| フォーマット | CDアルバム |
| 発売日 | 2018年03月30日 |
| 国内/輸入 | 輸入(ヨーロッパ盤) |
| レーベル | Cult Records/RCA Records |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 19075827692 |
| SKU | 190758276922 |
構成数 : 1枚
合計収録時間 : 00:58:07
Personnel: Beardo, Amir Yaghmai (guitar); Jeff Kite (keyboards); Jake Bercovici (synthesizer); Alex Carapetis (drums).
Audio Mixers: Shawn Everett; Andy Wallace.
Recording information: Los Angeles, USA.
Photographers: Frank Fu; Cheryl Georgette.
On Virtue, the Voidz emphasize that, first and foremost, they are a band. Julian Casablancas' name is gone from their moniker, and the elements of their music -- distorted beats and vocals, virtuosic guitars and synths -- coalesce into a style that's identifiably theirs. With the help of Tyranny producer Shawn Everett, the Voidz bring some more clarity to that style, as well as a greater sense of fun. More often than on their bewildering debut, they find ways of indulging their anything-goes aesthetic without stranding their listeners. "Leave It in My Dreams" and "Lazy Boy" show that the pop skills Casablancas honed with the Strokes have a place in the Voidz's much weirder world, while the Middle Eastern disco-metal of "QYURRYUS" is equally strange and engaging. And though the Voidz are just as politically outraged as they were on Tyranny, the targets of their anger come into sharper focus. They take aim at white privilege on "Pyramid of Bones," climate change on "Permanent High School," and the education system on "Think Before You Drink." Elsewhere, "We're Where We Were" sounds taut and purposeful as the band mashes up shouty punk vocals and metal's double kick drums, while the R&B-tinged "Pink Ocean" creates a surprisingly strong vibe with its murky synth atmospherics. ~ Heather Phares

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。

大きい会場よりもNYの小さな箱でウケそうな音。ストロークスでは見れなかった新たな一面が見れる。