| フォーマット | LPレコード |
| 発売日 | 2018年03月16日 |
| 国内/輸入 | 輸入 |
| レーベル | Bar/None |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | BN202641 |
| SKU | 032862026416 |
構成数 : 1枚
合計収録時間 : 00:00:00
Elk City leaders Ray Ketchem (drums and production) and Renee LoBue (vocals) had plenty to keep them busy during the eight years that separated 2010's House of Tongues and 2018's Everybody's Insecure. Ketchem opened a successful recording studio in Montclair, New Jersey, and LoBue occasionally helped him out with various projects. But you have to give them credit; they've managed to stay firmly on message after a long layoff from the band. Everybody's Insecure doesn't entirely pick up where House of Tongues left off; Ketchem's production skills have gotten a bit sharper with time, and the album sounds a bit fuller than much of their previous work. The set also finds Ketchem and LoBue working with some new collaborators; guitarist Sean Eden is the only other holdover from the last incarnation of Elk City, with keyboardist Carl Baggeley and bassist Martin Olson debuting on this LP. But the well-mannered and finely crafted arty pop that's been the band's stock in trade since 2000 is ultimately little changed here, and LoBue's coolly theatrical vocal style and thoughtful if oblique lyrical stance are as strong and distinctive as they've ever been. Elk City are quite good at generating melodies that fit their template; tunes like "25 Lines" and "No Depth" display an admirable amount of hooks and energy, while more introspective tracks such as "Souls in Space" and "He's Having a Baby" show off the band's ensemble skills. At their best, Elk City sound like what 10,000 Maniacs could have been if they'd grown past their folkie inclinations, and Everybody's Insecure shows the group has matured gracefully, sounding smart and adult without tossing aside the energy of their younger days. ~ Mark Deming

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
