Rock/Pop
LPレコード

Golden (Clear Vinyl)

0.0

販売価格

¥
3,290
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2018年04月06日
国内/輸入 輸入
レーベルParlophone
構成数 1
パッケージ仕様 -
規格品番 5053836080
SKU 4050538360806

構成数 : 1枚
合計収録時間 : 00:53:54
After a long career full of many course corrections and detours, it seemed like Kylie Minogue was locked into being a shiny, glittery dance pop icon for life. A label change and some personal turmoil in the form of a soul-shattering breakup sent Minogue looking for something new musically. When planning her first album for BMG, a label rep asked if she had ever thought of recording country music in Nashville and she jumped at the chance. For 2018's Golden, Minogue went to Music City, got to work writing songs with some seasoned pros, and ended up co-writing all the songs on the record. It's heartbreaking and uplifting in turn as she makes sense of where her heart has taken her, set to the tune of fiddles, guitars, and woodsy backing vocals along with the more traditional synths, drum machines, and club beats one usually hears on a Minogue album. She and her team of musicians, writers, and producers straddle the line between twang and glitter on just about every song; sometimes, it leans more in favor of line dancing, sometimes the glitter ball takes over, especially on the shimmering "Raining Glitter." Sometimes, like on "Live a Little" or the very hooky single "Dancing," it's the best of both worlds. It's an interesting mix that puts her in line with much of what's happening in mainstream country. Certainly, the difference between most of Golden and, say, Kacey Musgraves' 2018 album is almost non-existent. The amazing thing about the album, and about Minogue, is that she pulls off the country as well as she's pulled off new wave, disco, electro, murder ballads, and everything else she's done in her long career. Her voice may not have the depth of some of the great Nashville singers, but she has tons of personality, and when she cuts loose there's more than a little Dolly Parton in her artistic DNA. She also does a fine job on ballads -- letting the heartbreak flow on "Radio On" and sounding like both Tegan and Sara on "Sincerely Yours." Golden is an odd detour for Minogue, and it's hard to imagine that the record will get much traction on the country side of the equation -- there's a strong chance her less devoted fans might find the new sound a little too much. As an artistic statement, it's pretty darn bold, though, and proves that she's still game for just about anything and able to make whatever she does sound exactly like herself. ~ Tim Sendra

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Dancing

      アーティスト: Kylie Minogue

    2. 2.
      Stop Me from Falling

      アーティスト: Kylie Minogue

    3. 3.
      Golden

      アーティスト: Kylie Minogue

    4. 4.
      A Lifetime to Repair

      アーティスト: Kylie Minogue

    5. 5.
      Sincerely Yours

      アーティスト: Kylie Minogue

    6. 6.
      One Last Kiss

      アーティスト: Kylie Minogue

  2. 1.[LPレコード]

    【B面】

    1. 1.
      Live a Little

      アーティスト: Kylie Minogue

    2. 2.
      Shelby '68

      アーティスト: Kylie Minogue

    3. 3.
      Radio On

      アーティスト: Kylie Minogue

    4. 4.
      Love

      アーティスト: Kylie Minogue

    5. 5.
      Raining Glitter

      アーティスト: Kylie Minogue

    6. 6.
      Music's Too Sad Without You

      アーティスト: Kylie Minogue

作品の情報

メイン
アーティスト: Kylie Minogue

商品の紹介

NME (Magazine) - 3 stars out of 5 -- "Stomps and handclaps and finger-picked guitar are heavy in the electro mix, and on the title track, the melody of a Spaghetti Western whistle is even woven into the vocals..."
Rovi

After a long career full of many course corrections and detours, it seemed like Kylie Minogue was locked into being a shiny, glittery dance pop icon for life. A label change and some personal turmoil in the form of a soul-shattering breakup sent Minogue looking for something new musically. When planning her first album for BMG, a label rep asked if she had ever thought of recording country music in Nashville and she jumped at the chance. For 2018's Golden, Minogue went to Music City, got to work writing songs with some seasoned pros, and ended up co-writing all the songs on the record. It's heartbreaking and uplifting in turn as she makes sense of where her heart has taken her, set to the tune of fiddles, guitars, and woodsy backing vocals along with the more traditional synths, drum machines, and club beats one usually hears on a Minogue album. She and her team of musicians, writers, and producers straddle the line between twang and glitter on just about every song; sometimes, it leans more in favor of line dancing, sometimes the glitter ball takes over, especially on the shimmering "Raining Glitter." Sometimes, like on "Live a Little" or the very hooky single "Dancing," it's the best of both worlds. It's an interesting mix that puts her in line with much of what's happening in mainstream country. Certainly, the difference between most of Golden and, say, Kacey Musgraves' 2018 album is almost non-existent. The amazing thing about the album, and about Minogue, is that she pulls off the country as well as she's pulled off new wave, disco, electro, murder ballads, and everything else she's done in her long career. Her voice may not have the depth of some of the great Nashville singers, but she has tons of personality, and when she cuts loose there's more than a little Dolly Parton in her artistic DNA. She also does a fine job on ballads -- letting the heartbreak flow on "Radio On" and sounding like both Tegan and Sara on "Sincerely Yours." Golden is an odd detour for Minogue, and it's hard to imagine that the record will get much traction on the country side of the equation -- there's a strong chance her less devoted fans might find the new sound a little too much. As an artistic statement, it's pretty darn bold, though, and proves that she's still game for just about anything and able to make whatever she does sound exactly like herself. ~ Tim Sendra
Rovi

踊らなきゃ!という衝動に駆られるオープニング曲"Dancing"での明るく歌うカイリーの姿に一瞬で気持ちが高まり、そこからずっとキラッキラのダンス・ポップに心弾ませながら笑顔で聴いていたら、本編の最後になって〈一緒に笑い、ダンスしていた私と彼とのあの頃〉を思い出し、〈あなたがいないと音楽は悲しすぎるわ〉なんて歌うバラード"Music's Too Sad"がきたもんだから、切なくて泣きそうになりましたよ。何と見事な構成力! 大人だな~、と。そう唸らせられる14枚目のアルバムは、キース・アーバンやケニー・チェズニーのソングライティングを手掛けるスティーヴ・マキューアンらを迎え、ナッシュヴィルでレコーディングしたもの。アヴィーチーやゼッドらが推進してきたカントリーEDMに真正面からチャレンジした作品だ。"A Lifetime To Repair"ではフィドルやバンジョーを用いているが、そうした生楽器の温かみとカイリーの声の相性の良さが抜群。まさに黄金の傑作である。
bounce (C)内本順一
タワーレコード(vol.414(2018年4月25日発行号)掲載)

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。