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Record

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フォーマット CDアルバム
発売日 2018年03月02日
国内/輸入 輸入
レーベルCaroline
構成数 1
パッケージ仕様 -
規格品番 060136
SKU 885606001367

構成数 : 1枚
合計収録時間 : 00:35:45
Seeing the name Tracey Thorn on the cover of a record means there will be things within the grooves that one can count on: thoughtful lyrics that feel intensely personal while still being effortlessly relatable; her incredibly rich voice (which hasn't aged one bit over the years); and songs that have a warmth baked into their core even when they are disco-ball glittery and perfectly produced, since she only uses collaborators fully attuned to her finer qualities. Released in 2018, Record is no exception to the rule, and even though Thorn throws in a twist to her formula here and there, it's both of a piece with her previous work and a very worthwhile addition. Thorn worked with longtime collaborator Ewan Pearson, and the pair called on a cast of talented people to help make the record. Warpaint drummer Stella Mozgawa provides rock-solid beats on much of the album; her bandmate Jenny Lee Lindberg handles bass on a song; Jagwar Ma's Jono Ma adds some guitar firepower to a couple tracks; Shura plays guitar and sings on a song; and Corinne Bailey Rae duets with Thorn on one of the album's best songs, the slow-motion disco track "Sister." The diverse cast of musicians is matched by the variety of songs and sounds found here as well. Calmly bubbling electropop ("Air") bumps up against hooky new wave ("Guitar"), brooding piano ballads ("Smoke") lead into expansive indie pop that sounds like a sincere Pulp ("Babies"), and deeply felt synth pop laments segue into sparkling disco-pop with fat basslines and rippling synths ("Dancefloor"), with the one constant being Thorn's powerful singing. She fills the speakers with booming, beating emotion as she looks back at her life -- sometimes fondly, sometimes not -- talking about the music and people that shaped her along the way into the fully realized artist she is now. It's not a delicate look back either; she spares not fools and doesn't back down from a fight. Especially on "Sister," which powerfully laments the lack of progress women have made against those who seek to put them down in various ways. This clear-eyed view of the past and the care put into the sound make this one of the most rewarding albums Thorn has made in a career full of great records and classic songs. She shows no signs of slowing down on Record; her voice and songs are as impressive and important as ever. ~ Tim Sendra

  1. 1.[CDアルバム]
    1. 1.
      Queen

      アーティスト: Tracey Thorn

    2. 2.
      Air

      アーティスト: Tracey Thorn

    3. 3.
      Guitar

      アーティスト: Tracey Thorn

    4. 4.
      Smoke

      アーティスト: Tracey Thorn

    5. 5.
      Sister

      アーティスト: Tracey Thorn

    6. 6.
      Go

      アーティスト: Tracey Thorn

    7. 7.
      Babies

      アーティスト: Tracey Thorn

    8. 8.
      Face

      アーティスト: Tracey Thorn

    9. 9.
      Dancefloor

      アーティスト: Tracey Thorn

作品の情報

メイン
アーティスト: Tracey Thorn

商品の紹介

エヴリシング・バット・ザ・ガールの顔として、また90年代にはオルタナ・ポップ・シーンの代表的存在として大成功を収めたシンガー・ソングライター=トレイシー・ソーン、8年振りとなるスタジオ・アルバム!
ソロとしてはアコースティックでメローな楽曲が多かったトレイシーですが今作ではアップテンポな80年代シンセポップ風な楽曲を多く収録! スペシャル・ゲストとしてウォーペイントのステラ・モズガワ(Dr)とジェニー・リー・リンドバーグ(B)が参加!
前作『ラヴ・アンド・イッツ・オポジット』をリリース後、2012年にクリスマス・アルバム『ティンセル・アンド・ライツ』、2015年にはソロ・ベスト・アルバム『ソロ:ソングス・アンド・コラボレイションズ 1982-2015』をリリース。今作には、これまでのメローでアコースティックなアルバムとは異なり、アップテンポな80年代シンセ・ポップ風な楽曲を多数収録!
発売・販売元 提供資料(2018/01/19)

