World/Reggae
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フォーマット CDアルバム
発売日 2018年05月11日
国内/輸入 輸入
レーベルBecause Music
構成数 1
パッケージ仕様 -
規格品番 BEC5543328
SKU 5060525433283

構成数 : 1枚
合計収録時間 : 00:00:00
Les Negresses Vertes: Helno (vocals); Mellino (vocals, guitar); Mathieu Canavese (guitar, accordion, background vocals); Paulo (guitar, bass, background vocals); Abraham Sirinix (harmonica, trombone, percussion, background vocals); Twist (trumpet, percussion); L'Ami Ro (piano, percussion, background vocals); Gaby (drums, percussion); Iza, Juanita, Julo, Nono (background vocals). Americans who are finally getting used to the idea of their own country as multicultural are often surprised to find that France is undergoing the same stresses and gaining the same musical benefits. Les Negresses Vertes is a magnificent example of the latter. This group's cultural roots are partly in Paris, partly in Algeria and Spain, with healthy amounts of influence from Nashville and urban America. To all these should be added the theatricality of circus music -- three of the original members had worked in the Zingaro Horse Circus in Southern France, while a fourth was a professional clown. The combination of all these influences is jazzy, street-smart, and very danceable. While some members of the band were less than virtuosos on their instruments, they made up for this deficiency by laying down a boisterous party groove backed by a propulsive brass section. The alternation between Noel Rota's fast and furious solo vocals and the ragged choruses provided by the rest of the band adds to the complex dynamic of the group. Add to this the fact that Rota had a real gift as a songwriter and arranger, and you have a hit machine in the making. Mlah got an excellent reception from critics in Britain and the U.S., and several tracks even managed to get airplay despite the American tendency to ignore anything not sung in English. It was a great start for the band, though it is arguable that they never again approached this level of entertainment. ~ Richard Foss

  1. 1.[CDアルバム]
    1. 1.
      La Valse
    2. 2.
      Zobi La Mouche
    3. 3.
      C'est Pas La Mer A Boire
    4. 4.
      Voila L'Ete
    5. 5.
      Orane
    6. 6.
      La Faim Des Haricots
    7. 7.
      Les Yeux De Ton Pere
    8. 8.
      Il
    9. 9.
      L' Homme Des Marais
    10. 10.
      Les Rablablas Les Roubliblis
    11. 11.
      Marcelle Ratafia
    12. 12.
      La Danse Des Negresses Vertes
    13. 13.
      Hey Maria
    14. 14.
      Le Pere Magloire

作品の情報

メイン
アーティスト: Les Negresses Vertes

商品の紹介

Americans who are finally getting used to the idea of their own country as multicultural are often surprised to find that France is undergoing the same stresses and gaining the same musical benefits. Les Negresses Vertes is a magnificent example of the latter. This group's cultural roots are partly in Paris, partly in Algeria and Spain, with healthy amounts of influence from Nashville and urban America. To all these should be added the theatricality of circus music -- three of the original members had worked in the Zingaro Horse Circus in Southern France, while a fourth was a professional clown. The combination of all these influences is jazzy, street-smart, and very danceable. While some members of the band were less than virtuosos on their instruments, they made up for this deficiency by laying down a boisterous party groove backed by a propulsive brass section. The alternation between Noel Rota's fast and furious solo vocals and the ragged choruses provided by the rest of the band adds to the complex dynamic of the group. Add to this the fact that Rota had a real gift as a songwriter and arranger, and you have a hit machine in the making. Mlah got an excellent reception from critics in Britain and the U.S., and several tracks even managed to get airplay despite the American tendency to ignore anything not sung in English. It was a great start for the band, though it is arguable that they never again approached this level of entertainment. ~ Richard Foss|
Rovi

Americans who are finally getting used to the idea of their own country as multicultural are often surprised to find that France is undergoing the same stresses and gaining the same musical benefits. Les Negresses Vertes is a magnificent example of the latter. This group's cultural roots are partly in Paris, partly in Algeria and Spain, with healthy amounts of influence from Nashville and urban America. To all these should be added the theatricality of circus music -- three of the original members had worked in the Zingaro Horse Circus in Southern France, while a fourth was a professional clown. The combination of all these influences is jazzy, street-smart, and very danceable. While some members of the band were less than virtuosos on their instruments, they made up for this deficiency by laying down a boisterous party groove backed by a propulsive brass section. The alternation between Noel Rota's fast and furious solo vocals and the ragged choruses provided by the rest of the band adds to the complex dynamic of the group. Add to this the fact that Rota had a real gift as a songwriter and arranger, and you have a hit machine in the making. Mlah got an excellent reception from critics in Britain and the U.S., and several tracks even managed to get airplay despite the American tendency to ignore anything not sung in English. It was a great start for the band, though it is arguable that they never again approached this level of entertainment. ~ Richard Foss
Rovi

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