Soul/Club/Rap
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Saboreando : Pot Full Of Soul

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フォーマット CDアルバム
発売日 2018年10月25日
国内/輸入 輸入
レーベルEverland
構成数 1
パッケージ仕様 -
規格品番 EVERLAND018CD
SKU 710473184236

構成数 : 1枚
合計収録時間 : 00:00:00
In the late 1960s, producer and arranger Bobby Marin had the concept for an album based on the sounds and experiences of his youth in his Spanish Harlem neighborhood. Credited to the 107th Street Stickball Team, this LP was rehearsed and recorded on the same day, fusing Latin music with soul and a bit of pop and boogaloo. The liner notes to the 2009 CD reissue of this rarity infer that this was a concept album of sorts, but while Marin's background undoubtedly fueled his vision of the record, it's really a collection of unrelated songs, not a series of tunes that tells a story or elaborates upon certain constant themes. It's a pretty fair mixture as far as such Nuyorican albums of the era go, but it's not quite as exciting or innovative as some of the collector buildup might portend. It does sound at times like the work of several bands rather than a single artist, with "On Old Broadway" fusing soul-pop with light Latin jazz and salsa; others, like the Spanish-language "Toma Guajira," getting into more straight salsa-jazz fusion along the lines of Willie Bobo; "Barbara with the Kooky Eyes" (great song title) going for an instrumental boogaloo; and other songs getting into more of an updated Latin/doo wop hybrid feel. Though the sound and grooves are pretty cool, the material does seem to have been hastily written and recorded, with a shortage of really outstanding compositions and somewhat lo-fi sound by 1969 standards. It's not a plus, either, that the best song, "On Old Broadway," has a chorus that virtually replicates the one from Petula Clark's "Downtown" melodically. The 2009 CD reissue does benefit from thorough historical liner notes explaining the album's genesis, as well as three interesting bonus cuts from an unreleased, slightly earlier boogaloo album by the Nitty Sextet in which Marin was also involved. ~ Richie Unterberger

  1. 1.[CDアルバム]
    1. 1.
      On Old Broadway

      アーティスト: The 107th Street Stickball Team

    2. 2.
      Toma Guajira

      アーティスト: The 107th Street Stickball Team

    3. 3.
      Look To Me

      アーティスト: The 107th Street Stickball Team

    4. 4.
      You Put A Hurt In My Heart

      アーティスト: The 107th Street Stickball Team

    5. 5.
      Rhythm And Soul

      アーティスト: The 107th Street Stickball Team

    6. 6.
      Mojo Shingaling

      アーティスト: The 107th Street Stickball Team

    7. 7.
      Barbara With The Kooky Eyes

      アーティスト: The 107th Street Stickball Team

    8. 8.
      Tell Her I Love Her

      アーティスト: The 107th Street Stickball Team

    9. 9.
      Let Me Do My Thing

      アーティスト: The 107th Street Stickball Team

    10. 10.
      Come Live With Me

      アーティスト: The 107th Street Stickball Team

    11. 11.
      Rose marie With The Funny Knees

      アーティスト: The 107th Street Stickball Team

    12. 12.
      Hey Mama

      アーティスト: The 107th Street Stickball Team

    13. 13.
      Lost In The Jungle

      アーティスト: The 107th Street Stickball Team

作品の情報

メイン
アーティスト: The 107th Street Stickball Team

商品の紹介

後にSPEEDレーベルを立ち上げるN.Y.ラテンの名ディレクター、BOBBY MARIN中心となって組まれていた60年代後半の ラテン・ソウル・プロジェクト「107th STREET STICKBALL TEAM」。その唯一のアルバム。当時のブロンクス・ラティーノのボス的プロデューサー、RALPH LEWが密かに興していたDORADOというマイナー・レーベルに残したヴィンテージ・ラテンの傑作である。ファンキーでダイナミックなブーガルー&シンガリング系のヤサクレサウンドを誇る、キケンな1枚。しかもこれまでリリースされていなかった4曲を追加!
発売・販売元 提供資料(2018/06/25)

In the late 1960s, producer and arranger Bobby Marin had the concept for an album based on the sounds and experiences of his youth in his Spanish Harlem neighborhood. Credited to the 107th Street Stickball Team, this LP was rehearsed and recorded on the same day, fusing Latin music with soul and a bit of pop and boogaloo. The liner notes to the 2009 CD reissue of this rarity infer that this was a concept album of sorts, but while Marin's background undoubtedly fueled his vision of the record, it's really a collection of unrelated songs, not a series of tunes that tells a story or elaborates upon certain constant themes. It's a pretty fair mixture as far as such Nuyorican albums of the era go, but it's not quite as exciting or innovative as some of the collector buildup might portend. It does sound at times like the work of several bands rather than a single artist, with "On Old Broadway" fusing soul-pop with light Latin jazz and salsa; others, like the Spanish-language "Toma Guajira," getting into more straight salsa-jazz fusion along the lines of Willie Bobo; "Barbara with the Kooky Eyes" (great song title) going for an instrumental boogaloo; and other songs getting into more of an updated Latin/doo wop hybrid feel. Though the sound and grooves are pretty cool, the material does seem to have been hastily written and recorded, with a shortage of really outstanding compositions and somewhat lo-fi sound by 1969 standards. It's not a plus, either, that the best song, "On Old Broadway," has a chorus that virtually replicates the one from Petula Clark's "Downtown" melodically. The 2009 CD reissue does benefit from thorough historical liner notes explaining the album's genesis, as well as three interesting bonus cuts from an unreleased, slightly earlier boogaloo album by the Nitty Sextet in which Marin was also involved. ~ Richie Unterberger|
Rovi

In the late 1960s, producer and arranger Bobby Marin had the concept for an album based on the sounds and experiences of his youth in his Spanish Harlem neighborhood. Credited to the 107th Street Stickball Team, this LP was rehearsed and recorded on the same day, fusing Latin music with soul and a bit of pop and boogaloo. The liner notes to the 2009 CD reissue of this rarity infer that this was a concept album of sorts, but while Marin's background undoubtedly fueled his vision of the record, it's really a collection of unrelated songs, not a series of tunes that tells a story or elaborates upon certain constant themes. It's a pretty fair mixture as far as such Nuyorican albums of the era go, but it's not quite as exciting or innovative as some of the collector buildup might portend. It does sound at times like the work of several bands rather than a single artist, with "On Old Broadway" fusing soul-pop with light Latin jazz and salsa; others, like the Spanish-language "Toma Guajira," getting into more straight salsa-jazz fusion along the lines of Willie Bobo; "Barbara with the Kooky Eyes" (great song title) going for an instrumental boogaloo; and other songs getting into more of an updated Latin/doo wop hybrid feel. Though the sound and grooves are pretty cool, the material does seem to have been hastily written and recorded, with a shortage of really outstanding compositions and somewhat lo-fi sound by 1969 standards. It's not a plus, either, that the best song, "On Old Broadway," has a chorus that virtually replicates the one from Petula Clark's "Downtown" melodically. The 2009 CD reissue does benefit from thorough historical liner notes explaining the album's genesis, as well as three interesting bonus cuts from an unreleased, slightly earlier boogaloo album by the Nitty Sextet in which Marin was also involved. ~ Richie Unterberger
Rovi

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