World/Reggae
CDアルバム

Art of the Indian Sitar

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フォーマット CDアルバム
発売日 2017年10月27日
国内/輸入 輸入
レーベルArc Music
構成数 1
パッケージ仕様 -
規格品番 EUCD2762
SKU 5019396276222

構成数 : 1枚
合計収録時間 : 01:04:24
Personnel: Rash Behari Datta (sitar); Sanju Sahai (tabla). Audio Mixer: Pablo Carcamo. Liner Note Authors: Diz Heller; Rash Behari Datta. Recording information: ARC Music Studio, East Grinstead, West Sussex, England. Photographer: Mike Champion. Former All India Radio artist and now unofficial ambassador of music for various festivals, Rash Behari Datta here provides a rendition of the "Raag Koushiki," a raga similar to "Kounsi-Kanhra," itself a combination of raga "Malkouns" and raga "Kanhra." Datta is certainly proficient in his playing. His sound is also somewhat more traditional in some senses than, perhaps, Ravi Shankar's sound (despite the fact that Datta actually learned under one of Shankar's students). The jor, in particular, is a noteworthy showcase of his abilities. One notable feature that is somewhat missing is the separation of the major parts (the alap, the jor, and the gats) of the raga into different tracks on the CD. This is a minor detail, however, and should not turn people away from listening to the music. The wealth of Indian music that has recently been released on the wider market in many ways might preclude this album from getting large notice, since it's on a rather minor label. Nonetheless, it probably deserves a listen. The catch in such a statement is that many of the other albums coming out also deserve a listen, and perhaps more so. Pick this one up from curiosity or a familiarity with Datta, but listen to new releases from Ravi Shankar or a number of other noteworthy artists first. ~ Adam Greenberg

  1. 1.[CDアルバム]
    1. 1.
      Raag Joushiki

作品の情報

メイン
アーティスト: Rash Behari Datta

オリジナル発売日:1997年

商品の紹介

Former All India Radio artist and now unofficial ambassador of music for various festivals, Rash Behari Datta here provides a rendition of the "Raag Koushiki," a raga similar to "Kounsi-Kanhra," itself a combination of raga "Malkouns" and raga "Kanhra." Datta is certainly proficient in his playing. His sound is also somewhat more traditional in some senses than, perhaps, Ravi Shankar's sound (despite the fact that Datta actually learned under one of Shankar's students). The jor, in particular, is a noteworthy showcase of his abilities. One notable feature that is somewhat missing is the separation of the major parts (the alap, the jor, and the gats) of the raga into different tracks on the CD. This is a minor detail, however, and should not turn people away from listening to the music. The wealth of Indian music that has recently been released on the wider market in many ways might preclude this album from getting large notice, since it's on a rather minor label. Nonetheless, it probably deserves a listen. The catch in such a statement is that many of the other albums coming out also deserve a listen, and perhaps more so. Pick this one up from curiosity or a familiarity with Datta, but listen to new releases from Ravi Shankar or a number of other noteworthy artists first. ~ Adam Greenberg|
Rovi

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