Soul/Club/Rap
CDアルバム

Urmer Bile Trax

0.0

販売価格

¥
2,290
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1997年02月04日
国内/輸入 輸入
レーベルAstralwerks (Record Label)
構成数 1
パッケージ仕様 -
規格品番 6185
SKU 017046618526

構成数 : 1枚
合計収録時間 : 01:07:36
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Urmur Bile

      アーティスト: Mu-Ziq

    2. 2.
      Let Let

      アーティスト: Mu-Ziq

    3. 3.
      M5 Saabtone

      アーティスト: Mu-Ziq

    4. 4.
      Fine Tuning

      アーティスト: Mu-Ziq

    5. 5.
      The Hydrozone

      アーティスト: Mu-Ziq

    6. 6.
      1 Hip 007

      アーティスト: Mu-Ziq

    7. 7.
      Hornet

      アーティスト: Mu-Ziq

    8. 8.
      The Phonic Socks

      アーティスト: Mu-Ziq

作品の情報

メイン
アーティスト: Mu-Ziq

商品の紹介

Mike Paradinas combines two EPs for domestic re-release on Astralwerks and asks a lot from his listeners by being atypically scatterbrained. The title track sounds like an arm-wrestling match between Paradinas and Bogdan Raczynski (let's call it "Mu-zynski"); it's a cacophony of sound with those gratuitous James Brown vocal yelps, breakbeat drum loops, and punishing distortion. "Let Let" shows some playfulness, with a goofy riff of toy noise and a little hippity-hop drum funk, somewhat reminiscent of Luke Vibert's early Plug material. "M5 Saabtune" follows in much the same way, with a squeak toys segue to shuffling gurgles of percussion that finally give way to mere hints of melody and chord progression -- two sorely missed elements that keep more of these songs from succeeding. "Fine Tuning" unfolds in the spirit of his jazzier Gary Moschelles material, but it's either the song structure or the studio mix that keep the song from ever taking a stand. "The Hydrozone" ripples through the ear bones with a go-go dancer bassline, rhythm box hiccups, and ethereal clouds of ambience that vanish as quickly as they appear, setting the stage for a more promising second half. A couple surprises await listeners familiar with his first Rephlex release, Tango N. Vectiff. Here, Micro-ziq remixes two tracks from that album, originally titled "The Sonic Fox" and "PHI* 1700 (U/V)," though in the process he ends up showing off his new studio computer equipment more than any newfound musicality. With "1 Hip 007*," he breaks the original piece apart so thoroughly as to leave nothing but shards in its wake; he explores the beauty and the ugliness of it for 13 fantastically uneven minutes. "The Phonic Sox" continues in the same exhaustive tradition; it's as if Paradinas spent too much time programming and not enough listening. "Hornet" flops around between hyperactive psychedelic hip-hop and drill'n'bass film noir raga. As mentioned before, this is part of the overall problem with Urmur Bile Trax: there are too many disparate elements and not enough musical glue to hold it together. At the time, few could have guessed he was capable of such electrifying beauty as revealed in his very next release, Lunatic Harness. Buy that instead. ~ Earl Danvers
Rovi

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