Rock/Pop
CDアルバム

Mutiny On The Bay (Live From The San Francisco Bay Area)

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フォーマット CDアルバム
発売日 2001年03月03日
国内/輸入 輸入
レーベルDKD
構成数 1
パッケージ仕様 -
規格品番 DKS14CD
SKU 803341101425

構成数 : 1枚
合計収録時間 : 00:51:07
録音 : ステレオ (Live)

  1. 1.[CDアルバム]
    1. 1.
      Introduction

      アーティスト: Dead Kennedys

    2. 2.
      Police Truck

      アーティスト: Dead Kennedys

    3. 3.
      Kill the Poor

      アーティスト: Dead Kennedys

    4. 4.
      Holiday in Cambodia

      アーティスト: Dead Kennedys

    5. 5.
      Moon Over Marin

      アーティスト: Dead Kennedys

    6. 6.
      California Uber Alles

      アーティスト: Dead Kennedys

    7. 7.
      MTV-Get off the Air

      アーティスト: Dead Kennedys

    8. 8.
      Too Drunk to Fuck

      アーティスト: Dead Kennedys

    9. 9.
      Goons of Hazard

      アーティスト: Dead Kennedys

    10. 10.
      This Could Be Anywhere

      アーティスト: Dead Kennedys

    11. 11.
      Forward to Death

      アーティスト: Dead Kennedys

    12. 12.
      I Am the Owl

      アーティスト: Dead Kennedys

    13. 13.
      Hellnation

      アーティスト: Dead Kennedys

    14. 14.
      Riot

      アーティスト: Dead Kennedys

作品の情報

メイン
アーティスト: Dead Kennedys

オリジナル発売日:2001年

商品の紹介

Jello Biafra would never have released this. The result of a judge siding with the other three members in their lawsuit against singer/leader Biafra, this live LP and the reissues of their LPs via license is messy. On one hand, the matter was decided in open court, rightly or wrongly, and we certainly don't blame Manifesto for taking on the valuable catalog once it became legally East Bay Ray's, D.H. Peligro's, and Klaus Flouride's to barter. And it's not our place to tell the curious not to buy these rather fine records, either. It just feels hollow, somehow. Ray, Peligro, and Flouride don't know how lucky they were that Biafra kept control of the catalog from the onset, released it all on his own Alternative Tentacles, and kept it all in print. They've been paid hundreds of thousands of dollars over two decades, while pretty much every other musician in the other punk/hardcore bands were ripped off by shady, bankrupt indie labels. One feels sympathy with Biafra's side of a dispute over a minimal accounting error. And his refusal to exploit the catalog strikes me as fair enough. Secondly, it was Biafra's personality, knowledge, crazy antics, and most of all his astounding, singular lyrics that made the band so popular. Biafra's crack about his vocals coming in and out (due to the chaos of those old shows, he never worried much about staying on mic) is entirely valid. The LP sounds great otherwise. Culled from four different shows after Peligro joined in 1982, the sound is consistent, the set list inspired, the playing sharper than many of their New York shows, and the live photos are first-rate history. Call this the one good thing that came out of the bitter suit. (Sorry, Jello!) ~ Jack Rabid|
Rovi

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