70年代ニューソウル・ムーヴメントを支えた伝説的シンガー/プロデューサー、リロイ・ハトソンの6作目『クローサー・トゥ・ザ・ソース』が完全リマスター盤で登場!リロイ・ハトソンの作品の中でもアーバン・ソウル色の強い作品!
1971年よりカーティス・メイフィールドに代わってインプレッションズのリード・ヴォーカルを務め、2枚のアルバムを残した後1973年にソロ・デビュー!ニュー・ソウルの名作を数多く残した〈カートム〉から73年にリリースされた6枚目となる『クローサー・トゥ・ザ・ソース』が完全リマスター盤で登場!
スイートなバラード曲「In The Mood」からはじまり、傑作キラー・ソウル「Where Did Love Go」、ダンサブルで高揚感溢れる「Get To This(You'll Get To Me)」、アルバムのタイトル曲でもあり爽快なアーバン・ソウル・チューン「Closer To The Source」、米R&Bヴォーカル・グループ、ナチュラル・フォーの為に書きおろした曲をセルフ・カヴァーしたメロウな「Heaven Right Here」等を収録。CDフォーマットにはアルバム・オリジナル収録曲に加えて「In The Mood」と「Reality」の2曲が追加収録されている。
発売・販売元 提供資料(2018/03/19)
After a series of albums where he handled much the production and writing as a one-man show, Leroy Hutson teamed up with a number of collaborators (including Linda Clifford producer Gil Askey) to record 1978's Closer to the Source. The result is an unambitious but slick album of pop-soul. The big problem with this album is that its music is too derivative too often to make a strong case for Hutson's gifts as a performer: The jazzy melody of "They've Got Love" sounds almost identical to Stevie Wonder's late-'60s string of orchestrated pop-soul hits and the Marvin Gaye-inspired "Where Did Love Go" has a lovely, string-sweetened arrangement but quotes "What's Going On" a little too closely for its own good. Another problematic cut in this area is the title track, which closely imitates the light, jazzy sound that was bringing Earth, Wind & Fire hit after hit around this time. Although the outside writers and production help aid the album's consistency, the best cuts on Closer to the Source are the ones either written or co-written by Hutson himself: "Get to This (You'll Get to Me)" builds a strong melody on the tension between an ethereal melody and percolating, horn-spiced groove, and "Heaven Right Here on Earth" is the kind of silky slow jam that Hutson always excelled at. In the end, Closer to the Source is a solid album that will please Hutson's cult of fans but will probably seem a little too derivative to other soul music enthusiasts. ~ Donald A. Guarisco|
Rovi
After a series of albums where he handled much the production and writing as a one-man show, Leroy Hutson teamed up with a number of collaborators (including Linda Clifford producer Gil Askey) to record 1978's Closer to the Source. The result is an unambitious but slick album of pop-soul. The big problem with this album is that its music is too derivative too often to make a strong case for Hutson's gifts as a performer: The jazzy melody of "They've Got Love" sounds almost identical to Stevie Wonder's late-'60s string of orchestrated pop-soul hits and the Marvin Gaye-inspired "Where Did Love Go" has a lovely, string-sweetened arrangement but quotes "What's Going On" a little too closely for its own good. Another problematic cut in this area is the title track, which closely imitates the light, jazzy sound that was bringing Earth, Wind & Fire hit after hit around this time. Although the outside writers and production help aid the album's consistency, the best cuts on Closer to the Source are the ones either written or co-written by Hutson himself: "Get to This (You'll Get to Me)" builds a strong melody on the tension between an ethereal melody and percolating, horn-spiced groove, and "Heaven Right Here on Earth" is the kind of silky slow jam that Hutson always excelled at. In the end, Closer to the Source is a solid album that will please Hutson's cult of fans but will probably seem a little too derivative to other soul music enthusiasts. ~ Donald A. Guarisco
Rovi