メディアを信じるな、権力者を問い詰めろ、政治家を糾弾せよ――そして若者よ、愛を請え。独りで世界と闘い続ける現代英国のアイコン、そして孤高のカリスマ、モリッシーが自らのレーベルETIENNE RECORDSから送り出す新章『LOW IN HIGH SCHOOL』完成。
発売・販売元 提供資料(2017/10/02)
Rolling Stone - 3.5 stars out of 5 -- "As philosophical alt-rock standup goes, the man is still peerless."
Magnet - "[Morrissey] sings in his inimitable style: commanding and dramatic, nuanced and confident."
Rovi
In the years following the 2014 release of World Peace Is None of Your Business, Morrissey's ornery contrarianism curdled. Once he embraced Brexit and flirted with xenophobia, he began to shed fans, including such prominent musical acolytes as Gene's Martin Rossiter. Defiant as always, Morrissey leans into these criticisms on 2017's Low in High School, populating the album with swipes at the mainstream media and contrived news -- words that deliberately echo arguments emanating from the right wing in both the U.S. and the U.K. Despite this, it can't be said that Morrissey is a newborn cultural conservative, not with an anthem that asks "Who Will Protect Us from the Police," the antiwar "I Bury the Living," and a host of carnal imagery that dredges up memories of how poorly he wrote about sex on his 2015 novel List of the Lost. All of these provocations are hard to ignore, as is the fact that Low in High School is one of Morrissey's most musically adventurous records. Opening with the churning, horn-spiked "My Love, I'd Do Anything for You," Low in High School touches upon several familiar Morrissey obsessions -- there's prog and glam alongside Smiths-ian jangle -- but the album also serves up swinging continental jazz, clomping electronics, drum circles, and even a feint at disco. None of these choices seem to stem from lyrical content, which means that Low in High School can seem as aurally conflicted as it is politically, and that may be an appropriate look for Morrissey in 2017: he's opted for a mad world of his own creation and doesn't much care whether his fans follow or not. ~ Stephen Thomas Erlewine|
Rovi
In the years following the 2014 release of World Peace Is None of Your Business, Morrissey's ornery contrarianism curdled. Once he embraced Brexit and flirted with xenophobia, he began to shed fans, including such prominent musical acolytes as Gene's Martin Rossiter. Defiant as always, Morrissey leans into these criticisms on 2017's Low in High School, populating the album with swipes at the mainstream media and contrived news -- words that deliberately echo arguments emanating from the right wing in both the U.S. and the U.K. Despite this, it can't be said that Morrissey is a newborn cultural conservative, not with an anthem that asks "Who Will Protect Us from the Police," the antiwar "I Bury the Living," and a host of carnal imagery that dredges up memories of how poorly he wrote about sex on his 2015 novel List of the Lost. All of these provocations are hard to ignore, as is the fact that Low in High School is one of Morrissey's most musically adventurous records. Opening with the churning, horn-spiked "My Love, I'd Do Anything for You," Low in High School touches upon several familiar Morrissey obsessions -- there's prog and glam alongside Smiths-ian jangle -- but the album also serves up swinging continental jazz, clomping electronics, drum circles, and even a feint at disco. None of these choices seem to stem from lyrical content, which means that Low in High School can seem as aurally conflicted as it is politically, and that may be an appropriate look for Morrissey in 2017: he's opted for a mad world of his own creation and doesn't much care whether his fans follow or not. ~ Stephen Thomas Erlewine
Rovi
この3年ぶりの新作で待ち受けているのは、先行シングルで予告した通り、いつもと同じようで少し違うモリッシーだ。さらに深まる孤独を嘆き、世界のありように怒りまくる彼の言葉を受け止めるのは、管弦楽器やシンセをたっぷり配した、かつてなく多彩で実験的な音。シャンソン風あり、クレズマー風あり、そのシアトリカリティーは通常以上に大仰なヴォーカルを引き出し、負のエネルギーを華々しいドラマへと転化する。
bounce (C)新谷洋子
タワーレコード(vol.410(2017年12月25日発行号)掲載)