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Returns to the Carnegie Hall 2nd May 1960

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フォーマット CDアルバム
発売日 2018年07月03日
国内/輸入 輸入(イギリス盤)
レーベルGreyscale
構成数 1
パッケージ仕様 -
規格品番 GSGZ115CD
SKU 5056083201570

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel includes: Harry Belafonte (vocals); Millard Thomas, Ernest Calabria, Dennis Collins, Perry Lopez, Walter Raim (guitar); Norman Keenan, Bill Lee (bass); Daniel Barrajanos (congas, bongos); Thomas Lopez (congas). Reissue producer: John Pfeiffer. Recorded live at Carnegie Hall, New York on May 2, 1960. Includes liner notes by Bob Bollard. Digitally remastered by Nathaniel S. Johnson and Thomas MacCluskey (BMG/RCA Studios). 1959 saw the release of Harry Belafonte's landmark concert recording at Carnegie Hall, one of the most artistically and commercially successful live albums ever. Belafonte returned to Carnegie Hall in 1960, and released a second live album in much the same mold as the first. Surprisingly--or perhaps not so surprisingly given Belafonte's endless talent and charisma--BELAFONTE RETURNS TO CARNEGIE HALL is almost as wonderful as its predecessor. Naturally, Belafonte is in superb voice, and his spare, nuanced performances are breathtaking (see his tender reading of "Suzanne"). But the real treat of RETURNS TO CARNEGIE HALL is the presence of several guest stars, handpicked by Belafonte. These include South African singer Miriam Makeba, coffeehouse folk outfit the Chad Mitchell Trio, and folk singer Odetta, whose "I've Been Driving on Bald Mountain" is one of the disc's highlights. The CD puts the original two-LP set onto one disc with excellent remastered sound.

  1. 1.[CDアルバム]
    1. 1.
      Jump Down Spin Around
    2. 2.
      Suzanne (Every Night When The Sun Goes Down)
    3. 3.
      A Little Lyric Of Great Importance
    4. 4.
      Chickens
    5. 5.
      Vaichazkem
    6. 6.
      I Do Adore Her
    7. 7.
      The Ballad Of Sigmund Freud
    8. 8.
      I've Been Driving On Bald Mountain/Water Boy
    9. 9.
      A Hole In The Bucket
    10. 10.
      The Cluck Song
    11. 11.
      One More Dance
    12. 12.
      The Ox Drivers
    13. 13.
      The Red Rosy Bush
    14. 14.
      Didn't It Rain
    15. 15.
      Hene Ma Tov
    16. 16.
      I Know Where I'm Going
    17. 17.
      Old King Cole
    18. 18.
      La Bamba

作品の情報

メイン
アーティスト： Harry Belafonte

商品の紹介

On May 2, 1960, Harry Belafonte returned to Carnegie Hall for what was supposed to be one of the last concerts in the venerable hall's last season. Carnegie was scheduled to be torn down, although this was an edict that was thankfully short-lived. The hall was instead renovated and remains one of New York's premier showplaces. The first Carnegie Hall recording from the previous year had had such an impact on the recording industry that it opened up new vistas for live recordings. Belafonte faced the challenge of living up to his own legend. For this concert, he began what would be a concert tradition for him: sharing the spotlight with up-and-coming folk performers. Representing the new collegiate folk singing group trend was the Chad Mitchell Trio, currently appearing at New York's Blue Angel, where Belafonte had seen them perform. South African singer and activist Miriam Makeba, another Belafonte discovery, also performed, as did folk and blues singer Odetta, and the Belafonte Folk Singers. The guest stars nearly upstaged Belafonte, but this turned out to be de rigueur for his concerts. Highlights include Odetta's powerhouse medley of the work songs "I've Been Driving on Bald Mountain" and "Water Boy," the Folk Singers' exciting "Ox Drivers Song," Makeba and Belafonte's charming duet on "One More Dance," and the Mitchell Trio's exuberant Israeli song "Vaichazkem." For a finale, Belafonte turned to the Mexican folk dance "La Bamba," treating it to an eight-minute-long heels-flying festive romp. ~ Cary Ginell|
Rovi

On May 2, 1960, Harry Belafonte returned to Carnegie Hall for what was supposed to be one of the last concerts in the venerable hall's last season. Carnegie was scheduled to be torn down, although this was an edict that was thankfully short-lived. The hall was instead renovated and remains one of New York's premier showplaces. The first Carnegie Hall recording from the previous year had had such an impact on the recording industry that it opened up new vistas for live recordings. Belafonte faced the challenge of living up to his own legend. For this concert, he began what would be a concert tradition for him: sharing the spotlight with up-and-coming folk performers. Representing the new collegiate folk singing group trend was the Chad Mitchell Trio, currently appearing at New York's Blue Angel, where Belafonte had seen them perform. South African singer and activist Miriam Makeba, another Belafonte discovery, also performed, as did folk and blues singer Odetta, and the Belafonte Folk Singers. The guest stars nearly upstaged Belafonte, but this turned out to be de rigueur for his concerts. Highlights include Odetta's powerhouse medley of the work songs "I've Been Driving on Bald Mountain" and "Water Boy," the Folk Singers' exciting "Ox Drivers Song," Makeba and Belafonte's charming duet on "One More Dance," and the Mitchell Trio's exuberant Israeli song "Vaichazkem." For a finale, Belafonte turned to the Mexican folk dance "La Bamba," treating it to an eight-minute-long heels-flying festive romp. ~ Cary Ginell
Rovi

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