's yearning vocals and ear for memorable melodies matched beautifully with Bickers' fantastic guitar, and if the recorded results didn't really show the latter at full strength (Chadwick essentially told him what to play, and he only cut loose in concert), it's still something. Check out the sudden, thrilling solo on "Salome," a fantastic song that easily equals the Church at their most thrilling and powerful, or the even-more-memorable break on the deservedly famous leadoff track "Christine," once described aptly as the Jesus and Mary Chain meets the Left Banke. The Pete Evans/Chris Groothuizen rhythm team had their own fine moments as well -- the snaky crawl of "Road" in particular suggests Echo and the Bunnymen's own brilliant work with rhythm. "Man to Child," a reflective, softly crushed ballad, won many plaudits as well, Chadwick's portrait of aging and angst deft and quietly understated, matching the similarly wistful, just-sad-enough music beautifully. However, the secret highlight of the album would have to be "Love in a Car," starting with a keening, haunting high guitar part from Bickers and then slowly evolving into an evermore tense and dramatic all-band performance. Chadwick's singing is some of his wounded best, and the final slow fade keeps all the intensity right to the end. Though a couple of cuts veer toward the okay rather than the great, plenty of other highlights suggest themselves, and the album as a whole is a high watermark for English post-punk music of the '80s. ~ Ned Raggett
Rovi

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このCDは90年にfontanaから出たbutterflyですよね?
買ったら88年にCreationから出たヤツだったりして…
2025/07/19 なしさん
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