Jazz
LPレコード

Ahmad's Blues

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販売価格

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3,090
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2017年12月29日
国内/輸入 輸入(スペイン盤)
レーベルJazz Images
構成数 1
パッケージ仕様 -
規格品番 JIMLP37058
SKU 8436569190463

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Ahmad Jamal (piano); Israel Crosby (bass); Vernel Fournier (drums). Producer: Dave Usher. Reissue producer: Orrin Keepnews. Recorded live at The Spotlite Club, Washington, D.C. on September 6, 1958. Includes liner notes by Neil Tesser. Digitally remastered by Erick Labson (MCA Music Media Studios). One of Miles Davis's favorite musicians, Ahmad Jamal has a unique approach as a pianist, composer, and arranger that is highly influential and distinctive. Possessed of a light, almost classical touch, and a purveyor of negative space and minimal phrasing (his influence on Davis can certainly be seen here), Jamal worked largely in trio settings, and used his conceptions of space and subtlety to create dynamic tensions within the group. At the same time, the artist's work is rooted firmly in the blues and swings intently, without fail. Ahmad's Blues, the trio's 1958 live date in Washington D.C., demonstrates all of these qualities in spades. Supremely attentive playing by bassist Israel Crosby and drummer Vernel Fournier (his brush work on the intricate, gear-shifting "Autumn Leaves" is especially noteworthy) provides groundwork, foil, and shifting frames for Jamal's virtuoso explorations. The ensemble's work brings new ideas -- the musicians often incorporate understated mambo, fractured swing rhythms, or airy, abstract structures -- to standards ("Stompin' at the Savoy;" "Cheek to Cheek") and to Jamal's own compositions (the delicate "Seleritus"). Ahmad's Blues allows us to eavesdrop on the sophisticated, innovative artist and company at work. ~ Rovi Staff

  1. 1.[LPレコード]

    【A面】

    1. 1.
      Ahmad's Blues (Ahmad Jamal)

      アーティスト: Ahmad Jamal

    2. 2.
      It Could Happen To You (Johnny Burke-Jimmy Van Heusen)

      アーティスト: Ahmad Jamal

    3. 3.
      I Wish I Knew (Mack Gordon-Harry Warren)

      アーティスト: Ahmad Jamal

    4. 4.
      Autumn Leaves (Jacques Prevert-Johnny Mercer-Joseph Kosma)

      アーティスト: Ahmad Jamal

    5. 5.
      Stompin' At The Savoy (Benny Goodman-Chick Webb-Edgar Sampson)

      アーティスト: Ahmad Jamal

    6. 6.
      Cheek To Cheek (Irving Berlin)

      アーティスト: Ahmad Jamal

  2. 1.[LPレコード]

    【B面】

    1. 1.
      The Girl Next Door (Ralph Blane-Hugh Martin)

      アーティスト: Ahmad Jamal

    2. 2.
      Secret Love (Paul Francis Webster-Sammy Fain)

      アーティスト: Ahmad Jamal

    3. 3.
      Taboo (Bob Russell-Ernesto Lecuona)

      アーティスト: Ahmad Jamal

    4. 4.
      Autumn In New York (Vernon Duke)

      アーティスト: Ahmad Jamal

    5. 5.
      A Gal In Calico (Arthur Schwartz-Leo Robin)

      アーティスト: Ahmad Jamal

    6. 6.
      That's All (Alan Brandt-Bob Haymes)

      アーティスト: Ahmad Jamal

    7. 7.
      Should I? (Arthur Freed-Nacio Herb Brown)

      アーティスト: Ahmad Jamal

作品の情報

メイン
アーティスト: Ahmad Jamal

商品の紹介

1958年、ワシントンのスポットライト・クラブでのライヴ録音で、原盤はArgo。マイルス・デイヴィスをも魅了した独特な間、ダイナミズムあふれる演奏は、アーマッド・ジャマルの最骨頂!
ジャケット写真は、時代下って、79年パリでの写真。現代もなお、現役を貫くアーマッド・ジャマル。演奏は28歳の時のもの、写真は、48歳のもの。
発売・販売元 提供資料(2017/11/27)

One of Miles Davis's favorite musicians, Ahmad Jamal has a unique approach as a pianist, composer, and arranger that is highly influential and distinctive. Possessed of a light, almost classical touch, and a purveyor of negative space and minimal phrasing (his influence on Davis can certainly be seen here), Jamal worked largely in trio settings, and used his conceptions of space and subtlety to create dynamic tensions within the group. At the same time, the artist's work is rooted firmly in the blues and swings intently, without fail. Ahmad's Blues, the trio's 1958 live date in Washington D.C., demonstrates all of these qualities in spades. Supremely attentive playing by bassist Israel Crosby and drummer Vernel Fournier (his brush work on the intricate, gear-shifting "Autumn Leaves" is especially noteworthy) provides groundwork, foil, and shifting frames for Jamal's virtuoso explorations. The ensemble's work brings new ideas -- the musicians often incorporate understated mambo, fractured swing rhythms, or airy, abstract structures -- to standards ("Stompin' at the Savoy;" "Cheek to Cheek") and to Jamal's own compositions (the delicate "Seleritus"). Ahmad's Blues allows us to eavesdrop on the sophisticated, innovative artist and company at work. ~ Rovi Staff
Rovi

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