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【CD】

His Hand In Mine + Elvis' Christmas Album

Elvis Presley

  • ポイント10倍
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  • 通常価格(税込)
    ¥2,473
  • セール価格(税込)
    ¥2,300
    ¥173 (7 %) オフ
  • ポイント数
    21 ポイント →今なら213 ポイント!

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商品の情報

発売日

2018/09/11

フォーマット

CD

構成数

1

製造国

輸入

レーベル

State Of Art

規格品番

STATE81232

パッケージ仕様

紙ジャケット

商品の紹介

  • From rock & roll firebrand to pop crooner to gospel believer, Elvis' career went in many directions that his earliest critics could hardly have believed. Was it heresy or conversion or commercialism that had caused Elvis the Pelvis to record a gospel EP in 1957, and then a full LP in 1960, just months after he returned from his Army stint? The answer was, of course, none of the above. What the critics didn't understand was that Elvis wasn't just a cultural phenomenon but a cultural chameleon, a vocalist who took in a range of influences -- from Big Mama Thornton to Dean Martin to the Statesmen -- without ever considering the possibility of a contradiction. The same teenager who couldn't stop listening to black R&B was also in attendance at each one of the monthly gospel singing meetings held in Memphis during the early '50s -- and the teenage Presley was well-known to Jake Hess and the Statesmen for his exuberance and innumerable questions about the technical side of gospel quartet singing. Several years after his first rock success, during a single late-night-and-early-morning session in October, 1960, Presley recorded the material for his first full gospel LP, His Hand in Mine. Combining the spiritual force and the physical release he'd experienced from the best gospel singing, Elvis revealed himself as an all-time-great gospel singer, someone who had energy to spare (hardly a surprise) but also immense reserves of control and precision (a rarer commodity among rock & roll singers). Most of the songs were standards from the Statesmen, Blackwood Brothers, and other classic quartets Elvis loved, and represent some of the best ballad singing of his career -- after all, it was recorded at the peak of his balladic powers, a time when "It's Now or Never" and "Fame and Fortune" had not yet given way to "Can't Help Falling in Love." He's fantastic serving as the lead voice in a group vocal -- years of advice from the best had paid off -- and he shows off his excellent high-tenor singing in a range of situations (tender on "Known Only to Him," playful on "I Believe in the Man in the Sky"). His Hand in Mine isn't just one of Elvis' best LPs, it's one of the best (and best-recorded) gospel sessions of all time. ~ John Bush|

    Rovi

作品の情報

メイン

収録内容

構成数 | 1枚

From rock & roll firebrand to pop crooner to gospel believer, Elvis' career went in many directions that his earliest critics could hardly have believed. Was it heresy or conversion or commercialism that had caused Elvis the Pelvis to record a gospel EP in 1957, and then a full LP in 1960, just months after he returned from his Army stint? The answer was, of course, none of the above. What the critics didn't understand was that Elvis wasn't just a cultural phenomenon but a cultural chameleon, a vocalist who took in a range of influences -- from Big Mama Thornton to Dean Martin to the Statesmen -- without ever considering the possibility of a contradiction. The same teenager who couldn't stop listening to black R&B was also in attendance at each one of the monthly gospel singing meetings held in Memphis during the early '50s -- and the teenage Presley was well-known to Jake Hess and the Statesmen for his exuberance and innumerable questions about the technical side of gospel quartet singing. Several years after his first rock success, during a single late-night-and-early-morning session in October, 1960, Presley recorded the material for his first full gospel LP, His Hand in Mine. Combining the spiritual force and the physical release he'd experienced from the best gospel singing, Elvis revealed himself as an all-time-great gospel singer, someone who had energy to spare (hardly a surprise) but also immense reserves of control and precision (a rarer commodity among rock & roll singers). Most of the songs were standards from the Statesmen, Blackwood Brothers, and other classic quartets Elvis loved, and represent some of the best ballad singing of his career -- after all, it was recorded at the peak of his balladic powers, a time when "It's Now or Never" and "Fame and Fortune" had not yet given way to "Can't Help Falling in Love." He's fantastic serving as the lead voice in a group vocal -- years of advice from the best had paid off -- and he shows off his excellent high-tenor singing in a range of situations (tender on "Known Only to Him," playful on "I Believe in the Man in the Sky"). His Hand in Mine isn't just one of Elvis' best LPs, it's one of the best (and best-recorded) gospel sessions of all time. ~ John Bush

エディション | Remaster

  1. 1. [CD]

    タイトル

    時間

    WMA

    HTML

    クレジット

    1.

    His Hand In Mine

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    2.

    I'm Gonna Walk Dem Golden Stairs

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    3.

    In My Father's House

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    4.

    Milky White Way

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    5.

    Known Only To Him

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    6.

    I Believe In The Man In The Sky

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    7.

    Joshua Fit The Battle

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    8.

    He Knows Just What I Need

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    9.

    Swing Down Sweet Chariot

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    10.

    Mansion Over The Hilltop

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    11.

    If We Never Meet Again

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    12.

    Working On The Building

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    13.

    Santa Claus Is Back In Town

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    14.

    White Christmas

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    15.

    Here Comes Santa Claus (Right Down Santa Claus Lane)

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    16.

    I'll Be Home For Christmas

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    17.

    Blue Christmas

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    18.

    Santa Bring Me My Baby Back (To Me)

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    19.

    Oh Little Town Of Bethlehem

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    20.

    Silent Night (Bonus Album)

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    21.

    (There'll Be) Peace In The Valley (For Me)

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    22.

    I Believe

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    23.

    Take My Hand, Precious Lord

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    24.

    It Is No Secret (What God Can Do)

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    25.

    When The Saints Go Marching In (Demo) (ボーナストラック)

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    26.

    I Asked The Lord (ボーナストラック)

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    27.

    Don't (ボーナストラック)

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    28.

    Crying In The Chapel (ボーナストラック)

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