Rock/Pop
CDアルバム

販売価格

¥
2,290
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1993年12月02日
国内/輸入 輸入
レーベルMute Records
構成数 1
パッケージ仕様 -
規格品番 1094
SKU 024596109428

構成数 : 1枚
合計収録時間 : 00:51:17
Personnel: Cosey Fanni Tutti (vocals, guitar, tapes); Genesis P-Orridge (vocals, violin, clarinet, bass guitar); Chris Carter (keyboards, synthesizer, electronics, tapes); Peter Christopherson (tapes). Unknown Contributor Role: Peter Christopherson. Actually the group's second official full-length, D.o.A: The Third and Final Report of Throbbing Gristle is nearly as harsh and uncompromising as The Second Annual Report. While both albums are a mixture of live and studio material, D.o.A is much more stylistically varied -- rather than focusing on multiple versions of the same pieces (plus a 20-minute film score), each of the 13 tracks is distinct, ranging from captured conversations to thoroughly composed creations. The four bandmembers each contribute a solo piece; Peter Christopherson's "Valley of the Shadow of Death" and Cosey Fanni Tutti's "Hometime" are both detached, atmospheric spoken word collages, while Genesis P-Orridge's "Weeping" is a sorrowful anti-love song. By sharp contrast, Chris Carter's "AB/7A" is a vibrant, chipper slice of futuristic instrumental synth pop, almost fit to soundtrack a Tomorrowland ride. TG's more accessible side was previewed with the single "United," which reached the U.K. Indie charts and remains one of their most celebrated moments. The song is listed third on D.o.A's track listing, but it perversely appears as a fast-forwarding tape of the track, lasting all of 16 seconds! One of the group's other calling cards, the gloriously unsettling "Hamburger Lady," makes its first appearance here. The song tells the gruesome tale of a burn victim kept alive via life support in a hospital, set to a slow, queasy rhythm and distorted echo effects. Elsewhere, the album displays flashes of TG's live energy, with P-Orridge caterwauling over the brief "Hit by a Rock" and "Blood on the Floor," and "Dead on Arrival" being a trippy, electrifying group jam. Typical of the band's morbid sense of humor, they also include a track consisting of death threats left on their answering machine. One of TG's grimmest, most disturbing records, D.o.A is easily one of their most compelling. ~ Paul Simpson
録音 : ステレオ (Studio/Live)

  1. 1.[CDアルバム]
    1. 1.
      I.B.M.

      アーティスト: Throbbing Gristle

    2. 2.
      Hit by a Rock

      アーティスト: Throbbing Gristle

    3. 3.
      United

      アーティスト: Throbbing Gristle

    4. 4.
      Valley of the Shadow of Death

      アーティスト: Throbbing Gristle

    5. 5.
      Dead on Arrival

      アーティスト: Throbbing Gristle

    6. 6.
      Weeping

      アーティスト: Throbbing Gristle

    7. 7.
      Hamburger Lady

      アーティスト: Throbbing Gristle

    8. 8.
      Hometime

      アーティスト: Throbbing Gristle

    9. 9.
      AB/7A

      アーティスト: Throbbing Gristle

    10. 10.
      E-Coli

      アーティスト: Throbbing Gristle

    11. 11.
      Death Threats

      アーティスト: Throbbing Gristle

    12. 12.
      Walls of Sound

      アーティスト: Throbbing Gristle

    13. 13.
      Blood on the Floor

      アーティスト: Throbbing Gristle

    14. 14.
      Five Knuckle Shuffle

      アーティスト: Throbbing Gristle

    15. 15.
      We Hate You (Little Girls)

      アーティスト: Throbbing Gristle

作品の情報

メイン
アーティスト: Throbbing Gristle

オリジナル発売日:1978年

商品の紹介

78年発表の2nd。世界初IBMコンピューターを使用したオープニング曲から代表曲"HAMBURGER LADY" まで、次作"20 JAZZ FUNK GREATS" へと続くTGポップが花開いた名盤。
タワーレコード(2009/04/08)

Uncut (p.104) - 4 stars out of 5 -- "1978's fine DOA: THE THIRD AND FINAL REPORT reflects the world in strange and bold ways."
Rovi

Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise (before connecting to the internet sounded almost friendly), cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a grand alienating effect, the sound of a gray day in a British tower block after all the drugs have run out. Of course, this was the intended effect and the band succeed well enough. Weeping, Genesis P-Orridges version of a love ballad, loses itself among delayed strings and drones, a barely enunciated vocal, and a violin like a squeaky door. Hamburger Lady (about a burn victim) is even more repellent, but in a good way -- a genuinely scary listen. AB/7A, on the other hand, approaches the pulsing electronics of Kraftwerk or early Yello. ~ Ted Mills
Rovi

メンバーズレビュー

1件のレビューがあります
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確か、このアルバムの幼女はコージーかジェネシスの娘さんじゃなかったかなぁ?違うかも…ジェネシスはグレイテスヒッツのジャケの裏面でYMOのTシャツを着てなかったっけ?昔は良く中古盤で見かけたけど今は見ないな…TGはインダストリアルというよりノイズ寄りの音なのでTGが好きで他のインダストリアルを聴くと確かに物足りないかも…TGはライブアルバムも聴いてみて欲しい。思いっきりノイズだから…ノイズといえば日本3大ノイズ(独断)のメルツバウ、灰野敬二(ex不失者)、非常階段は要チェックかも…
2007/03/15 QTAROさん
0

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