Rock/Pop
CDアルバム

Epicus Doomicus Metallicus

0.0

販売価格

¥
2,490
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2018年02月27日
国内/輸入 輸入(イギリス盤)
レーベルPeaceville
構成数 1
パッケージ仕様 -
規格品番 CDVILED722
SKU 801056772220

構成数 : 1枚
合計収録時間 : 00:00:00
During the mid-80's, the European heavy metal scene was dominated by countless thrash, death, and black metal bands playing at breakneck speeds and screaming in a high-pitched frenzy. So when Candlemass released their debut, Epicus Doomicus Metallicus in 1986, its songs (featuring slow, lumbering riffs straight out of the Black Sabbath handbook and vocals delivered in a baritone, operatic style) offered up a stylistic curve ball of shocking proportions. After disposing of its deceptively optimistic introductory acoustic guitar, opener "Solitude" develops into a complete monster, replete with lyrics of suicidal depression and churning with the most colossal, down-tuned guitar riff since Sabbath's "Iron Man." And that's just the beginning, as succeeding tracks "Demon's Gate," "Crystal Ball," and "Under the Oak" (later re-recorded in its definitive version for the band's fourth album Tales of Creation) trudge by with deliberate, immutable doom. Although the group's vision was startlingly well-conceived and unique for its time, bassist, songwriter and all-around group leader Leif Edling had yet to find all the right components. And despite offering the strongest, most consistent songwriting of the band's career, Epicus Doomicus Metallicus was let down by vocalist Johan Lanquist, whose performance failed to deliver with the power and command of his immediate successor Messiah Marcolin. A pillar of classic '80s metal nonetheless, this album will satisfy all doomsters. ~ Eduardo Rivadavia

  1. 1.[CDアルバム]
    1. 1.
      Solitude
    2. 2.
      Demon's Gate
    3. 3.
      Crystal Ball
    4. 4.
      Black Stone Wielder
    5. 5.
      Under The Oak
    6. 6.
      A Sorcerer's Pledge

作品の情報

メイン
アーティスト: Candlemass

商品の紹介

During the mid-80's, the European heavy metal scene was dominated by countless thrash, death, and black metal bands playing at breakneck speeds and screaming in a high-pitched frenzy. So when Candlemass released their debut, Epicus Doomicus Metallicus in 1986, its songs (featuring slow, lumbering riffs straight out of the Black Sabbath handbook and vocals delivered in a baritone, operatic style) offered up a stylistic curve ball of shocking proportions. After disposing of its deceptively optimistic introductory acoustic guitar, opener "Solitude" develops into a complete monster, replete with lyrics of suicidal depression and churning with the most colossal, down-tuned guitar riff since Sabbath's "Iron Man." And that's just the beginning, as succeeding tracks "Demon's Gate," "Crystal Ball," and "Under the Oak" (later re-recorded in its definitive version for the band's fourth album Tales of Creation) trudge by with deliberate, immutable doom. Although the group's vision was startlingly well-conceived and unique for its time, bassist, songwriter and all-around group leader Leif Edling had yet to find all the right components. And despite offering the strongest, most consistent songwriting of the band's career, Epicus Doomicus Metallicus was let down by vocalist Johan Lanquist, whose performance failed to deliver with the power and command of his immediate successor Messiah Marcolin. A pillar of classic '80s metal nonetheless, this album will satisfy all doomsters. ~ Eduardo Rivadavia|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。