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You Were Never Really Here

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フォーマット CDアルバム
発売日 2018年06月01日
国内/輸入 輸入
レーベルInvada Records
構成数 1
パッケージ仕様 -
規格品番 LSINV199CD
SKU 5051083128377

構成数 : 1枚
合計収録時間 : 00:00:00
Radiohead multi-instrumentalist Jonny Greenwood has done more than prove his mettle with film score composition throughout the 2010s. Right off the back of his Academy Award-nominated score for Paul Thomas Anderson's Phantom Thread, he delivers his score (and second collaboration with director Lynne Ramsay after 2011's We Need to Talk About Kevin) for the thriller You Were Never Really Here. Where the rumbling, discordant bass of There Will Be Blood and the majestic, sweeping strings of Phantom Thread make up the lavish soundscapes of some of Greenwood's catalog, You Were Never Really Here is undeniably a stark thorn plunged into that aural canvas. Matching the unsettling atmosphere depicted onscreen, the album is a plethora of different kinds of organized chaos. "Sandy's Necklace" presents out-of-tune strings chiming with stuttering electronics before moving into mid-paced organic percussion, resonant viola, and palm-muted guitar riffs. "Nausea" is composed of thudding electronic beats, scuzzy synth leads, and completely out-of-time snare drums that seem to almost catch up to the bar change before abruptly disappearing again. Album highlight "Dark Streets" is composed of minimal 808-esque percussion, arpeggiated synth bass, and washes of filtered chords that punctuate every other bar. Its reprise opts for more organic percussion fed through distortion -- almost sounding like a totally deconstructed Amen break -- while rough bass cushions the familiar synth riff. That isn't to say that the score is without its softer moments. The album is bookended by "Tree Synthesizers" and "Tree Strings." The former is a beautifully composed piece with jangly strings that swim like wind chimes while swirls of ambience surround it, bringing some of the work of William Orbit to mind. The latter builds upon this with wonderfully strummed harp and resonant cello while a viola moves throughout the mix, tumbling around it like a slowly spinning feather. You Were Never Really Here is yet another example of Greenwood's unlimited creativity, innovation, and fearless approach to film score composition and music-making in general. ~ Rob Wacey

  1. 1.[CDアルバム]
    1. 1.
      Tree Synthesisers - (with Jonny Greenwood)
    2. 2.
      Sandy's Necklace - (with Jonny Greenwood)
    3. 3.
      Nausea - (with Jonny Greenwood)
    4. 4.
      Hammer and Tape - (with Jonny Greenwood)
    5. 5.
      Brothel (Bass Clarinet) - (with Jonny Greenwood)
    6. 6.
      Hunt, The - (with Jonny Greenwood)
    7. 7.
      Dark Streets - (with Jonny Greenwood)
    8. 8.
      YWNRH - (with Jonny Greenwood)
    9. 9.
      Nina Through Glass - (with Jonny Greenwood)
    10. 10.
      Votto - (with Jonny Greenwood)
    11. 11.
      Dark Streets (Reprise) - (with Jonny Greenwood)
    12. 12.
      Downstairs - (with Jonny Greenwood)
    13. 13.
      Joe's Drive - (with Jonny Greenwood)
    14. 14.
      Tree Strings - (with Jonny Greenwood)

作品の情報

メイン
アーティスト： Jonny Greenwood

商品の紹介

レディオヘッドのギタリストとしても知られているジョニー・グリーンウッドが音楽を手掛けた映画『ビューティフル・デイ(原題:You Were Never Really Here)』のオリジナル・サウンドトラックが登場!
タッグを組んだロンドン・コンテンポラリー・オーケストラ(レディオヘッド『ア・ムーン・シェイプト・プール』、フランク・オーシャン『ブロンド』他)とチェリストのオリバー・コーツと共にギター、実験的なシンセサイザー、ドラムマシン、レコーダーを駆使した美しくも激情的な全14曲を収録。
グリーンウッドはこれまでにグラミー賞最優秀映画サウンドトラック賞にノミネートされた映画『ゼア・ウィル・ビー・ブラッド』(2007年作品)や、アカデミー賞作曲賞にノミネートされた映画『ファントム・スレッド』のサウンドトラックを手掛けるなど映画業界からラヴコールが絶えない。
発売・販売元 提供資料（2018/05/14）

Radiohead multi-instrumentalist Jonny Greenwood has done more than prove his mettle with film score composition throughout the 2010s. Right off the back of his Academy Award-nominated score for Paul Thomas Anderson's Phantom Thread, he delivers his score (and second collaboration with director Lynne Ramsay after 2011's We Need to Talk About Kevin) for the thriller You Were Never Really Here. Where the rumbling, discordant bass of There Will Be Blood and the majestic, sweeping strings of Phantom Thread make up the lavish soundscapes of some of Greenwood's catalog, You Were Never Really Here is undeniably a stark thorn plunged into that aural canvas. Matching the unsettling atmosphere depicted onscreen, the album is a plethora of different kinds of organized chaos. "Sandy's Necklace" presents out-of-tune strings chiming with stuttering electronics before moving into mid-paced organic percussion, resonant viola, and palm-muted guitar riffs. "Nausea" is composed of thudding electronic beats, scuzzy synth leads, and completely out-of-time snare drums that seem to almost catch up to the bar change before abruptly disappearing again. Album highlight "Dark Streets" is composed of minimal 808-esque percussion, arpeggiated synth bass, and washes of filtered chords that punctuate every other bar. Its reprise opts for more organic percussion fed through distortion -- almost sounding like a totally deconstructed Amen break -- while rough bass cushions the familiar synth riff. That isn't to say that the score is without its softer moments. The album is bookended by "Tree Synthesizers" and "Tree Strings." The former is a beautifully composed piece with jangly strings that swim like wind chimes while swirls of ambience surround it, bringing some of the work of William Orbit to mind. The latter builds upon this with wonderfully strummed harp and resonant cello while a viola moves throughout the mix, tumbling around it like a slowly spinning feather. You Were Never Really Here is yet another example of Greenwood's unlimited creativity, innovation, and fearless approach to film score composition and music-making in general. ~ Rob Wacey|
Rovi

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