Pitchfork - "On RECORD, Thorn and co-producer Ewan Pearson build acid basslines and monochrome disco whirl around Thorn's august voice, giving her center stage to steer the drama and euphoria of what she's called nine 'feminist bangers.'" Spin - "Thorn makes it feel safe to recognize these unflattering parts of ourselves, because the mirror, the music, is so beautiful and strong." Magnet - "One of the most singularly affecting musical voices of the last 35 years, Tracey Thorn has often found her truest metier breathing warmth into glistening electronic soundscapes..." Spin - Included in Spin's "The 51 Best Albums of 2018" -- "Her contralto, toughened by hints of grit, offers the steadiness of an old friend. Too wary to be weary -- that's her mode." Uncut - "[A] set of shiny, graceful electro-pop with help from Warpaint, Shura and Corinne Bailey Rae..."
Rovi

Seeing the name Tracey Thorn on the cover of a record means there will be things within the grooves that one can count on: thoughtful lyrics that feel intensely personal while still being effortlessly relatable; her incredibly rich voice (which hasn't aged one bit over the years); and songs that have a warmth baked into their core even when they are disco-ball glittery and perfectly produced, since she only uses collaborators fully attuned to her finer qualities. Released in 2018, Record is no exception to the rule, and even though Thorn throws in a twist to her formula here and there, it's both of a piece with her previous work and a very worthwhile addition. Thorn worked with longtime collaborator Ewan Pearson, and the pair called on a cast of talented people to help make the record. Warpaint drummer Stella Mozgawa provides rock-solid beats on much of the album; her bandmate Jenny Lee Lindberg handles bass on a song; Jagwar Ma's Jono Ma adds some guitar firepower to a couple tracks; Shura plays guitar and sings on a song; and Corinne Bailey Rae duets with Thorn on one of the album's best songs, the slow-motion disco track "Sister." The diverse cast of musicians is matched by the variety of songs and sounds found here as well. Calmly bubbling electropop ("Air") bumps up against hooky new wave ("Guitar"), brooding piano ballads ("Smoke") lead into expansive indie pop that sounds like a sincere Pulp ("Babies"), and deeply felt synth pop laments segue into sparkling disco-pop with fat basslines and rippling synths ("Dancefloor"), with the one constant being Thorn's powerful singing. She fills the speakers with booming, beating emotion as she looks back at her life -- sometimes fondly, sometimes not -- talking about the music and people that shaped her along the way into the fully realized artist she is now. It's not a delicate look back either; she spares not fools and doesn't back down from a fight. Especially on "Sister," which powerfully laments the lack of progress women have made against those who seek to put them down in various ways. This clear-eyed view of the past and the care put into the sound make this one of the most rewarding albums Thorn has made in a career full of great records and classic songs. She shows no signs of slowing down on Record; her voice and songs are as impressive and important as ever. ~ Tim Sendra|
Rovi

とりたてて歌が上手いわけでも美声でもないのに、一種の独特な魅力に惹かれてしまうシンガーが稀にいるが、僕にとってトレイシー・ソーンはその筆頭かもしれない。ホリデイ作品やベスト盤を挿んで8年ぶりに登場したこのオリジナル・アルバムは、近作のアコースティック路線からシフトしてイワン・ピアソンによる80sニューウェイヴ・ディスコ風のプロダクションが施され、全編が煌びやかなサウンドで彩らている。もっとも曲調がどうであれ、アンニュイさのなかに強い意志を秘めた個性的な歌声が、眩い存在感を放っていることは言うまでもない。本人も〈昼間に聴く作品にしたかった〉と語る通り開放的なアップが多く、なかでも注目すべきは8分半にも及ぶ"Sister"か。ウォーペイントのリズム隊とコリーヌ・ベイリー・レイをゲストに迎えた同曲は、リジー・メルシエ・デクルーにも通じるドープなアブストラクト・ファンクな逸品に。また、享楽主義のクラブ讃歌とも言うべき"Dancefloor"で本編を締め括る感じも心憎い。
bounce (C)北爪啓之
タワーレコード(vol.413(2018年3月25日発行号)掲載)

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