| フォーマット | CDアルバム |
| 発売日 | 1997年10月07日 |
| 国内/輸入 | 輸入 |
| レーベル | Sire |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 31002 |
| SKU | 643443100229 |
構成数 : 1枚
合計収録時間 : 01:16:53
Personnel includes: Margaret Fiedler (vocals).
Personnel: Guy Fixsen, Margaret Fiedler (vocals, guitar, trumpet, mini-Moog synthesizer, Moog synthesizer, drums, sampler); Louise Elliott (flute); Rob Ellis (piano, prepared piano, drums, percussion, background vocals); Alonso Mendoza (vibraphone); Lou Ciccotelli (percussion).
Audio Mixers: Guy Fixsen; Margaret Fiedler.
Recording information: Home (08/1996); Protocol (08/1996); Protocol, London, England (08/1996).
Laika's follow-up to SILVER APPLES OF THE MOON is a delectable sonic eclipse of that record's Stereolab-isms and post-Krautrock sensibilities. But SOUNDS OF THE SATELLITES isn't retro or copyist: Laika mixes, moulds and melts layers of analog sound into a sublime potpourri that recalls mid-period Cluster, the aforementioned Stereolab, and early-'80s British synthpop.
"Out of Sight and Snowblind" has the identifiable feel of indie-rockers (Laika arose out of the ashes of the Can-referencing Moonshake) who have fallen in love with electronics and exotica, and are milking their Moogs with unbridled enthusiasm and naive delight. A bubbling froth of tin can beats, oozy synth peals and filtered organ curls, the track recalls the contemplative, twilight electro sonnets of bands that flourished on period labels such as C'est La Mort and 4AD (think M1-Alternative, early Moev, Blue Blue Blue and Insides). Laika trade in on numerous styles; rarely are they stationary, tripping on a quasi-hip-hop shuffle ("Almost Sleeping", "Prairie Dog") or percolating synth sambas ("Starry Night"). Sheer aural ecstasy.
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