Million Dollar Quartet

Mojo - 3 stars out of 5 -- "[T]he session has, for the first time, been pieced together in the very order that it took place....The session transmutes into a ramshackle chunk of joy..." Q - 3 stars out of 5 -- "[A]s a slice of unvarnished rock'n'roll history, it's hard to beat. Elvis, especially, sounds like he's having the time of his young life."

One of the most important things to remember about this album is it's really just three guys in a room shooting the breeze, goofing around, and stumbling through a few old songs they happen to remember. This wouldn't be the least bit interesting under most circumstances, but the three guys in question happen to be Elvis Presley, Jerry Lee Lewis, and Carl Perkins, which, as you might imagine, makes quite a difference. Perkins was doing a recording session at the Sun Records studio in Memphis on December 4, 1956, with Lewis playing piano on the date, when Elvis, in the midst of his first burst of fame and back in Memphis after a stretch of the road, stopped by to say hello. Elvis, Perkins, and Lewis began casually jamming -- mostly on old gospel tunes they remembered from a shared Baptist upbringing -- and Sam Phillips had the presence of mind to switch on the tape machine and record the proceedings. (A famous picture taken that day shows Johnny Cash with the group, but if he stuck around to sing a few tunes, he stayed far enough away from the mic to be absent on these recordings.) To call the performances casual taxes understatement, and if you were expecting the ultimate rockabilly moment from these guys, be aware it's about halfway through the session before rock & roll begins to rear its head, and even then it's obvious these guys can play "Farther Along" or "Down by the Riverside" off the top of their heads a lot more easily than "Brown Eyed Handsome Man" or "Too Much Monkey Business." But half the fun of this album is the playful casualness of the performances (and hearing three of rock's great legends in such non-legendary form). And their personalities certainly manifest themselves right off the bat: Elvis is effortlessly authoritative, and at once amused and perplexed by his sudden fame, while Lewis harmonizes like a wild man, determined to show he's the star of the show, and Perkins displays characteristic modesty, content to add churchy harmonies and the occasional signature guitar break. It's also fun to hear Elvis imitate Jackie Wilson imitating him, and Perkins marveling at the genius of Chuck Berry. Like I said, just three guys goofing off -- but from these three guys, "goofing off" is really something to hear. ~ Mark Deming|