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Rock/Pop
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Hell-On

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フォーマット CDアルバム
発売日 2018年06月01日
国内/輸入 輸入(ヨーロッパ盤)
レーベルADA/Epitaph
構成数 1
パッケージ仕様 -
規格品番 1409274122
SKU 8714092741223

構成数 : 1枚
合計収録時間 : 00:52:44
Neko Case is an artist incapable of sounding like anyone other than Neko Case. She's certainly not adverse to collaborating with artists she respects; she's been a long-time participant in the New Pornographers, and has contributed her estimable vocal talents to albums by Calexico, John Doe, Kelly Hogan, and Giant Sand, among others. But on 2016's case/lang/veirs, an album she recorded in tandem with k.d. lang and Laura Veirs, Case found herself working as an equal with two creative peers for the first time, and while her work on the album was strong, it was an example of the whole not being all you'd expect from the sum of the parts. It's impossible to say if the experience informed Case as she recorded 2018's Hell-On (and since lang and Veirs both make guest appearances, their relationship is apparently cordial), but the album finds Case firmly taking the reins and seemingly relishing the experience. Case produced Hell-On (Bjorn Yttling co-produced five tracks) and co-wrote all 12 tunes (except for Eric Bachman's "Sleep All Summer"), and the rich, deeply atmospheric sound of this music has her personality written all over it. Case has a voice that's warm and engaging but speaks from a position of strength, and her instrument dominates Hell-On, expressive and emotional but never histrionic. The arrangements are beautifully detailed, with layers of guitars and keys giving the melodies full-bodied support without sounding cluttered or intruding on Case's spotlight. Even when Case shares lead vocals with Mark Lanegan on "Curse of the I-5 Corridor" and Bachman on "Sleep All Summer," she meshes beautifully but cedes nothing, and Hell-On is a superb example of an artist who can shine bright while giving others room to do their best work. And if Case's lyrics are often enigmatic, they also feel revealing and personal, from the bittersweet nostalgia of "Curse of the I-5 Corridor" and the troubled memories of "My Uncle's Navy" to the playful cynicism of "Bad Luck" and the celebration of strong and empathetic women in "Winnie" and the title cut. With Hell-On, Case has once again given herself an ideal showcase for her talents as a vocalist, songwriter, and producer; it's lush but intimate, and one of the strongest and most satisfying records she's delivered to date. Which, given her catalog, says a great deal. ~ Mark Deming

  1. 1.[CDアルバム]
    1. 1.
      Hell-On

      アーティスト： Neko Case

    2. 2.
      Last Lion Of Albion

      アーティスト： Neko Case

    3. 3.
      Halls of Sarah

      アーティスト： Neko Case

    4. 4.
      Bad Luck

      アーティスト： Neko Case

    5. 5.
      Curse of the I-5 Corridor

      アーティスト： Neko Case

    6. 6.
      Gumball Blue

      アーティスト： Neko Case

    7. 7.
      Dirty Diamond

      アーティスト： Neko Case

    8. 8.
      Oracle Of The Maritime

      アーティスト： Neko Case

    9. 9.
      Winnie

      アーティスト： Neko Case

    10. 10.
      Sleep All Summer

      アーティスト： Neko Case

    11. 11.
      My Uncle's Navy

      アーティスト： Neko Case

    12. 12.
      Pitch Or Honey

      アーティスト： Neko Case

作品の情報

メイン
アーティスト： Neko Case

商品の紹介

歌いたい物語は、すべてここにある。
数多の賞賛を受け続ける"音響系オルタナ・フォークカントリーの歌姫"ニーコ・ケース。カラフルで謎めいたストーリーテリングが忘れ難い印象を残す、独自の美しい世界に新たな炎が灯る――ベス・ディットー、k.d.ラングなど様々なミュージシャンを迎えて完成させたニュー・アルバム『HELL-ON』、リリース!
発売・販売元 提供資料（2018/04/23）

Spin - "[T]he album remains resolutely, pointedly personal." Rolling Stone - 4 stars out of 5 -- "Neko Case's clarion pipes remain the calling card, but on her 8th studio LP, between lyrics and vocal arrangements, they've never channeled more imagination or sense of purpose." Paste - "Among its 11 tracks are some of the poppiest arrangements of Case's career, a few labyrinthine slow-burners and a couple of songs that serve as reminders of her distinctive style." Uncut - "[I]t was Case's songwriting that wielded the force on these 12 playful, provocative songs..."
Rovi

Neko Case is an artist incapable of sounding like anyone other than Neko Case. She's certainly not adverse to collaborating with artists she respects; she's been a long-time participant in the New Pornographers, and has contributed her estimable vocal talents to albums by Calexico, John Doe, Kelly Hogan, and Giant Sand, among others. But on 2016's case/lang/veirs, an album she recorded in tandem with k.d. lang and Laura Veirs, Case found herself working as an equal with two creative peers for the first time, and while her work on the album was strong, it was an example of the whole not being all you'd expect from the sum of the parts. It's impossible to say if the experience informed Case as she recorded 2018's Hell-On (and since lang and Veirs both make guest appearances, their relationship is apparently cordial), but the album finds Case firmly taking the reins and seemingly relishing the experience. Case produced Hell-On (Bjorn Yttling co-produced five tracks) and co-wrote all 12 tunes (except for Eric Bachman's "Sleep All Summer"), and the rich, deeply atmospheric sound of this music has her personality written all over it. Case has a voice that's warm and engaging but speaks from a position of strength, and her instrument dominates Hell-On, expressive and emotional but never histrionic. The arrangements are beautifully detailed, with layers of guitars and keys giving the melodies full-bodied support without sounding cluttered or intruding on Case's spotlight. Even when Case shares lead vocals with Mark Lanegan on "Curse of the I-5 Corridor" and Bachman on "Sleep All Summer," she meshes beautifully but cedes nothing, and Hell-On is a superb example of an artist who can shine bright while giving others room to do their best work. And if Case's lyrics are often enigmatic, they also feel revealing and personal, from the bittersweet nostalgia of "Curse of the I-5 Corridor" and the troubled memories of "My Uncle's Navy" to the playful cynicism of "Bad Luck" and the celebration of strong and empathetic women in "Winnie" and the title cut. With Hell-On, Case has once again given herself an ideal showcase for her talents as a vocalist, songwriter, and producer; it's lush but intimate, and one of the strongest and most satisfying records she's delivered to date. Which, given her catalog, says a great deal. ~ Mark Deming|
Rovi

KD・ラング、ローラ・ヴェイアーズとのコラボ盤でも高い評価を得たオルタナ・カントリーの歌姫。5年ぶりとなるこのソロ・アルバムは、ビヨーン・イットリングを共同プロデューサーに迎えた意欲作だ。ポップだけどどこかくすんだ演奏に透明感満点の美声が映える良曲揃いで、前述の両名ほかゲストの的確なサポートも印象に残る。とりわけベス・ディットーとマイクを交わした陰鬱なバラード"Winnie"が出色。
bounce (C)桑原シロー
タワーレコード（vol.416（2018年6月25日発行号）掲載）

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