構成数 | 1枚

合計収録時間 | 01:02:11

Full performer name: Charles Wright & Watts 103rd Street Rhythm Band. Charles Wright And The Watts 103rd St. Rhythm Band: Charles Wright (vocals, guitar, piano); Al McKay (guitar); Big John Rayford, Bill Cannon (saxophone); Ray Jackson (trombone); Gabe Flemings (piano, trumpet); Melvin Dunlap (bass); James Gadson (drums). Additional personnel: Bernard Blackmon, Werner Schuchner (guitar); Sonny Burke (keyboards); Ray Brown, Tommy Terry, Horace Jones, James Jamerson, Sr. (bass); Earl Palmer, Maurice Miller, Byron James, Bobby Joe Knight (drums). Producers: Charles Wright (tracks 1-3, 5, 7-8, 10-12, 14-16); Charles Wright, Fred Smith (tracks 4, 6, 13); Fred Smith (track 9). Compilation producers: Gregg Geller, Charles Wright. Includes liner notes by John Morthland. All songs written or co-written by Charles Wright except "The Joker (On A Trip Thru The Jungle)" (Miles Grayson), "Sweet Lorene" (Otis Redding/Isaac Hayes/Al Isbell) and "Spreadin' Honey" (Fred Smith/Nathan). Liner Note Author: Bill Dahl. Express Yourself: The Best of Charles Wright collects 16 tracks by this underappreciated L.A. funk outfit. By this point, everyone recognizes the oft-sampled title track, but most of their other work is still mainly the province of specialists. That's too bad, because there's a lot for more general funk fans to discover here. Some members of the Rhythm Band had previously played on several Dyke & the Blazers sessions, and there's a definite parallel between those sides and the loose, messy, off-the-cuff brand of funk that Wright and his cohorts lay down. But even if both groups worked out most of their songs through jamming, there's a great deal more variety here. Wright led the band through laconic grooves like "Express Yourself," "Your Love (Means Everything to Me)," "Doin' What Comes Naturally," and the tripped-out "Ninety Day Cycle People"; hard-driving funkers like "The Joker (On a Trip Through the Jungle)" and "One Lie (Leads to Another)"; lean, spare grooves like "Do Your Thing" and "Till You Get Enough"; and mellower, soul-flavored offerings like "Keep Saying," "Tell Me What You Want Me to Do," "Comment (If All Men Are Truly Brothers)," and the hit ballad "Love Land." As a vocalist, Wright could play the soulful shouter or do a bit of crooning, but more often he'd just ride the groove, chanting along or throwing out hip interjections. This collection neglects the group's nuttier, druggier side a bit -- it might have been nice to have evocatively titled outings like "High As Apple Pie," "Fried Okra," or "Gimme That Sammich" on board. Still, it's hard to expect anything more generous than this, and there's more than enough here for the uninitiated. An intriguing and underrated listen. ~ Steve Huey

録音 | ステレオ (Studio)