構成数 | 1枚

合計収録時間 | 00:46:52

Lyricists: Myriam Laouichi; Casey Spooner. Personnel: Casey Spooner (vocals, keyboards, xylophone); Warren Fischer (vocals, programming); Natalie Weiss, Leslie Meils, Heather Porcaro, Adrian Hartley, Astrid Suryanto (vocals); Kyle Johnson, Nicolas Vernhes (guitar, programming); Robert Aaron (flute, alto saxophone, tenor saxophone, baritone saxophone, pocket trumpet); David Palmer (keyboards); Guy Licata (drums, timbales); Chris Reynolds (drums); Gabriel Olegavich (programming). Audio Mixer: Dave Way. Recording information: Rare Book Room; Sunset sound; The Carriage House; The Hearse; The Study. Photographer: Dusan Reljin. Unknown Contributor Role: Nasir Mazhar. Although their throbbing synth-disco masterpiece "Emerge" was a huge hit for the then unknown performance art/synth pop duo, Fischerspooner, by some accounts, seemed destined to implode under the flurry of hype surrounding electroclash, a scene the group helped usher in during the early `00s. Principals Casey Spooner and Warren Fischer have since evolved the group into a multimedia art project as much as an actual band, keeping the frequency of music releases to a slower yet deliberate pace. Only their third album in eight years, ENTERTAINMENT indicates a further maturation in the group's sound, reflecting the synth pop classicism of Depeche Mode and Pet Shop Boys more than the mindless hedonism of electro-house. Aided by the Killers' producer, Jeff Salzman, songs like "The Best Revenge," with its stadium-sized drums, brassy horn-inflections and saxophone solos, sound as big and meticulously detailed as Fischerspooner's extravagant stage show. Meanwhile, "Money Can't Dance" takes a slightly cynical view of the late `00s economic climate, with Spooner decrying, in his weedy cabaret croon, currency's inability to cut a rug.